This gorgeous Chanel has an amazing provenance. Its twin walked the runway for Look 83 that season, Julianne Moore wore one to Cannes that year, and Elle Fanning also wore one from us to Cannes just this year. We are so pleased to have another and this one even has its original hang tag in place. The Metiers d'Art presentations are always a celebration of the amazing craftsmanship and talent of the Chanel Artisans. Vogue stated that "The lace and ribbons and elaborate sleeve details of Winterhalter's portraits of Sissi (Empress Elisabeth of Austria), became part of the Chanel vocabulary in this collection." You can see that tribute to lace on this dress. On the runway an additional ribbon with a diamante crusted buckle was wrapped around the waist and I love that this shows you that you could add something around the waist to make it even more glamorous, or keep it perfectly minimalist and wear it as it was sold in the shops like Julianne and Elle did. 

Everything about this dress has that chic Chanel feel that makes many of Karl's designs feel like forever classics. Even without the fact that it is so well documented the dress feels very Chanel. It is beautiful in person and the simple lines and cut make it the kind of dress that you can wear multiple times while the styling and accessories you choose to add can make it feel different each time. It is made of black silk that has a slight bit of texture to it. It has enough weight to hold the intended shape beautifully. Wide straps curve up and over each shoulder and then extend to sit on each side of the low squared off opening that exposes your entire upper back. This is so unexpected and insanely sexy. The neckline is cut straight across. The waist is seamed and brought in with a wide silk satin black ribbon that ties in a bow at the front. The ends of the bow trail down the front of the skirt to add extra detailing. The ribbon also holds in place the panel of lace that runs down the entire front. The panel is made up of tiers of black lace that sit in horizontal bands. These start at the top of the neckline, run in and behind the band around the waist and then fall like an apron over the front of the skirt. The dress curves over the hips with little pockets hidden along the seams. Depending on your height, the skirt will fall to just above the ankle or the floor. It is an exceptional piece of Chanel and has its original shop tag. Excellent condition

Fully lined in a black silk and closes with a back hidden set zipper tag a Chanel 40. The original tag is attached which it's original price of $11,900 which is just over $16,000 in today's dollars, not even counting Chanel's rise in pricing that is well over the actual inflation value. Pockets on each hip.

Bust: to 18.5" flat across from side seam to side seam
Waist: to 15" flat across from side seam to side seam
Hips: to 23.5" flat across from side seam to side seam
Bodice: 14.5" from top of shoulder to shoulder top of the 2" band at the waist
Total length: 55" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD4969

Reference Photos/Video: (1-2) Pre-Fall 2015 Chanel, Look 83. Model Caroline Brasch Nielsen.  /  (3-4) Julianne Moore in Chanel at the Chopard Trophy Party in Cannes, May 2015.  /  (5-7) Elle Fanning wearing this dress in Cannes, May 2024.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This is the second time that I have had this dress in the shop and I love it even more now. Three versions of this dress in this print were presented on the Fall 2000 runway that season. The twin of this one was worn by Trish Goff. Vogue's review of the collection states in part; 'Fall 2000 was, overall, the season of the lady. One who had polish—and, likely, two homes and one eye on the fluctuating stock market. “With the Dow Jones and Nasdaq soaring and plunging like a late-sixties hemline,” wrote Sally Singer in Vogue, “it was perhaps inevitable that many designers would choose for fall 2000 to forgo fantasy and get back to basics—luxe basics, that is.” I think this was one of the best dresses in that collection and I am very pleased to have it again.

The dress is a stunning example of the work that Lagerfeld was doing during this time period. It has an easy sexy feel to it. It feels like the kind of dress that you just throw on and walk out the door in and feel fabulous. The silk chiffon is feather light and has an amazing print in pinks and purple that covers the entire surface. The fabric is draped and gathered over the body to create the very feminine silhouette that you see. There is an inner purple lining that goes to just below the hip so that the silk has something to attach to, and the dress is opaque enough to wear. Over that the silk is gathered in soft sweeps around the body. There is a curved panel of fabric attached along one hip that drapes down and around the hips and then another panel attached at the top that drapes over one shoulder and that you can wear straight down and over the top of your arm. Because all of the panels are unlined you get this interesting play on the overlapping of the pattern. The skirt that falls beneath where the lining ends has a touch if transparency that gives a glimpse of the shape of the leg underneath. It is cut on an angle to further play on the asymmetrical feel of the dress and slit up one side of the skirt. This means that when you walk and move the slightest bit of air catches that layer of chiffon and it moves beautifully around you. The famous double C logo is worked through the print for the perfect finishing touch. It appears to have been worn very little if at all. Excellent condition.

