This is a superb Christian Dior dress from the Marc Bohan years. It is a wonderful example of the work being done during this time period and shows how well the label could be when it delved into a more minimal cut combined with that full out glamour. The dress has classic feel of the best of Old Hollywood. Don't let the simplicity of the cut fool you. The closer you get to it the more you see the incredible and elaborate amount of detail that has been put into this fabric. This is a dream to wear and no matter how good you think it looks in these photos to see this one in person will make your jaw drop.

The dress is made from a black silk net that has an incredible lace floral pattern. The flowers in the pattern are edged in black silk cording that is worked throughout the lace. It is made from three layers. The top beaded layer, a black silk chiffon layer under that and then a nude silk chiffon inner layer that is itself backed in a black silk. Adding that nude layer gives the dress a bit of an illusion of wearing next to nothing underneath. The dress is suspended from two beaded straps that curve over each shoulder. The front neckline dips into a slight V and the back is a simple scoop. It is cut to skim over the body from bust to hips with no seaming to break the eye or the design created by the bead work. The shape of the dress is created by vertical seaming on the inner layers and then the top layer is shaped to follow. The skirt and widens out gradually as it nears the hem. The lace netting is covered with an elaborate design made of glossy black beads in various sized and black sequins. The design is heavier around the top the bodice, lightens in coverage as it goes over the hips and then becomes dense and heavy again at the hem. Glossy black sequins curve over the underlying floral pattern. The sequins are applied so that they are stacked and layered over each other to give a slight 3D feel. Small faceted beads follow other parts of the pattern and these are the same beads that are used to cover the straps. Tiny little seed beads are thrown into the mix and then there are square pailettes and oval faceted beads on a much larger scale to really create impact. The beads are all applied by hand and catch the light from every angle. It is an incredible thing to see and even better once on the body. The label on the dress is numbered and when you see that in a Dior Boutique label it most often meant that the piece was a special order or was a custom made order for a client in the atelier but fitted at the boutique store rather then in Paris. This is a dress that you just slip on and it is perfection. Excellent condition.

Fully lined as per the description above. It closes with a hidden set side zipper. Numbered tag. Perhaps the occasional bead missing but you would never tell because of the extent of the pattern. The slight bias cut will allow for a bit of movement in the measurements. The comfortable range is listed below

Bust: 16-18" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Length: 60" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD4909

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

John Galliano began his own label in 1984 and he was instantly a bit of a 'boy wonder' in fashion. He was British Fashion Council Designer of the Year in 1987, 1994 and 1995. In 1991 he made his Paris catwalk debut. In 1995 he was asked to head Givenchy and then went to Dior in October of 1996. His work, especially the bias cut pieces that he did, have a feeling of the decadence and abandonment of the twenties and they are beautifully cut. They marry Old Hollywood with the minimalist spirit of the nineties and early 2000s and the results are stunning. This is an amazing example of his work from the Spring 2006 season and it is gorgeous. This dress was a piece made for production for retail but it has all the things we love about his work presented in a beautifully chic and minimalist package. We believe that some of the detailing is based on / loosely inspired by the opening look of the Couture 2006 collection. We have included a photo of that dress for you and you can see similar bead work through the skirt of that dress that has similarity to the pattern of the beads on this dress.

The dress is made out of the deepest possible blue silk crepe chiffon that has a slight bit of texture to it and more opaqueness than a standard chiffon would have. It is completely cut on the bias which is one of his signatures that we all love. The dress falls from the shoulders and then drapes down and over the body to the floor. It is very beautiful. The signature bias cut that he often did allows the dress to skim and drape over you so that is shows every curve but is not overly fitted. The seaming is highly reminiscent of the work you see from the twenties and thirties which became another of John's signatures. The fabric has been pieced together with both curved and angled seams through the bodice and lower skirt especially to create the fantastic lines of the dress that you see. Wide straps extend out from the bust to curve over your shoulders. The front is set in a V and the fabric is gathered across the front of the shoulders. I love the angled cut of the front bodice where he has piece the two side of it together. These are set into a high curving seam that highlights the waist but still stays easy in cut. That seam curves around the back curving upwards there as well. The back is scooped into a low curved open expanse. The straps become smaller and run down the back to join into each side of the lowest part of that curve. An attached panel of silk drapes beautifully down the back in reference to the best of Old Hollywood. The dress glides over the body from there and flares out as it reaches the hem. The widening and length of the back hem is created with angled silk chiffon panels inset into the back skirt. It is an incredible feat of patterning. This creates a longer bit of a train at the back for a bit of a sweeping feel behind you. There is an incredible amount of fabric through the lower skirt which gives you so much movement when you walk. It is stunning. The entire dress to just past the knee is beaded with silver beads mixed with the tiniest  silver sequins. These are laid out vertically over the dress in beautiful curving lines that cover the dress. They catch the light from every angle and take the dress to another level. His signature row of tightly spaced buttons run up one side. The dress is even better in person and on the body as the static photos cannot fully convey how a bias cut dress moves. They only truly come to life when worn. It is an incredible example of his work and looks to have been worn very little if at all. Excellent condition

