This fantastic Christian Dior by John Galliano set was recently worn by Alix Earle and I love that I have photos and video of it on so that you can see just how amazing it is on the body. These laced up pieces were integral to the Dior look during this time period and we included pics of Elizabeth Hurley in another piece that has the same lacing detail on the skirt and back from the same collection for you to see. This is an exceptional set. It is amazing on the body as you can see in the photos here of Alix wearing it. I also have a video on my instagram that shows Alix getting ready in this that night.

I love that this is made up of the two separate pieces. It gives it that added versatility of being able to be worn together so that it feels like you are wearing a dress, or to be able to mix and match the pieces with other existing things in your wardrobe. Both the top and the skirt are made from two layers of a bias cut black silk chiffon that have been stacked on top of each other to make it opaque enough to wear. The top slips on to wear and then you adjust the lacing at the front and the back for the perfect fit on you. It falls from the halter neckline, and I love the little silk chiffon ruffle that follows the edge of that neckline. The actual border of the neckline is a cotton strap that has metal grommets worked into it and then the laces all go through the grommets to adjust and tighten the fit on you. Both the strap edging and the laces have a slight faded feel that is purposeful. It is cut so that it flares out slightly at the bottom and over the top of the skirt below. You could also tuck it into the skirt and belt it if you wished. The skirt is meant to sit a little lower on the hip and the bias cut allows it to swirl around you. On the skirt the laces start at the back and wrap around the hips and then curve down the front. Long ties dangle from the bottom of where they lace up and there is that same ruffled silk chiffon detail that follows the design. Once past where the paces stop the lower skirt opens up and those ruffles run to the very bottom of the skirt. The skirt is meant to curve around the hips and then flares out dramatically for the lower portion of the skirt. This creates incredible movement as you move and is truly fantastic. It is a really exceptional set extremely sexy on the body. I love it. Excellent condition

Both pieces are a double layer of the same black bias cut silk chiffon. The top adjusts with the laces and the skirt closes with a zipper that is hidden along the edge of the angled seam towards one side at the back. The top is tagged a US10, GB14, FR42 and the skirt has no size tag. The bias cut gives it lots of movement and will allow it to fit a range of sizes. We have given the comfortable range of the pieces below.

Top
Bust: Approx 15-17" flat across from side seam to side seam and you can go up or down a bit from there by adjusting the laces
Bottom hem: to 18" flat across from side seam to side seam
Length: 21.5" from neck to hem

Skirt
Waist: 13-14" flat across from side seam to side seam
Hips: 15-18" flat across from side seam to side seam
Length: 45" from waist to hem

Modern Sizing Equivalent: XS-MED

Item# DD4623

Reference Photos: (1-4) Alix Earle, in this set, at Michael Rubin's Fanatics Super Bowl Party, February 2024.  /  (5-6) Elizabeth Hurley in Dior at "Fashion Rocks", October 2003.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The near twin of the set walked the runway for the Spring 2008 show for Look 33
• Made under the creative direction of John Galliano
• The Spring 2008 show coincided with John Galliano's tenth year with the label and it was Dior's 60th year as a label. John celebrated that by creating pieces based on some of his signature looks through the past decade. 
• It is a set that could perhaps be worn by a bride who is looking for a non-traditional dress or as part of her wedding weekend. It is also an exceptional set for any event and for the Dior collector. 
• Both pieces are a pale pink. The jacket is made out of a crepe with a slight texture and the skirt is done in one of his signature bias cuts with a silk like finish.
• The jacket has soft rounded shoulders. It is brought in at the waist and then the hips curve back out for an hourglass feel. I love the detail with the rhinestones and beads that sit at the front of each shoulder and bring the sides out and back. This is a string nod to pieces from the 1940s. On the back of either hip there is a similar detailing that creates a little bit of a swag and detail at the back of the jacket.
• The skirt is completely cut on the bias and the bottom has inset panels to give it a pretty fluted feel. It has beautiful movement as you move.
  
