The twin of this walked the runway for Spring 1991 and we found just a second of footage of it as the model walks back down the catwalk. We have included that little bit of film along with a couple of stills taken from the clip for you to see. They are not the best photos ever, but we were still very happy to have confirmation that this was a runway piece. Marie Claire shot a different piece from the show done in the same fabric and that is also here for you to see. The dress is gorgeous and its looks like it was never worn. Truly a time capsule piece. 

The dress is made from a lightweight cotton voile that that has just enough weight so that it falls and drape perfectly over you. I love the bold use of all those brilliant colours in the print. There is an angled strap made out of the same fabric that curves over one shoulder. Inside the bust there is a built in, lightly boned bodice, with its own zipper that holds the dress in place over you. The dress drapes over the inner bodice and wraps around you almost like a sarong. Part of it wraps around the waist and snaps in the place for a touch of shape. It falls over the body in a loose and easy-to-wear way. The entire skirt wraps over itself and the wrapping of the fabric gives the hem an asymmetrical feel with one side hanging lower than the rest for a beautiful trailing feel. The wrap lets the slightest bit of air catch the fabric and lets it billow out around you when you walk and move. It is fantastic once on the body and really showcases his genius at both print and cut. Excellent condition

The inner bodice acts as the lining there and the rest is unlined. The built in, lightly boned bodice, closes with a zipper and flat hook and eye. The waist snaps and hooks in place. It appears to have been worn very little if at all. Tagged a vintage YSL 40. 

Bust: to 17" flat across from side seam to side seam
Inner waist: 13" flat across from side seam to side seam
Hips: open
Bodice: approx 15" from top of shoulder to inner hooked waist
Total length: approx 50" from top of shoulder to shortest part of from hem and approx 67" to the longest point of the back hem

Modern Sizing Equivalent: SML-MED

Item# DD4411

Reference Photos/Video: (1-4) Spring 1991 Yves Saint Laurent Runway.  /  (5) Yves Saint Laurent Editorial, Marie Claire, June 1991

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This is an interesting YSL. It appears to be the Rive Gauche version of the Haute Couture piece from that season and on the RTW runway we found a jumpsuit version of it that is identical in all but the legs vs the skirt. Is possible that it was also shown on the runway as well since collections from this time period were not fully documented. But even with these two reference photos you can see how much it comes to life when worn. It is such an easy dress to wear and it is drop dead gorgeous.

The fabric is a beautiful light weight deep brown silk jersey. The cut of the dress is incredible. The neckline is scooped and then the dress skims over you to the waist. The very edge of the neckline has been piped in the same fabric and the scoop is set a bit wide across so you see a touch of collarbone. The sleeves are fabulous. Each is cut to be very full so that they balloon out over their elastic cuffs. Very tiny padded insets sit just inside that slim band of fabric between the scoop and the seam of the sleeve and this adds the perfect amount of structure to hold the dress in place. The waist is seamed with a small band for shape and you could add a belt if you wanted even more definition. Once on the body the bodice will blouse over the skirt slightly. The skirt falls from the waist and is gathered in tiny gathers all the way around the waist. This allows the skirt to flare and open out slightly as it nears the floor. The quality of the jersey is beautiful and the workmanship in this dress is fabulous. It really showcases just what a genius he was that he could create such a simple piece with such a masterful hand. And it has pockets. Excellent condition with a minor note below.

Unlined and closes with a side zipper. Each cuff has elastic and the elastic has softened a touch. Hand finishes throughout and beautifully made. Tagged a vintage YSL 38.

Sleeves: 26"
Inset shoulders: approx 13-14"
Bust: 16-20" flat across from side seam to side seam
Waist: 12" flat across from side seam to side seam
Hips: open
Bodice: 18" from top of shoulder to top of the 1" band at the waist
Total length: 65" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD4947

Reference Photos: (1) Fall 1975 Yves Saint Laurent Haute Couture.  /  (2) Fall 1975 Yves Saint Laurent Rive Gauche.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This gorgeous little dress is the ready-to-wear version of the Spring 1987 Haute Couture version. We have included the runway photos of the couture version and the editorial photos to give you an idea of the dress on. This version is simplified version but still has very similar line. It is fascinating that he did this at times with a few select pieces from his collections so that his non-couture clients had access to his couture designs. The 1987 collection is a favourite and I love having this dress in the shop for you.