It has a matching silk inner slip dress that loop through a stitch so that they are attached at the top of the inner shoulders. You could easily remove this to get more room if needed. The bias cut should allow it to fit a range of sizes and we have provided the comfortable range of measurements for both it and the outer dress below. It closes at the side with a series of silk covered buttons. Tagged a FR42, GB14, IT46, US10. 

Dress
Bust: to 22" flat across from side seam to side seam 
Waist: 15-16.5" flat across from side seam to side seam
Hips: 22.5" flat across from side seam to side seam
Total length: approx 59" from the top of the shoulder to the front hem and approx 74" to the back

Inner slip
Bust: to 18" flat across from side seam to side seam
Waist: 15-17" flat across from side seam to side seam
Inner lining at hips: 20" flat across from side seam to side seam

Modern Sizing Equivalent: SML-LRG

Item# DD4884

Reference Photo: Fall 2006 Dior Couture, Look 1.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This is just the prettiest Dior. I believe it is a production piece made for the shops perhaps from the 2010s. At some point we will find more and verify the date and update the info here, or send along to the new owner. The dress is made from a black silk net that has an intricate pattern laid over it that combines black silk ribbon, black cording and embroidery work. The bodice is strapless and has inner boning so that it hugs the body and stays in place. Ribbon and cording wrap horizontally around the top of the bodice and then under that are panels of lattice mixed with cross thatched netting and swirling bands of cording applied to it. All of the ribbon has been applied by hand and you can see all of the tiny stitches that have been done. The waist nips in and there is another silk and cord band to add definition. The skirt flares out from under that. The skirt is a little masterpiece in itself. It is very full and short and the netting gives it a touch of transparency over the inner silk chiffon lining. Long vertical bands of silk are combined the same lattice pattern from the bodice and then there is additional embroidery work over top of that.  Embroidered flowers are places all around the bottom of the skirt for the perfect extra touch. We shot it without any extra underskirts but there is enough fabric that you could probably add a light crinoline if you really wanted more fullness. There is already an extra layer of tulle over the silk chiffon inner skirt that helps hold the volume that you see. These multiple layers give the dress structure so that it holds the shape around you once on. It is beautiful and feels like it is a little piece of art. It appears to have been worn very little if at all. Excellent condition

Fully lined in a combination of black silk and silk net. It closes with a hidden back side zipper. Lightly boned through the bodice with two inner stays under the bust and another at the waist that all hook to close. Handwork. It appears to have been worn very little if at all. Tagged a modern Dior FR36, GB8, IT40, US4.

Bust: 15-16" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: open
Bodice: 8.5" from top of bodice to waist
Total length: 28" from top of bodice to hem

Modern Sizing Equivalent: XS-SML

Item# DD4835

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This was a dress produced for the shops but you can see that it was based on a combination of Looks 10 and Look 52. Done in a more versatile black, it has the one shoulder cut of Look 10 combined with the bead work and embellishments that you see on look 52. Vogue said that the collection was done "in an electric-bright palette.. and channelled Barbara Hutton's sixties—a glittery, lame, paisley, and leopard-print world of muumuus, bikinis, capri pants, trapeze dresses, cat-eye sunglasses, and scarf-wrapped hats. It bordered on camp... and Kitschy or not, there was no denying the workmanship that went into crafting the large collection." I love that the photo of the blue dress still shows you how fantastic this is on the body and I love that the added details make it feel that much more special. 