Fully lined in a purple silk chiffon through the body of the dress and closes with a hidden set side zipper. Light boning on either side of the bust. Tagged a vintage Chanel 40. Because it is bias cut the length will come up once it is on.

Bust: 16.5" flat across from side seam to side seam 
Seam under bust: 14.5" flat across from side seam to side seam 
Natural waist: to 15" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: 6" from top of the bodice to the seam under the bus
Total length : approx 65" from top of shoulder to longest point on hem

Modern Sizing equivalent: XS-SML

Item# DD4928

Reference Photos/Video: Chanel Fall 2000 Runway Collection, Look 72. Model: Trish Goff.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

For the Cruise 2012 Karl booked the entire Hotel du Cap in Eden Roc on the French Riviera so that he had it at his full disposal for the show. This is remarkable in that it is arguably one of the most expensive hotels in the entire world. The show is also of note because he accessorized all the pieces with real diamonds and pearls. Vogue noted that he said "too much may not be enough" when asked about this extravagance. The twin of the suit walked the runway for Look 8 and was adorned with diamonds on the pockets and at the neck. It was sent to the shop with a beautiful crystal rhinestone and faux pearl button at the top of the neck and left to the clients to add their own personal diamonds.

This collection was a nod to old-school glamour and you can see that in the beautiful lines of the suit. It is constructed from an absolutely stunning ivory version of the Chanel signature boucle fabric. The weave is very tight and it is one single ivory colour. It has little bits of silver thread woven through it. These glitter in the light in this very subtle and beautiful kind of way. I know the still photos are not properly capturing it but in person it is magical. The collar is soft and rounded with a raw finish to its edges and then it is covered with the tiniest possible ivory sequins. He added another band of sequins under the collar to circle the inner shoulders near the neckline. A little jewelled clasp sits at the top of the neck that has crystal rhinestones and large faux pearls with the double C logo on their sides. I love the nod to the 1940s this little jewelled detail has and how it picks up on that old Hollywood glamour theme. The sleeves end at about the wrist depending on the length of your arms. The jacket has a beautiful curving seam at the front and two top set pockets. I photoed the jacket open as it was shown on the runway but there is one single little hidden snap so that you can close the jacket more if you wished. A second curved seam sits at the back. The construction is absolutely beautiful. Inside it has a Camellia flower embossed silk lining and a silver chain is hand sewn along the inner hem. The skirt is as beautifully cut as the jacket. It has a curved band around the waist and pockets on either side of the hip. It curves out to skim over the hips and then comes in at the bottom. There is a wide 7" band of the same fabric circling the bottom hem. He added a back vent that has three beautiful buttons and you could open those if you wished. The set comes with the matching belt that you see on the runway. The belt follows the same curve of the waist band. It hooks in place and it is completely covered on both sides with more of those tiny little ivory iridescent sequins. This is an exceptional Chanel. It would make a great bridal piece for the bride not looking for something traditional or as a piece for an event surrounding the ceremony. Excellent condition.

The jacket is fully lined in an ivory silk embossed with the Chanel camellia flower print and has a clasp at the neck and a hidden set snap halfway down. The skirt is lined in an ivory silk and closes with a hidden set zipper. The belt hooks to close. It appears to have been worn very little if at all. All three pieces are tagged a Chanel 38. The very subtle bit of metallic silver thread that runs with through the boucle is more apparent in person.

The Chanel boucle is created with their proprietary method of weaving that they themselves describe as "by weaving the warp and weft, using a variety of different kinds of threads which creates a unique and somewhat irregular appearance. The warp – vertically strung – is the background of the fabric, the base that will support the assembly of materials. There can be up to 12 different threads used for a single warp. The weft – woven horizontally – gives the fabric its unique character and can have an unlimited number of threads. Tight, perforated, textured, thick, with a relief, plaited, random, twill… the potential number of effects is endless". 