This is a dress that is not being done full justice on my dress form but it is gorgeous once on the body. The dress sits off the shoulders to leave a bare expanse of skin and the sleeves are cut to just past the elbow. A pretty chiffon ruffle runs around the neckline and then another ruffle wraps around each wrist. The bodice skims over the bust and comes in at the waist for shape. Under that the skirt flares out dramatically and is quite full. The front of the skirt is cut to the knee, or just above depending on your height, and then the edges of the skirt curve down and around to be full length at the back. The fullness and the length change give it a ton of movement when you move. The fabric is so unusual. It is made from a black silk net backed by a black silk tulle. Then onto the top net layer is a design made of black raffia. This gives the dress an incredible texture. The parts of the dress that are not lined have a touch of transparency which is very sexy. This is an incredible piece of Yve's history and an absolutely gorgeous dress. Excellent condition with a minor note below 

Lined in a layer of tulle as described above and then there is a inner lining though the bodice and to just past the hips made out of a gold nude toned silk chiffon covered in a layer of black silk chiffon. It closes with a side set zipper. The raffia has small breaks in it here and there that is inherent to the material and normal wear. 

Sleeves: 18"
Bust: 18" flat across from side seam to side seam
Waist: 12-13" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam before it flares out
Length: approx 35" from natural shoulder to front hem, 52" to lowest point of the back hem

Modern Sizing Equivalent: XS-SML

Item# DD3888

Reference Photos: (1-2) S/S 1987 Yves Saint Laurent Haute Couture Runway Show.  /  (3) Brynja Sverrisdottir in S/S 1987 Yves Saint Laurent Couture. Photo by David Bailey.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

The Spring 1982 collection marked the 20th anniversary of Yves' Couture house. In the book Yves Saint Laurent: Catwalk they note that the historical importance of his collection made him feel very anxious. He was quoted as saying "I am frightened of this collection. I am far more anxious than I was for my first collection. It is a reassessment of 20 years… It is the end of adolescence, the beginning of maturity. I really feel like a beginner." But of course, it was a masterpiece of a collection and raved about.

The collection was extravagant and was heavily influenced by India and the beautiful work done by Indian artisans. There was a play on proportions with wide shoulders and a narrowing at the hips. This tunic was one of the more simple pieces in the collection but it still has the touch of an oversized shoulder and the ease and elegance of a beautiful silk in its making.

I love that you can wear this as a tunic over something else. It was shown over a skirt and a modern girl could easily wear it on its own as a dress. It was shown belted with a silk sash in the advance photos for the collection and you could easily add a belt or ribbon if you wanted to have more shape. The shoulders are padded and set a little wide. The sleeves are cut wide through the upper arm and even as they narrow to the wrist, they are still wide set by the cuff. The cuffs and collar are done in a black silk and I love the contrast to the ivory of the body. It is meant to be worn fairly loose and easy to skim over your bust, waist and hips. It falls to about the knee or just above depending on your height. A slit runs up each side and you can see that he has lined the entire inside of the piece in that same black silk as the collar and cuffs. When you walk and move the slits let you to see that flash of black which ties the whole piece together perfectly. The silk is a rich and heavy weight that drapes beautifully over the body. This is a dress that really needs to come to life with a body in it and my dress form photos are nowhere near to doing it justice. It is completely made by hand and an absolutely beautiful, refined and easy piece of true Couture. Excellent condition with a small note below.

Fully lined in a handset black silk and closes at the back with a hand set zipper. Handmade padding in each shoulder. It is completely made by hand to Couture standards. Has it proper YSL numbered Couture label. There is one small mark near the elbow of one sleeve. Please see the photo after the label shot. The easy cut should allow it to fit a range of sizes. On a smaller frame, it will just feel more oversized.

Sleeves: 22.5" and each is 20" around the upper arm
Exaggerated shoulders: 16.5"
Bust: to 19" flat across from side seam to side seam
Waist: to 19" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Total length: 39" from top of shoulder to hem
Slits: 11.5" from hem up

Modern Sizing Equivalent: SML-LRG

Item# DD4913

Reference Photos: Spring 1982 Yves Saint Laurent  Couture Advance Preview. Model Kirat Young.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

When dating this extraordinary Yves Saint Laurent dress, we found a photo of a piece with almost an identical cut bodice from 1972 along with several runway photos that show other pieces with that same cut to the bodice. I have included those here for you and it is interesting to note that the pleating technique that is used around the upper hip of the skirt was also done in a more intricate fashion for the 1974 Couture show. Yves often use ideas from both collections. - Rive Gauche and Couture - to build and develop ideas and it is fascinating to see the progression of his work from garment to garment. This is an incredibly beautiful example of his work from this time period.