The dress is made out of a black silk chiffon that has a slight bit of texture to it. It is all cut on the bias but with seaming at the waist so that it has more structure then some of his longer bias cut pieces. The dress falls from one shoulder and then drapes down and over the bodice to the waist before the skirt swings out from under there. It is very beautiful. It is cut to skim and drape over you so that is shows every curve but is not overly fitted. The dress is suspended from  that one wide shoulder panel that curves over your shoulder and drapes across the bust to the other side. On both the front and back he has added a fabulous spray of intricate floral appliques that are detailed with black jet beads and sequins. These catch the light beautifully as you move. The waist nips in and the dress comes with its original belt, in its original pouch, that allows you to cinch the waist in as much as you like. I love the big jewel buckle on the belt that adds that much more glitz. The skirt flares out under that to the hem. There is a good amount of silk chiffon through the skirt which gives you so much movement when you walk. It's stunning. His signature row of tightly spaced buttons run up one side. It is an incredible example of his work and looks to have been worn very little if at all. Excellent condition with a small note below

Fully lined in a black silk and closes at the side with a series of silk covered buttons. I see one tiny hole near the hem. Please see the photo after the label shot. Tagged a FR42, GB14, IT46, US10.

Inner bust: 18.25" flat across from side seam to side seam
Waist: 14.75" flat across from side seam to side seam
Hips: open
Bodice: 18" from the top of the shoulder to the waist and meant to blouse over the waist a bit
Total length: 42" from top of shoulder to hem

Modern Sizing Equivalent: MED-LRG

Item# DD4800

Reference Photos: Cruise 2008 Christian Dior. (1) Look 10. Model Chanel Iman.  /  (2) Look 52. Model Mariya Markina.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This is a very chic Christian Dior dress from the Marc Bohan years. The label is numbered and when you see that in a Dior Boutique label it most often meant that the piece was a special order or was a custom made order for a client in the atelier but fitted at the boutique store rather then in Paris. It is a wonderful example of the work being done during this time period and shows the restraint that the label could have when it delved into minimalism. It is a very easy and comfortable dress to wear. Don't let the simplicity of it fool you. This is a dream to wear and the simple lines are offset  by the high quality of the silk and the ease and beauty it has once on.

The dress is made from a black silk that drapes beautifully over the body. The neckline falls from a single shoulder that draped up and over to the back. There is an inner dress and then a layer of silk chiffon is draped over that dress to blouse over you to the waist. I love the way it softly angles from the shoulder down to the other side on both the front and the back. The waist has an elastic so the dress is extremely easy to wear and comfortable. The bodice blouses over the waist line. You can wear it as is or you can to add a belt underneath and cinch in the waist to create a more hourglass shape. The inner bodice is made from two layers of the same silk chiffon and it is cut to skim over your bust to the waist. The skirt falls from the waist to the floor gently widening out as it clears the hem. The elastic creates a series of small soft gathers all the way around the waist and this the skirt open up beautifully as it does. The skirt is made of three layers of the silk chiffon, each stacked perfectly over each other. A slit runs out the same side as the shoulder for a little bare flash of leg. This is a dress that you just slip on and it is perfect every single time. You can see the hand work throughout and it is beautifully made. Excellent condition.  

The layers of silk chiffon act as its lining. The dress weighs ounces. It closes with a side set zipper on the two innermost layers to the waist and then snaps on the top lay over that. Elastic through the waist. It looks to have been worn very little if at all.

Bust: to 17" flat across from side seam to side seam
Elastic waist: 13-16" flat across from side seam to side seam
Hips: to 18.5" flat across from side seam to side seam
Bodice: 16" from top of shoulder to waist
Total length: 60" from top of shoulder to hem
Slit: 23" from hem up

Modern Sizing Equivalent: XS-MED

Item# DD4789

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

When searching for the date of this dress, we found a runway piece from Fall 2003 that has very similar bead work through the skirt and was shown with a different bodice at the front, but with the same crossed over strap open cut back. I love that you can get an idea of how well it moves by the runway video. It is truly a beautiful and extraordinary dress and a gorgeous example of the work the original Mr. Valentino was doing for his self named label.