Jacket
Sleeve: approx 21" from the natural shoulder and is 17.25" from the dropped shoulder scene. They are 14.5" around the upper arm
Dropped shoulders: 19"
Bust: 17" flat across from side seam to side seam
Waist: 17" flat across from side seam to side seam
Bottom hem: 18" flat across from side seam to side seam
Length: 21.5" from neck to hem

Skirt
Waist: 13" flat across from side seam to side seam
Hips: 17.5" flat across from side seam to side seam
Length: 27" from waist to hem

Belt: It currently hooks to close at 28" and you could move the hooks if needed. it is 30" in total from end to end.

Modern Sizing Equivalent: XS-SML

Item# DD4911

Reference Photo/Video: Resort 2012 Chanel, Look 8. Model Sigrid Agren.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

Well sourcing the collection for this dress we found an example in 1988 that felt close but I think it is most likely from the Fall of 1991. He showed several of these dresses with jackets over them at the end of that show and this feels more similar to those. You can also see the similarity in the one that we had that was worn by that Olivia Culpo. This feels like it's younger sassier sister. We have included reference photos from both collections here and either way, it is an absolutely fabulous little black dress. It is incredible and very sexy.

The dress is strapless with a pretty bodice that curves up at the front and down slightly at the back. It is boned and shaped to curve around the bust at the front and then hug the body to the waist. The exterior is made of a black silk and it has a little lace ribbon all around the upper edge for a little romantic touch. The skirt is made from two layers of a fine black netting that has a very smooth to the touch feel. The layers give you touch of transparency and you can see this in the 1991 show that this was deliberate. He meant it to be worn over an undergarment and tights that gives you some coverage and just have the transparency that shows your entire leg. If that does not work for you, you could easily add something underneath to lessen the transparency that the skirt has. It zips to close at the back and I love how you can see that the zipper has been hand set. The inner lining is also handset and it is just a beautiful example of how well these little dresses are made from Chanel. Especially in these early years of the Karl era. Excellent condition.

Lined in a handset silk through the bodice and closes with a back, hand set zipper. There is a stay in place around the waist that hooks to close. Tagged a vintage Chanel 38.

Bust: 15.5-16" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: open
Bodice: 10" from top of bodice at the front to waist
Total length: 32.5" from top of bodice to hem

Modern Sizing Equivalent: XS-SML

Item# DD4837

Reference Photos/Video: (1) Spring 1988 Chanel.  /  (2-3) Fall 1991 Chanel, Look 98. Model Emma Sjoberg.  /  (4) Olivia Culpo in Fall 1991 Chanel from Shrimpton Couture.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

I have a small grouping of Chanel pieces that will be listing over the next week or so and they all come from an avid Couture and Chanel collector. Many of these pieces were extremely difficult to source when they were released and were only made in very limited quantities. They are in pristine condition and all but one have their original shop packet that has the extra fabric and style information. These are exceptional pieces for the collector and each is extremely special.

This skirt is exceptional. It's from the Pre-fall 2020 collection and it's twin walk the runway for Look 37. This is a wonderful piece of Chanel and is extremely well-made. The was a Metier d"Art collection which are always the most expensive at retail as they feature work from all the tiny maison d'art houses. It was also Virginie Viard's first Metier d'Art Pre-fall collection. She titled the show 'Paris – 31 rue Cambon' which is of course where Gabriel Chanel first set up shop as a milliner in 1910. She later expanded her fashion empire by taking over six buildings to house her Haute Couture salons one of which was Number 31. In tribute she mirrored the black, beige, crystal and gold that evokes Chanel's apartment, and the famous mirrored staircase. When asked about it backstage, she said that the show was meant to be "the things we like, a mix of Karl and Chanel – the Chanel codes."

In this skirt we see the high workmanship of the luxury suppliers of the fashion industry. At first glance, you might almost think it to be a tweed Chanel piece but then as you look at it closer you realize that every inch is covered with overlapping silver sequins. The sequins are held in place by an ivory, gold and black thread and this is what gives them the appearance of that classic Chanel tweed. The sequins catch the light from every angle. It is exceptional. Running down the front is a panel of glittering crystals that are bordered with faux pearls on either side and the pearls are all caught into a black corded cage. That same detail runs down the centre of the skirt at the back. It is fitted around the waist, but without an added band so you lose no detail of that stunning design, and then it glides over the hips and flares out to the hem. The skirt has never been worn and has its original Chanel packet. Excellent condition

Fully lined in black silk and closes with a hidden set zipper under the back centre detailing. Tagged a 34 and has its original Chanel packet. Current Chanel fantasy skirts start at $5500 and range up to $8500USD + for pieces with this level of detailing. 