This dress combines a floral silk chiffon with a muted red silk on the skirt. This combination is absolutely gorgeous. Is combination of silks give the dress just enough weight and structure to be able to create the impressive lines and volume that you see but while still making it feel soft and romantic. The colours are spectacular. The top is a printed silk chiffon, and it has a stunning floral pattern in red purples and greens that float over the entire bodice and the sleeves. The bodice is cut to skim over you and the waist nips in. It plunges at the front and crosses over itself, and the neckline has been detailed with ruffles that begin at the back of the neck and circle around to follow the V at the front and then run down to the waist. piping in the same fabric detail. The waste and ties have been left off to the side to hang down and create a pretty little detail. The skirt falls to the floor from there and it has yards and yards of fabric in it that creates the fullness and volume that you see. The skirt falls in a gently widening line and is quite full by the time it reaches the hem. I love the volume that this type of fabric creates and how it billows around you as you move but at the same time it is as light as a feather. Around the entire upper hip area, and starting at the waist or a series of tiny cleats that gradually open out to create the volume underneath. This intricate detail is a beautiful addition to the dress. The sleeves are outstanding. Each is a single layer of the silk chiffon and are wide and very full. They are caught up at the wrist with a circle full circle ruffle underneath. This creates a beautiful and dramatic finish to the top. I love everything about this dress. Excellent condition.

Fully lined in a red silk and closes at the back with a hidden set painted met zipper. Attached ties at the waist and elastic in each cuff. The silk skirt and the exterior layer is a tool ruffle that helps keep the volume through the skirt. Tagged a vintage YSL 38. I see some light marks around the hem of the skirt.

Sleeves: 24" and 14" around the upper arm
Slightly inset shoulders: 14.5"
Bust: to 18" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: 16" from neck to waist
Total length: 62" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD4665

Reference Photos: Fall 1972 Yves Saint Laurent.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

The twin of this dress walk the runway for the Fall 1987 season. It is absolutely sensational and I am very pleased that we found photos of it on the runway so you can see how dramatic and amazing it is on the body. He could really push the envelope with some of his designs and this particular dress is a nod back to some of the work that he was doing in earlier decades but in that best of the 1980s kind of way. I love that about it.

This is not a dress for somebody who does not want to stand out. I think the person that will wear something like this has a certain way of moving through life and doing her own individual thing. The dress is utterly fantastic. It combines a brilliant pink silk that has a secondary pattern running through it that catches the light from every angle. Onto that is a black floral pattern that covers the pink. He has used this through the body of the dress and for the very bottom part of the skirt. The rest of the dress is made from a sequin detailed lace with black ribbon that has been applied over that for this wonderful layered effect. The texture that all these things together achieve is fantastic and I love the way it catches the light. The neckline is cut wide across and the shoulders are soft. The arms are unlined so you see a peak of skin between the net lace, sequins and ribbon detailing. More of the lace goes across the top of the bodice at the front and back. For this part of the dress he gave it a backing of black silk organza so you have just a touch of transparency. The pink is set in just at the top of the bust and it is gathered along that seam for extra detail. Those gathers also allow for the dramatic volume that you see through the body of the dress to the top of the hip. Under that is band of the black and there is elastic running through the top of the hip so that you can adjust it up or down and change the length of the dress. The very bottom part of the skirt is a little soft and flirty band of the pink silk. It is fantastic and a very rare and special piece of YSL history. Excellent condition.

Fully lined in a black silk through the body and the lower lace panel. There is black silk organza behind the upper bodice and then the lowest part of the skirt and the sleeves are unlined. It closes at the back with a zipper and each sleeve zips to close at the wrist. It appears to have been worn very little if at all. Tagged a vintage YSL 40.

Sleeves: 27" and they are 12" around the upper arm
Shoulders: 15"
Bust: 17.5" flat across from side seam to side seam
Waist: open
Hips: 16-19" flat across from side seam to side seam
Total length: 36" from top of shoulder to hem and can be adjusted to sit shorter

Modern Sizing Equivalent: SML-MED

Item# DD4874

Reference Photos: Fall 1987 Yves Saint Laurent.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

The twin of this dress walked the runway for the Spring 1990 Haute Couture collection. Its twin was shown under a jacket on model Gloria Burgess and we found the original sketch of the dress in my YSL folio. I thought it interesting to see that Gloria was not the original model intended for the dress and that there was a change by Yves as to who wore it on the actual runway and you can see that interesting little detail in the sketch. I have included all the reference photos for you here and it gives you a beautiful idea of how fabulous this is once on the body. This is also the collection that the book 'Yves Saint Laurent: Catwalk' notes that "The end of this catwalk show was greeted by 10 minutes of a standing ovation, following Yves Saint Laurent's homage - via 119 designs - to the hugely talented men and women who had thus far influenced him and made an impression upon him". The dress is gorgeous and Yves always cut his couture pieces so perfectly. It really is a beautiful piece and in my opinion, owning a piece of his couture work is one of the ultimate vintage acquisitions.