I love the bareness at the top of the dress with its bare back and the front draping neckline. It is a dress that really comes alive once on the body. It is very light in weight despite its extensive bead work and sequins that cover the dress. It is all cut on the bias so once you slip it on it just skims over the body. The dress is made from a bias cut black silk chiffon combined with a silk netting. The netted portions are covered with thousands of tiny black sequins and beads in a variety of shapes. A little beaded strap curves up and over the shoulders to criss cross over your bare back. A panel of silk chiffon at the front creates a pretty drape. It skims over the waist and then curves over the hips. The skirt flows to the floor from there and widens out a bit as it nears the hem. It is cut a little longer at the back to give a slate sweeping feel behind you. Panels of silk chiffon run down the back for a little added detail. Excellent condition with a minor note below

Fully lined in a black silk chiffon and closes with a back hidden set zipper. Hand finishes. I see minor missing beads and wear to the back hem and there is a couple small areas where the netting has popped out of the seams a tiny bit. Please see the photos after the label shot. All minor. Tagged a vintage Valentino 6

Bust: no true side seams but will cover up to 16" flat across the front bodice
Waist: 12-12.5" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Total length: 63" from top of shoulder to front hem, 68" to back hem

Modern Sizing Equivalent: XS-SML

Item# DD4632

Reference Photos/Video: (1-4) Fall 2003 Valentino, Look 70.  /  (5-6) Rupi Kaur in this dress for the South Asian Excellence at the Oscars Event, 2024.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

When searching for the date of this dress, we found a runway piece from Fall 2003 that has very similar ribbon edged detailing through the skirt. A dress from the Haute Couture collection that season also had a bodice with a similar feel that this dress has. We have included both of those references for you here. I love that you can get an idea of how well it moves by the runway video and I think that this dress is even better than the one that walked the runway that season. It is truly a beautiful and extraordinary dress and a gorgeous example of the work the original Mr. Valentino was doing for his label.

This is one of the most beautiful Valentino dresses I have ever seen in all of my years of doing this. It is very light in weight and feels like a dream on the body. The dress is suspended from silk straps that have rows of tiny black seed beads covering them. More seed beads detail the upper and lower edges of the bodice. Between those are an extraordinarily beautiful floral pattern that combines a dense design of sequins and beads. These are set on a black net so all of the space is between the floral pattern has a slight transparency once it is on the body. The way that the beads and sequins have been applied give it a slight 3D feel that I love. The waist is detailed with a gathered panel of silk chiffon and he has added a little band of silk ribbon over that that ties in a sweet little knot at the front. The skirt falls from under the bottom of the band at the waist and it is a work of art. Six tiers of silk chiffon cascade down the skirt to the floor. Each tier gets wider as it near the bottom of the dress and each tier is finished with a black silk border that has been set along the edge of each ruffle. The way that the edging has been sewn onto the silk chiffon is what creates these beautiful little ruffles all the way around you. It is genius. The movement that this gives when the dress is on the body and you move is magical to see. It is just one of those dresses that when you see it, you know it is so very special. I can't rave about it enough. Excellent condition.

The bodice is lined in a black silk chiffon skirt has inner lining of black silk organza. It closes with a hidden set side zipper. It appears to have been worn very little if at all. Hand finishes

Bust: 16-17" flat across from side seam to side seam
Waist: 13-14" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Bodice: 17" from top of shoulders to top of the 5" band at the waist
Total length: 61" from top of shoulders to hem

Modern Sizing Equivalent: XS-MED

Item# DD4910

Reference Photos/Video: (1-2) Fall 2003 Valentino, Look 71.  /  (3) Fall 2003 Couture Valentino, Look 49.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This is what I believe is a later re-issue version of Westwood's famous 1991 leopard jacket. The original was longer and a slightly lighter colour and this one is a more car length / pea coat feel. I think that this might be the more wearable option overall and it is an easy way to get that look without the many thousands of dollar price tag that the original has now. The one I have today was well loved and worn and this has given it a great vintage patina. The collar is notched and rounded to frame the neck. It closes down the front with a series of orb embossed buttons. Flap pocket sit on each hip and the sleeves are long. It comes in at the waist and then flares out around the hips. Extra fabric is built in at the back so you get a bit of extra flare there. It is a classic Westwood piece. Great overall condition with notes below. 

Fully lined in an orb embossed fabric and closes down the front with three buttons. Some of the faux fur has matted and shows wear near the edges here and there. We shot some areas to see. The worst is under the pockets flaps which you of course do not see when it is on. It presents great. Tagged a vintage Westwood 1. 