Waist: 12.5" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Length: 23" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD4545

Reference Photo/Video: Pre-Fall 2020 Chanel Runway, Look 37.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

I have a small grouping of Chanel pieces that will be listing over the next week or so and they all come from an avid Couture and Chanel collector. Many of these pieces were extremely difficult to source when they were released and were only made in very limited quantities. They are in amazing condition and all but one have their original shop packet that has the extra fabric and style information. These are exceptional pieces for the collector and each is extremely special.

This is a suit pieced together from the actual Chanel sample jacket for this look and then the pants were purchased at retail by my client. It is incredibly rare to find a sample piece so that is a little extra special. The twin of the suit was worn for Look 13 for the Chanel Métiers d’Art show. The show was set in the  Hamburg concert hall and that setting held an extra special place for Karl since it was his hometown. The concert hall had just been opened and for this show Karl mixed the modernity of the new space with his memories of Hamburg as a child “I’ve never left; this is part of me,” he reflected after the show. “I like Hamburg as an idea; something in the back of my mind.” Vogue noted 'You saw what that was, the essence of his inspiration, in a flash: Sailors in peaked caps on leave, girls in thigh-high boots and leather, the people who mill around docks and nightclubs. The clothes evoked ’60s beatniks, countercultural girls in sweaterdresses, smartly dressed officers in uniform, and naval ratings in sailor pants—looks that ran up and down the register of the cool, the hip, and the immaculately classic. It was an obvious, simple idea, really, but one marinated in a mind that has the sophistication to align the results with Coco Chanel’s heritage, and with what any girl would absolutely kill to wear right now.'

The lines of this suit are crisp and sharp and the tailoring is immaculate. Both pieces are made out of a pinstriped virgin wool that allows them to retain the exact lines that Lagerfeld intended while still staying light in weight. The jacket is cut so that it is fitted across the shoulders and then falls in a more box shape to the top of the hips. The collar is neat and small and I love how there is an inset of a white waffle weave cotton for a crisp little pop. That same little pop of cotton is set within each cuff so that it feels perfectly tied together. It buttons to close up one side and the buttons themselves are incredible. I took a detail shot so you can see that they are especially done with both Paris and Hamburg noted on them. The bottom hem is banded and there is a little top set pocket on one side. Each sleeve is long and straight and they end in a notched slit held by a button rather than a traditional cuff which falls in line with the sleek minimalist feel of the rest of the suit. Beside the little pop of white at the end there is also a little 'hidden' surprise of another functional pocket that sits at the end of the one sleeve nearest the pocket on the front. I am obsessed with this little detail. The pants are sleek and simple in their cut. They are flat fronted with a slanted slip pocket on each hip under the waist band. Two more pockets are at the  back and each is still tacked shut. The legs fall wide to the ankle with just the tiniest bit of a flare at the ends. Each leg is finished with a precise wide cuff. The inside of the suit is as immaculate as the outside and it is lined in a deep grey silk embossed with the Chanel logo. A signature Chanel chain runs along the inner hem of the jacket. Every stitch is perfection. Excellent condition with a minor note below. 

The jacket is lined in a grey Chanel embossed silk and closes with the buttons along the front panel as seen. It has a Chanel sample label and is tagged a modern Chanel 38. A pocket on the front and on each cuff. Metal embossed buttons and the signature Chanel chain around the inner hem. There is slight yellowing and grubbiness on the inner collar of the Chanel. The pants zip to close at the front and have hidden hook & eye at the bands. Slip pockets on each hip and two tacked shut pockets at the back The pants have their original Chanel packet and are tagged a modern Chanel 40

Jacket
Sleeves: 21"
Shoulders: 15"
Bust: to 17.5" flat across from side seam to side seam
Waist: to 17" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Length: 22" from neck to head 

Pant
Waist: 14" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: 40.5" from top of bodice to waist
Inseam: 29" from inner seam to hem
Gusset: 17" from waist to inner seam