The dress is amazing and showcases how wonderful Yves Saint Laurent could cut a dress to flatter a woman's body. It is made entirely by hand and the silk is that heavier richer silk that you only see in the very best pieces of couture. The top is cut to skim over you and blouse over the waist. The shoulders have padding to extend the line of them outwards a touch over the ends of the shoulder. The sleeves are cut full through the upper arms and then narrow to the wrists. Each cuff ends with four handmade silk covered buttons and loops and each button is perfectly functional. The neckline is set a touch wide across. The silk is gathered around the waist into soft folds to create a little extra bit of a detailing. The folds are set slightly off to the side and on an slight angle that visually helps to extend the body of the person wearing it. The waist is seamed but cut on the more generous side. To cinch it in we have added an ivory silk chiffon sash that is a beautiful match to the dress. The skirt falls under that in a simple shape that flares out as it nears the hem. It falls to just about the knee or above depending on your height and there are hidden pockets along each hip. The colour of the silk is beautiful creamy ivory. This is a brilliant dress and when you see it in person you will fall in love with how good it is in person. It really shows how sometimes simplicity can have so much of an impact. It would be a dress that might make an amazing wedding dress for the bride looking for a non-traditional choice, for a day wedding, or as an alternative dress in a more extended wedding celebration. Excellent condition.

Fully lined in an ivory silk and all the work is done by hand to Haute Couture standards. It closes with a hand set side zipper and a button at the back of the neck. An inner waist stay hooks to close. Each cuff has four hand made silk buttons and loop. Padding in each shoulder as described above. Completely made by hand. Proper Haute Couture numbered label present. The silk chiffon sash is not original to the dress but will be sent with it. Any change in colour that you see in the photos is lighting.

Sleeves: 22" and 14" around the upper arm
Slightly wide set shoulders: 16"
Bust: to 21" flat across from side seam to side seam
Waist: 12.5-13" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Bodice: 16" from top of shoulder to waist but mean to blouse a bit
Total length: 38" from top of shoulder to hem with 2" turned under

Modern Sizing Equivalent: XS-SML

Item# DD4727

Reference Photo: Spring 1990 Yves Saint Laurent Haute Couture Runway. Model Gloria Burgess.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

The twin of this dress walked the runway for the Fall 1987 show and we have included reference photos of it from the runway for you so that you can see how fabulous it is on the body. We even found one where you can see the model walking back down the runway so you can see how gorgeous it is from the back as well. It is an easy to wear and very chic little YSL.

This is a really gorgeous dress. It is made from a lace fabric that has an unusual blue-purple colour running through it. Metallic thread runs through the lace and then over that are thousands of glossy black sequins that follow the pattern of the lace. The sequins catch the light from every angle but in a subtle way that I love. The lace has an open cut that is lined it with a deep blue silk chiffon. It has a touch of transparency to it but its wearable. This combination also keeps it light so that it feels amazing once on the body. The dress sits off the shoulder to leave a bare expanse of skin across the top. The neckline wraps around the shoulders and it is finished with a pretty black silk organza ruffle. The silk of the ruffles has just enough structure so that it holds its shape perfectly. The sleeves fall to just past the elbow and each is also finished with a ruffle. From there the dress skims over you, running over the bust and past the waist, with no seaming there to break the line. At the top of the hip there is a seam that has another ruffled detailing. The skirt falls under that and widens out as it nears the hem. A final ruffle goes all the way around the edge of the skirt. The back of the skirt is set to hang a touch longer than the front. This gives you a beautiful curve from the side  and adds a touch of pretty volume. It is a gorgeous dress and really showcases Yves' innovative eye and design genius. It appears to have been worn very little if at all. Excellent condition

Fully lined in a dark blue silk chiffon. It closes at the side with a zipper. Tagged a YSL 42.

Sleeves: approx 18" from the drop and 12" around the upper arm
Bust: to 18" flat across from side seam to side seam
Waist: to 15" flat across from side seam to side seam
Seam across the top of the hips: 19.5" flat across from side seam to side seam and open under that
Length: 30" from top of centre neckline to front hem and 36" to back hem including top and bottom ruffle

Modern Sizing Equivalent: SML-MED

Item# DD4271

Reference Photos: Fall 1987 Yves Saint Laurent Runway.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

The twin of this dress walked the runway as Look 53vfor the Spring 1983 Haute Couture collection. It was shown under a jacket initially and then the jacket was removed. I love that this shows you how versatile these little dresses can be. We also found the fabric noted in a WWD editorial and then I looked into my folio collection book and found the model number and original sketch for you to see. I have included all these reference photos for you here and it gives you a beautiful idea of how fabulous this is once on the body. The dress is gorgeous and Yves always cut his couture pieces so perfectly. It really is a beautiful piece and owning a piece of his couture work is always one of the ultimate vintage acquisitions.