Sleeves: 23" and are 12" around the upper arm
Shoulders: 17"
Bust: 17" flat across from side seam to side seam
Waist: 14.5" flat across from side seam to side seam
Hips: 23" flat across from side seam to side seam
Total length: 37" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD4905

Reference Photos: (1-2) Fall 1991 Vivienne Westwood.  /  (3-4) Vivienne Westwood at Heathrow Airport, October 1991.  /  (5-6) Vivienne Westwood with Yves Saint Laurent, 1992.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This is a great Vivienne Westwood faux leopard coat from her Anglomania line from the late 1990s to 2000s time period. She made some of the best faux fur pieces and I am always on the look out to snag one. They were loved and worn so to find one in such great condition as this one is a treat. It is very well made and the faux fur is of very good quality. The leopard print has a fabulous sense of depth and texture and I love that the colours  on this one are a real tawny soft blend rather then the stronger, more orange toned pieces you often see. The fabric gives the coat just enough weight so that the lines are held perfectly when it is on but doesn't make it feel too heavy or unwieldy. The leopard print acts like a neutral in that you can pair it with pretty much anything and any colour. It closes with an offset row of buttons down the front and then there are two buttons placed high on the other side for contrast. The sleeves are long and the cut through the body has a bit of a pea coat feel to it with the waist area brought in a touch. The collar is notched and there are pockets at the side to slip your hands into. It flares out as it reaches the hem and at the back there is a distinctive flaring swag of fabric that is quite fabulous. Excellent condition

Fully lined in an embossed brown and gold. It closes with buttons at the front. Tagged a vintage Westwood 44

Sleeves: 25" and is 14" around the upper arm
Shoulders: 16"
Bust: 19" flat across from side seam to side seam
Waist: 17" flat across from side seam to side seam
Hips: to 27" flat across from side seam to side seam
Total length: 34" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD4903

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This set is from Spring 2002 and it is fabulous. On the runway this print was shown throughout the first part of the show and the jacket and pant that make up the set were shown separately. I love that this gives you some styling ideas when you don't want to wear them together as the full set. The book Versace:Catwalk noted that Donatella's "graphic floral prints echoed Andy Warhol's multi huge floral paintings as did the backdrop". I love that.

This two piece set combines a beautifully cut jacket with pants that are beaded from the knee down. I always love a suit because of the ability this gives you to mix and match the pieces with things you already own. The incredible floral print give the suit this incredible rock 'n' roll feel. The jacket is tailored with a sleek cut that follows the curves of the body. It has no collar and the sleeves are long with a notch opening up each wrist. A series of tightly spaced, hidden set, hook and eye close the jacket at the front. It comes in at the waist a touch for shape and is meant to follow the curves of the body, but without being too tight. The floral print that covers the jacket is spectacular to see. The fabric of the jacket is an almost canvas feeling cotton mix with a slight texture that gives the perfect backdrop to the print. The pants are made of a super light in weight stretch fabric that lets the pants hug the body like a second skin. There is a small band at the waist that is meant to flip inwards and then nothing else to break the eye as they fall in a fairly straight boot cut to the floor. From about the knee down the floral print is covered in matching coloured beads and sequins. These catch the light terrifically as you move. It is fabulous and a great little piece of fashion history. Excellent condition

The jacket is lined in an ivory Versace logo embossed fabric and hooks to close at the front. The pants are unlined and close with a back zipper. Padding in each shoulder of the jacket. Both pieces appear to have been worn very little if at all. The pants are tagged a 42 and the jacket has no size tag present. The hips of the pants have some stretch and the comfortable range is given in the measurements below.

Jacket
Sleeves: 24" and each arm is 14" around the upper arm
Shoulders: 15.5"
Bust: to 18" flat across from side seam to side seam
Waist: to 16" flat across from side seam to side seam
Bottom seam: 17.5 flat across from side seam to side seam
Length: 23" from neck to hem

Pants
Waist: to 15.5" flat across from side seam to side seam
Hips: 16-21" flat across from side seam to side seam
Length: 40" from waist to hem with 2" turned under the hem
Inseam: 31.25" and the gusset is 14" from back of waist to inner leg seam

Modern Sizing Equivalent: SML-MED

Item# DD4895

Reference Photos/Video: (1-9) Spring 2002 Versace (Look 9 (jacket) & Look 51 (pants)).  /  (10) From the book "Versace: Catwalk".  /  (11) Spring 2002 Versace Ad Campaign by Steven Meisel.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.