Modern Sizing Equivalent: SML-MED

Item# DD4540

Reference Photo/Video: Pre-Fall 2018 Chanel, Look 13.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This is an incredible example of Karl Lagerfeld's Haute Couture work. I am so glad this was a runway piece because it was almost impossible to photo correctly on the dress form. The elaborate sleeves that you see coming out from under the jacket are actually separate pieces altogether. You can see on the runway shots how beautifully they sit on an actual arm. My client opted for a more sleek jacket that did not take her in it at the waist as much as the runway look did and a more classic trouser. If you preferred that cinched in waist look you could easily belt the jacket. The simpler silhouette of this jacket allows for more versatility and styling. Sarah Mower said on her review of the show that; ‘It was pure Chanel, crystallized to a point of perfection only witnessed in haute couture…. Karl Lagerfeld began this mostly black-and-white collection with a new treatment of the Chanel suit…. These were paired with flat white go-go boots, which were not referenced from the sixties, but from a pair Coco (always ahead of her time) was wearing in a photograph from the decade before. That allusion and others demonstrate just how deftly Lagerfeld—Chanel historian par excellence—marshals his knowledge. He sprinkles the camellias, the satin bows, the organdy collars, and the bound edges so lightly that they become playful thrills—not belabored underscorings of theme or "brand identity."…. Lagerfeld reinvents the house signatures to pique the fantasies of today's young woman—and that he does just beautifully.’ 

The lines of this suit are crisp and sharp and the tailoring is immaculate. This is sharply contrasted with the dandified collar and arm pieces. It is incredible to have the full suit. This set includes the jacket, pants, inner top, collar and both arm pieces. The suit is made from a fine black wool that is light in weight and has a slight texture. It is just heavy enough to hold the shape beautifully. The jacket is cut to have a slight oversize feel through the body. The shoulders are shaped and the sleeves fall to just past the elbow. There is no collar. The neckline comes down the front in a simple V and then it zips to close down the remainder of the front. Two sleek little pockets are stacked on top of each other on either side of the waist for some detailing. It is cut to be more straight through the body and then flares out slightly at the hem, falling to just past the hip. The pants are classic and simple in their cut. They are flat fronted and cut to taper down to the ankles. A sharp fold runs down the front and the back of each leg. The inside of the suit is as immaculate as the outside and it is entirely made by hand. Every stitch is perfection. Under that goes a little sleeveless ivory silk top with a small neat collar. The top is easy fitting through the body. The top three buttons are finished with rhinestones and enamel and then the rest of the buttons are hidden under a flap of silk. Three additional pieces come with the suit. The first is a detachable silk organdy collar that goes around the neck and adds a romantic flounce with a large soft bow and ties. This gives the suit an unexpected touch of drama. Next is a pair of detachable sleeves. The sleeves are also made out of the same silk organdy as the collar and slip on the lower arm. Both those and the collar have a nod to the regency era when this type of sleeve and collar were all the rage. The sleeves are finished with a row of those beautiful buttons and the ends are ruffled. Every piece has been entirely made by hand and all the proper Chanel couture labels and numbered tapes are present. I love that with this one set you have so many pieces to mix and match with other things you own. It allows you to be able to sprinkle a bit of vintage Haute Couture throughout your wardrobe. This is a rare opportunity to own a piece of true couture by one of the most important designers of our lifetime. Excellent condition with a minor note below. 

The jacket and pants are hand lined in a fine black silk. The jacket closes with a hidden zipper under the front panel of fabric. The pockets appear to be functional and all four still have their original tacking in place. The pants zip to close with a hidden set side zipper. The toppings to close at the front. The collar snaps into place and the sleeves slip onto the arm with functional buttons running down the cuffs. The edges of the collar and cuffs have intentional raw edges. I see one small area of breakage in the silk on the edge of one cuff. Please see the photo after all of the label shots. I see one rhinestone missing off one button on each cuff and one on the top. All of the pieces are made and finished by hand to couture standards. Proper couture labels present with couture tape are present on all pieces but the sleeves. Sourced from the original couture client 

Jacket
Sleeves: 18"
Shoulders: 15.5"
Bust: to 19" flat across from side seam to side seam
Waist: to 16" flat across from side seam to side seam
Hips: to 22.5" flat across from side seam to side seam
Length: 34.5" from neck to head 

Pant
Waist: 15.5" flat across from side seam to side seam
Hips: 20.5" flat across from side seam to side seam
Length: 39" from waist to hem with 1.5" turned under
Inseam: 28.5" from inner seam to hem
Rise: 15.5" from back waist to inner seam

Top
Bust: to 20" flat across from side seam to side seam
Waist: to 19" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Length: 24" from neck to head 