The dress is amazing and showcases how wonderful Yves Saint Laurent could cut a dress to flatter a woman's body. It is made entirely by hand and the silk has the tiniest ribbed texture running through it. The top is cut to skim over you and blouse over the waist. The shoulders have light padding just at their outer edges to slightly extend them outward. They are set into the bodice with gathers so that they slightly pouf above the shoulder line. The sleeves are slim and pouf out just slightly as they slim down to the zippered cuffs. The neckline is set wide across the collarbones and edged in a black silk band. The waist is seamed and we have added a black grosgrain ribbon there for shape. You can add a belt instead if you wanted a really cinched in look. The skirt falls under that in a simple pencil to just about the knee or above depending on your height. There are hidden set pockets along each hip. The colour of the silk is the best thing about the dress. It is a mix of a bright pink, green, blue and a deep purple set in a large floral design that runs over the entire dress. It is so pretty. Truly a brilliant dress and when you see it in person you will fall in love with how good it is in person. And it is just so good on the body. A masterpiece. Excellent condition.

Unlined through the bodice and lined in a black silk through the skirt. All the work is done by hand to Haute Couture standards. It closes with a back zipper and two buttons at the back of the neck. An inner waist stay hooks to close. Each cuff has a hand set hidden set zipper to close. Light padding in each shoulder as described above. Completely made by hand. Proper Haute Couture numbered label present. The grosgrain ribbon is not original to the dress but will be sent with it.

Sleeves: 22" and 13.75" around the upper arm
Slightly wide set shoulders: 16"
Bust: to 21" flat across from side seam to side seam
Waist: 12.5-13" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Bodice: 16" from top of shoulder to waist but mean to blouse a bit
Total length: 38" from top of shoulder to hem with 2" turned under

Modern Sizing Equivalent: XS-SML

Item# DD4642

Reference Photos: (1-4) Spring 1983 Yves Saint Laurent Haute Couture Runway.  /  (5-7) Spring 1983 Yves Saint Laurent Haute Couture Advance Preview.  /  (8) Womens Wear Daily, February 1983.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This fantastic cape is from the Fall 1976 collection and several versions of it were produced that season including this deep purple one. We have included photos from the runway pieces here and we also found an ad campaign shot with its twin in what looks to be a lighter colour and included that for you to see as well. I personally have several versions of his capes myself and have worn them countless times. It is literally the perfect thing to pop over a dress at night time. It is a very versatile and so easy to wear piece.

The cape is in a very beautiful deep purple combined with a more maroon coloured edging. The fabric is a high end wool that has a little bit of weight just due to the sheer amount of it in the cape but is still comfortable and easy-to-wear. This is one of those effortless pieces that is easy to make a part of your wardrobe. You just slip it over your shoulders and it drapes in place. A slightly oversized hood extends out from the neck and this added addition of the hood adds the perfect amount of detail and drama. A flat blue braided rope finished all the edges and I love the elaborate braided knot that closes it in place at the neck. A long fringed tassel sits on either side of that closure for added drama and an even longer tassel dangles down from the hood at the back. I love the bit of movement these create when you move. There is a ton of fabric in the body of the cape so that when you move you get wonderful movement as it floats and billows around you. The cut is impeccable and it is a great piece of YSL's fashion history. Excellent condition with a small note below

Unlined and drapes over the shoulder to wear with a knot closure at the neck as seen. The occasional graze to the surface. The easy open cut should allow fit just about any size

Length: 58" from shoulder to hem

Modern Sizing Equivalent: OSFA

Item# DD4637

Reference Photos: Fall 1976 Yves Saint Laurent.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

"I have chosen today to say goodbye to the craft that I have loved so much. The next show to which I invite you, on Tuesday, 22nd January at 6 PM, at the centre of George's Pompano, will predominantly be a retrospective of my work… Some designs from the currencies will also be shown." This was how Yves the announced his intention to retire and leave the world of Haute Couture. That final show was over an hour long and was presented to a room of 1500 hand picked guests. To tell the story of his decades long career there was a total of 371 garments shown that day. The presentation began at the beginning of his career and the show was a full retrospective of his work that showed a highlight of all of his creations through the decades. There were also a small group of 11 new items for the 2002 season included about 2/3rds of the way into the show created as the Spring 2002 couture collection. All were pieces that were based on dresses from the past but done in new colours. They were all made of weightless chiffons and were in a variety of colours. This blending of past and present further evoked the idea of his journey and how his designs are truly timeless no matter when they were made. The twin of this black dress was included in that grouping and it is based on the green dress we have included a reference photo of for you here from the Spring 1991 collection. I love it even more in its black version. The dress has its own special couture tag that commemorates it as being a part of this final show. It is an extremely rare and wonderful piece.