• Both pieces are fully lined in a pink silk. The jacket buttons to close at the front with fabric covered buttons. The skirt closes with a hidden set side zipper set beside the row of buttons down the side. Light padding in each shoulder
• Both pieces are tagged a FR38, GB10, IT42, US6.
• I see a couple of very faint tiny marks on the skirt otherwise excellent condition

Jacket
Sleeves: approx 21.5" and 11" around the upper arm
Shoulders: no true defined seam
Bust: 17" flat across from side seam to side seam
Waist: 14.5" flat across from side seam to side seam
Hips: to 22" flat across from side seam to side seam
Length: 20.5" from neck to hem

Skirt
Waist: 13.5" flat across from side seam to side seam
Hips: 15-20" flat across from side seam to side seam
Length: 34.5" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD5053

Reference Photos/Video: Spring 2008 Christian Dior, Look 43. Model Alexandra Tomlinson.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Late 60s maybe the first couple years of the 1970s and it seems similar to some of the pieces I've seen from the 1970 season. 
• Under the creative direction of Oscar de la Renta 
  
• The dress is made from a beautiful black silk taffeta that holds the shape and volume that this dress has perfectly.
• The fabric choice also keeps the dress fairly light in weight while giving the dress some structure and shape.
• Two shaped triangles cover the front of the bodice and there is a deep V for the neckline. The triangles extend all the way to the top of the neck and they are finished with a ruffle in the same fabric.
• Ties extend from just behind the peak of each triangle to tie behind the neck.
• It wraps around the waist and scoops low there. This leaves your entire back open and bare above that.
• The waist nips in and we have added a wide grosgrain ribbon to add a little more shape.
• The skirt is made out of the same silk taffeta and it is incredibly full by the time it reaches the hem. Tiers of silk allow this expansion and there are five tiers in total. Each tier is finished with that same ruffled detail that you see around the halter neck
• Inside there is a silk lining and then another netted lining sits between the outer skirt and that inner layer. This helps to hold the volume that you see.
• Fully lined in a layer of silk taffeta and the skirt is lined as described above.
• The dress closes with a low set zipper at the back. Hand finished throughout
• The ribbon at the waist is not original to the dress but will be sent with it
• Excellent condition

Bust: each triangle covers 8" plus there is an inch and a half a ruffle on each side. 
Waist: 12.5-13.5" flat across from side seam to side seam
Hips: open
Bodice: approx 15" from top of shoulder to waist
Total length: 59" from neck to hem and can be adjusted a bit depending on were you tie the neck

Modern Sizing Equivalent: SML-MED

Item# DD4633

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for Look 86 that season and was shown on the runway with a black lace top underneath and adorned with added brooches down the front for the Paris-Salzburg Metiers d'Art show.
• Under the creative direction of Karl Lagerfeld
• The Metiers d'Art presentations are always a celebration of the amazing craftsmanship and talent of the Chanel Artisans.
• Vogue stated that "The lace and ribbons and elaborate sleeve details of Winterhalter's portraits of Sissi (Empress Elisabeth of Austria), became part of the Chanel vocabulary in this collection." 
• Black silk straps curve over each shoulder and run around the top edge of the bodice. Three more circle around the bodice for added detail and four bows run prettily down the front.
• Three more rows of the same silk ribbon circle the bottom hem to tie everything together perfectly
• Softly pleated silk chiffon sits between each of the rows on the top of the dress.
• The waist nips in and the skirt is set in soft vertical pleats so that it opens up and has pretty volume by the time it reaches the hem
• The fabric used in the skirt is ultra fine and is almost like a silk gauze. It's has a touch of transparency, and the dress comes with its original silk organza under skirt that's you wear underneath the dress
• The entire hem is edged in another wide panel of the same lace used for the shoulders
• A little silver metal and bead encrusted Chanel logo sits on one hip
• Fully lined through the bodice in a black silk. The skirt is unlined and you wear the matching double layer silk organza underskirt underneath.
• It closes with a back, hidden set zipper and the underskirt closes with its own zipper and hook & eye at the waist
• Tagged a Chanel 36
• Excellent condition

Dress
Bust: 16" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: 15" from top of shoulder to waist
Total length: 49" from top of shoulder to hem

Underskirt
Waist: 12.5" flat across from side seam to side seam
Hips: open
Total length: 33" from waist to hem