Collar
14" around and the snaps could be adjusted up or down a bit if needed

Cuffs
Length: 13" including the extended cuff, 9" without
10" around the upper edge and narrows to 7" around the wrist

Modern Sizing Equivalent: SML-MED

Item# DD4263

Reference Photos/Video: Spring 2006 Chanel Couture Runway, Look 9. Model: Svetlana.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

Other then the colour this is the twin of the set that walked the runway for the Fall 2000 as Look 17. The set is incredibly beautiful and chic once on the body. I also have Look 11 from the show in the shop now that has a longer jacket from the same client. True Haute Couture pieces by Chanel are an extraordinary find as they are so very rare and hard to come by. It is an incredibly beautiful and historically important example of the work that Karl was doing for Chanel during this time period. It is absolutely gorgeous to see in person.

I love that this set has both the light car length coat and a chic inner dress. It makes it so versatile and you can mix and match both pieces and wear them in so many different ways. Both of the pieces are constructed from a stunning deep coral pink and moss green version of the Chanel signature boucle fabric. From a distance it combines to give a more rust coloured feel but as you get closer you see the two distinctive colours. It is absolutely beautiful. It is then edged with a fringe made of the two wools. On the jacket this fringing follows all of the edges of the coat and then also circles each cuff. On the dress it circles around the hem. When the two pieces are worn together this extra little detail softens the feel of the set and gives it a nice pretty and romantic touch. The inner dress is cut in the sleek and simple shift that skims over the body and flares out slightly as it nears the ham. Clever and subtle seams shape the dress around you so that it's very flattering. It is hand lined in a rich deep green silk. The jacket slips over that and has shoulder pads for a structure and  the sleeves are long. It has meticulous seaming set in curving lines to create the shape that you see. It has no closure except for a hook and eye at the neck. What really makes it exceptional is that ruffled piece that goes from the neck right to the hem. The ruffle gradually narrows down as it reaches the bottom hem. This adds an unexpected touch of detail and softness to the jacket. It also creates movement as it slightly moves as you move. The jacket is lined in that same extremely high-quality green silk and there is a signature Chanel chain set around the hem. This is a classic Chanel set that will never go out of style and it is exceptional. The fact that it is true Haute Couture is just the icing on the cake. It is meticulously made to the highest standards. It is a beautiful piece showcasing the work that the Chanel ateliers are capable of and of Karl's time there. Excellent condition.

Both the dress and the jacket are fully lined in a fine deep green silk. The dress closes with a back hidden set zipper. The jacket has a hook and eye at the top of the neck. It appears to have been worn very little if at all. Both pieces have an appropriate Haute Couture label and numbered tape present. Both pieces are completely made by hand

The Chanel boucle is created with their proprietary method of weaving that they themselves describe as "by weaving the warp and weft, using a variety of different kinds of threads which creates a unique and somewhat irregular appearance. The warp – vertically strung – is the background of the fabric, the base that will support the assembly of materials. There can be up to 12 different threads used for a single warp. The weft – woven horizontally – gives the fabric its unique character and can have an unlimited number of threads. Tight, perforated, textured, thick, with a relief, plaited, random, twill… the potential number of effects is endless". This technique gives you that classic Chanel look.

Jacket
Sleeve: 24"
Slightly inset shoulders: 14.5"
Bust: 19" flat across from side seam to side seam
Waist: 18" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Length: 39" from neck to hem

Waist: 17" flat across from side seam to side seam
Hips: to 19.5" flat across from side seam to side seam
Length: 38" from shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD4142

Reference Photos: Fall 2000 Chanel Couture Runway, Look 17. Model: Tetyana Brazhnyk.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This Chanel hat is from the Fall of 1996 and it is gorgeous. I found a editorial shot of Stella Tenant wearing a version of it that was shot by Karl himself. The hat is so dramatic and easy to wear. It is meant to sit lightly on the top of the head and then you can play with which direction you want the feathers to face. It can be worn with the feathers towards the front, either side, or to the back and sit as high or low as you want. This gives it so much versatility in styling it and the feel of it completely changes depends on how you place it on your head. It has its original attached comb in place. The feathers are full and glossy. It is stunning. Excellent condition

Secures to the head with a comb. The base is a black felt wool. Because of the half hat / cap design is should fit any size head. Each side of the triangle shape measures about 8" long.

Item# A339

Reference Photo: Stella Tennant by Karl Lagerfeld for Chanel Fall 1996.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.