This dress is stunning. It has a strapless bodice that is fitted perfectly to hold the dress on the body and then it falls from there to the floor in layers of weightless black silk chiffon. The silk of the bodice is gathered and set vertically and inside the bodice there is a full inner built-in corset that is shaped and seamed so the dress stays perfectly in place once on. A wide band of silk wraps underneath the breasts to the waist and there is a sash that ties in a soft bow off to one side. The ends of the sash trail all the way down the side to the floor and this helps to add to the beautiful movement this dress has once on. Below the beautiful shape through the bodice the skirt falls to the floor in a soft cascade of silk chiffon. The. side of the skirt that opens is slightly longer than the other and this is a clever way to give that side of the skirt even more movement. These are the tiny details in Couture that make a dress move the exact perfect way. The innermost layer of silk chiffon is set all the way around you and then the other layers of the skirt are set over this and slit right up to where the waistband meets the top of the skirt on that side. So when you walk and move you are covered by that single layer of silk chiffon underneath but you are still bare underneath the transparency of the chiffon. You can see this clearly in the video as the model walks. It is very sexy. The layers and open side of the skirt combined with the trailing ties from the waist are then what allow the dress to move so beautifully around you when you move. It is  absolutely perfect in every way. The workmanship is beautiful and the dress appears to have never been worn or worn very little. What a joy to have such an important dress from Yves very last collection. Excellent condition.

Bust: 15.5-16" flat across from side seam to side seam with an A-B cup
Seam under the bust: 14.25" flat across from side seam to side seam 
Inner waist: 12-13" flat across from side seam to side seam
Hips: open
Bodice: 4.75" from top of bodice to seam under the bodice
Total length: 51" from top of bodice to shortest part of the hem, 54" to the longest

Modern Sizing Equivalent: XXS-XS

Item# DD4624

Reference Photos/Video: (1-3) Spring 2002 Yves Saint Laurent Couture, Look 240.  /  (4) From the book “Yves Saint Laurent Haute Couture: CATWALK”  /  (5-6) Spring 1991 Yves Saint Laurent Haute Couture. 

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This is a very rare dress that is the twin of the dress that walked the Yves Saint Laurent Spring 1992 Haute Couture runway. It is extremely well documented and I have included photos of the original sketch and swatches that I have here from the Saint Laurent couture archive book set that I own in addition to runway reference photos of it that we found. You can see just how fantastic it is on the body. This was Look 47 and part of the short evening segment of the collection.

This collection marked Yves' 30 year anniversary and it was presented on January 29 to coincide exactly with his first collection presented January 29, 1962. The book, Yves Saint Laurent Catwalk, notes that at the time people were expecting a retrospective but Yves actually surprised everyone by producing a full 91 piece collection. There was a definitive tribute aspect to his first 1962 collection. Flowers were a main motif and ran throughout the collection as did polka dots and stripes. Puff sleeve tops with balloons skirts were integral and dresses like this one were a key look. It is an exceptional to have such beautiful documentation on this stunning dress. Every piece of Saint Laurent Couture is a treasure but when it's as highly documented in from such an important collection as this, it is just that much more special.

The dress is exquisite. It is made from a combination of a white silk that has been hand embroidered with roses and leaves across the entire bodice. This is then combined with a silk faille skirt that has dots that appear to be hand painted onto the fabric. A silk organza bow is wrapped around the waist and I love the deeper mustard yellow tone of it. It perfectly offsets the black and white palette. The neckline is scooped across the front and the bodice is meant to skim over the body to the waist. The sleeves are fantastic and each insets into the bodice in a series of pleats across the top of the shoulders. This is what gives them the volume that you see. The edges of the neckline are finished with a black cord and this runs around the cuffs as well. Each cuff is brought into the arm with a button and loop and this bringing in at the arm also helps to exaggerate the puff above. The entire silk of the top is embroidered in this magical, dreamy, black rose embroidery that pops against the white of the silk. The embroidery is done onto the silk directly in some places and then in other places the leaves or roses have been cut out and hand stitched in place. The waist is seamed but it is more generously cut and the organza ribbon that circles it adds the perfect pop of color. Under that the skirt is fantastically full and the fulness is created by the pleats that are set into the waist and the way it has been wrapped in and under at the hem to attach to the skirt underneath. Between the those two layers of the skirt you can feel that there is tulle and some structure inside that helps hold that exaggerated shape. It is a fantastic magical piece of Haute Couture and an important piece from an important collection. Excellent condition with a note below.

The bodice is lined in an ivory silk and the sleeves are unlined. The belt at the waist is attached and wrapped and hooked into place. The skirt is lined in the same fabric as the outer skirt and there is stiffening between the layers as described above. It closes at the back with a button at the top of the neck and then there is a hidden set side zipper too close. The dress is unlabeled, but I have seen the original label that came with the dress. The dress had been let out at some point and my client had it brought back in and unfortunately when she had it altered back to its original size, the tailor lost the tag. I see some very minor evidence of that alteration on the bodice. There are some areas of stress near the embroidery and some minor reinforcements underneath the arms. I see slight dustiness on the fabric at the top the shoulders and there is a tiny chip on the button on one sleeve. Perhaps a slight grubbiness along the inner edge of the lining under the arm. The outside presents as clean and fresh and once on it looks immaculate. 

Slightly inset shoulders: 14.5"
Bust: 17.5" flat across from side seam to side seam
Natural waist: 16" flat across from side seam to side seam
Inner hips: 19.5" flat across from side seam to side seam
Bodice: 15" from top of shoulder to waist
Skirt: 18" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD4509

Reference Photos: (1-4) Spring 1992 Yves Saint Laurent Haute Couture.  /  (5-6) From the book "Yves Saint Laurent Haute Couture: L'oeuvre Integral 1962-2002".

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This is an incredible Haute Couture dress that came to me from the niece of the original couture client and is unlabeled. In our hunt for more information on it we found the runway photos from the 1979 Yves Saint Laurent dress and you instantly see that it is its twin in all ways except for the length. It is always the prerogative of the couture client to change some elements of the dress to suit their needs and in this case, this woman attended many functions where a full length dress was required. She frequented the Yves Saint Laurent, Christian Dior, Givenchy and Ungaro ateliers. She often removed the labels to avoid customs and it is fantastic to be able to verify which designer and collection this one is from as many of the records she kept were lost. The dress is completely made by hand to Haute Couture standards and it is incredible. I love having the runway photos so that you can see just how amazing it is in the body.

The dress is made from a crisp black silk and this fabric choice allows it to hold those beautiful lines that you see. It's beautiful shape is a testament to the level of workmanship that you only see in true couture pieces. At the front the neckline dips into a V and the dress is vertically seamed to follow the curves of the body. The sleeves are amazing. Each is cut on a curve to follow the shape of the arm in the traditional manner of making a sleeve. They are set into the shoulders with a beautiful series of soft pleats so that you get a bit of volume at the shoulder. They puff out slightly around the upper arm and then narrow down at their ends. At the back the dress scoops low to give you a bare expanse of skin. The back has a low set seam under the open scoop and this allows the top of the back skirt to lift slightly off and away from the body. A tiny detail that feels very sensual on the body. That same seam curves around the hips and angles up towards the waist at the front and then the skirt at the front is cut on a stunning curve that widens out as it reaches the hem. The back is fuller and it also falls a touch longer to give it the feel of it sweeping out behind you. Built in underneath the skirt is a ruffled black silk net underskirt and when you move or sit you see just a peek of the ruffle around the inner hem. Built inside the top of the inner skirt are layers of silk net that help to hold the fullness around the hips. The dress is detailed with hand applied sequins to form little varying sized circles that run over the entire bodice, the waist and the top part of the skirt. Two types of sequins have been used, tiny silver sequins one and others that are an iridescent pale blue. The blue ones catch the light and range in colour from silver to an ice blue. It is incredible. Mixed into that are some circles that are made from little glass crystal beads. All are hand applied and the entire dress is completely hand made to couture standards. I have taken some detail shots of the interior seams for you to see the fine Haute Couture workmanship inside. It is an incredible piece and just beautifully made. Excellent condition with a small note below

The bodice is unlined and the skirt is fully lined with a built in underskirt in a black silk net and taffeta. Built in panniers around the hip area that I have photoed. It closes with a hand set back zipper and the skirt snaps into place with silk covered snaps over that. Hidden set zippers at each wrist. Hand finished throughout. There is the occasional sequin or crystal missing on the dots here and there and I have photoed one area for you to see as an example. Please see the last detail photo for that. Unlabeled. Made to Haute Couture standards with a tremendous amount of detail put into its construction.

Sleeves: 24"
Slightly inset shoulders: 14"
Bust: to 18" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: open
Length: 58" from top of shoulder to front hem, 60" to the back hem

Modern Sizing Equivalent: SML-MED

Item# DD3677

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

The twin of this dress walked the runway for the Fall 1982 show and I love that we found photos of it for you so you can see just how spectacular it is one and how the sleeves sit once on a body. This silhouette with its dramatic sleeves and full skirts was an important element for that season. It is just a stunning example of one of his most recognized looks.

The dress is made from a combination of two of his favorite fabrics, silk taffeta and silk velvet. These became signatures of his and ran through his collections from the start of his career to the finish. It is a stunning piece. The top is cut to skim over the bust with a scooped neckline at the front. It is seamed at the waist and then extends down over the top of the hips. There is an attached silk taffeta sash that wraps around the waist and cinches you in for added shape and detail at the waist. The sleeves are full with a beautiful sweeping cut that starts at the shoulders and remains full to just past the elbow. At that point the fabric changes to to a velvet. Four glossy dome buttons  detail the lower part of the sleeve. These are meant to be pushed up slightly to exaggerate that pouf of the upper sleeve even more. The skirt falls from under the velvet and it is beautifully full. The photos do not really do the amount of fabric in the skirt full justice. I love that under the top purple layer of silk there is a lining finished in a coral red silk taffeta. You don't see that inner layer when you are standing, but when you sit or move just right, you get that extra flash of color. It's a small detail that I am obsessed with. The fabric choices helps keep the intended shape and volume. Pieces by Yves from this time period have become an important piece of fashion history and having documentation like this one has makes it that much better. Excellent condition.

Fully lined through the bodice in a black silk satin. The skirt is lined in a deep red silk taffeta and the sleeves are unlined. It closes at the side with a metal and nylon zipper and each cuff buttons to close. The sash is attached at the back. Slight flattening to the velvet here and there along the waist seam that is covered by the belt once on. Tagged a vintage YSL 40.

Sleeves: 29"
Shoulders: 15"
Bust: 17.5" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: open
Bodice: 17" from shoulder to waist
Skirt: 43.5" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2856

Reference Photos: (1-2) Fall 1982 Yves Saint Laurent Runway.  /  (3) Alice Englert wearing this dress for Harper's Bazaar, 2023.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This dress is from the Fall 1990 collection and came to me directly from the original couture client. In the book Yves Saint Laurent: Catwalk they said this of this collection; 'Yves Saint Laurent allowed himself to be truly audacious for this presentation of 137 designs. The Baroque style was evident in outfits were the a fairy tales.' Elle magazine summarized Saint Laurent's work as 'insouciance elevated to the rank of fine art.' .... and of the colours that he chose for the collection the New York Times noted that 'He works with a painter's eye, and the results are always satisfying, never soporific.' They also said that 'Lace is a cornerstone of evening dressing. Sometimes it is thick velvety guipure lace, sometimes spidery Chantilly. It never looks matronly.' This was one of the final dresses of the show and a beautiful example of all of those comments by the press. I am also very happy to have found the runway photo. With 137 looks shown finding this exact one from the handful of shots that are out there of the collection is almost miraculous. In addition to tall of that I have included a snap of the original sketch and fabric swatches from the boxed book set "Yves Saint Laurent Haute Couture: L'oeuvre Integral 1962-2002". The dress has so much structure and form to it but once on the body it sits just perfectly and transforms into something magical.  It is an exceptional and well documented example of Laurent's Haute Couture work that he was doing during this time period.

A silk taffeta in a jeweled toned fuchsia sweeps across the top of the bodice and then extends down to form each sleeve. The fabric is gathered and ruched down the length of each arm. The shoulders are left bare to balance out the volume underneath and have that expanse of skin for a touch of sensuality. Under the fucshia is a wide band of a  slightly metallic copper silk that goes from the top of the bust the the slightly dropped waist. The silk has been gathered along each side to create soft pleats that wrap around you. The skirt comes out from under that in a series of soft gathers that open up to allow it to be quite wide by the time it reaches the hem. The underskirt is made from a pale purple silk and that is covered in a top layer of French black lace. The lace is hand made and has a stunning floral design set within medallions. These are repeated throughout the lace to create the beautiful pattern that you see. I love that the bottom edge of the lace follows the curving shape of the design that is in the lace. To finish Yves wrapped a wide green silk ribbon around the waist. This unusual colour choice is spectacular when you see it all together and on the body. This is a spectacular example of his work and a piece you would only ever normally see in a museum. Excellent condition 

Fully lined through the bodice in a black silk. There is a built in silk covered elastic that is attached and wired right between the breast for a slight bit of support and then that wraps around you and hooks to close. It closes with a side set zipper and has an inner waist stay that hooks to close. There is a series of snaps above the zipper that run under the arm seam. Each sleeve zips to close at the wrist. The exterior layer of the skirt closes with its own a hand set side zipper. The silk ribbon belt is tacked into place on either side of the waist. On the interior of the skirt at the inner waist the fabric has been folded down and it looks like it would be possible to lengthen the skirt from there by just about 4". It looks to have been worn very little if at all.

Sleeves: 20" from where they start off the shoulder 
Bust: to 17" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: open
Bodice: 15" from top of bodice to slightly dropped seam at the waist
Skirt: 38" from the slightly dropped seam at the waist to the hem

Modern Sizing Equivalent: SML-MED

Item# DD3598

Reference Photos: (1) Fall 1990 Yves Saint Laurent Haute Couture Runway Collection.  /  (2-3) From the book "Yves Saint Laurent Haute Couture: L'oeuvre Integral 1962-2002"

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.