Modern Sizing Equivalent: XS-SML

Reference Photos/Video: Pre Fall 2015 Chanel, Look 86. Model Kendall Jenner.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of the dress walked the Spring 2009 runway for Look 62 
• Under the creative direction of Karl Lagerfeld
• This is the actual dress that was worn by Catriona Balfe for the Season 5 premiere of Outlander in 2020. 
• In the book "Chanel Catwalk" the notes on this collection tell us that for this show they rebuilt the facade of 31 rue de Cambron inside of the Grand Palais. The collection played homage to classic Chanel style. The palette of the show was mainly black, white, pink and grey. Many of the pieces had a touch of a lingerie inspiration in them, including this gorgeous dress. It was one of the outstanding pieces in the show and it is even more beautiful in person. My photos don't come close to doing it justice. 
• The upper bodice and shoulders of the dress are made of a fine silk netting that has a touch of transparency to it. It breaks at the back to leave a bare expanse of skin down the centre. 
• A muted silk satin, with a more matte finish, is used to create a tiny little bodice piece that wraps around you.  A little bow sits at the centre front for a pretty and feminine touch.
• The skirt falls from that empire cut and flows outward to the floor, expanding by quite a bit as it nears the hem.
• It is made of four layers, a top black silk net layer, a more ivory layer under that, and then two inner black silk organza layers that sit next to the skin.
• Fully lined in silk behind the bust area and the inner two layers of the skirt are a black silk organza.
• The bodice buttons to close  with two pewter coloured silver metal buttons at the back and the dress zips to close under that.
• Tagged a Chanel 38.
• I see a couple of very tiny and little minor pulls and breaks in the skirt near the hem that don't affect it at all but are mentioned for accuracy and a repair near the edge of the arm opening. Overall excellent condition

Bust: 16-16.5" flat across from side seam to side seam
Seam under the waist: to 15" flat across from side seam to side seam
Inner hips: to 19" flat across from side seam to side seam
Bodice: 10.5" from top of shoulders to waist
Total length: 62.5" from top of shoulders to hem

Modern Sizing Equivalent: XS-SML

Item# DD5050

Reference Photos/Video: (1-4) Spring 2009 Chanel Runway, Look 62. Model Kim Noorda.  /  (5-6) Catriona Balfe, in this dress, at the season 5 premiere of Outlander, February 2020.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this coat walked the runway for Look 9 for the Fall 2019 runway show on Kaia Gerber
• Under the creative direction of Pierpaolo Piccioli
• The Vogue review for this collection touched on Pierpaolos's inspiration for the show saying; "(he is) a man on an intuitive mission to place fashion on a positive plane. 'I feel that people are looking for emotion and dreams—but not distant dreams,' he said today before his ready-to-wear show was about to take to the runway. 'I want to create a community for Valentino. I mean something different from ‘lifestyle,’ which is about owning objects. It’s about people who share values.'"
• It was photoed for editorials and worn on carpets that year
• Made from a beautiful orange wool that is extremely soft to the touch. Dyed feathers to match the colour have been added over the entire coat for an beautiful tactile feel. This also adds incredible movement once on.
• It has an open cocoon type shape that should fit a variety of sizes. It is meant to feel slightly oversized.
• There is a panel of fabric along the inner back hem that has the words "wrap me, free me, see me" done in black beads
• Pockets along each hip
• Unlined and closes with hidden set fabric covered snaps 
  
• Tagged a modern Valentino 36
• Excellent condition

Sleeves: approx 19"
Shoulders: no true seams
Bust: 25" flat across from side seam to side seam
Waist: 26" flat across from side seam to side seam
Hips: 21" flat across from side seam to side seam
Total length: 34" from neck to hem

Modern Sizing Equivalent: SML-RG

Item# DD5047

Reference Photos/Video: (1-4) Fall 2019 Valentino, Look 9. Model Kaia Gerber.  /  (5) Priyanka Chopra Jonas photographed for Elle UK, August 2019.  /  (6) Phoebe Tonkin for Neiman Marcus, 2019.  /  (7) Naomi Scott at the Nickelodeon Kids' Choice Awards, 2019.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Note that due to new regulations this coat can only ship to a Canadian address 
• Resort 2018 Prada runway Look 23
• Under the creative direction of Miuccia Prada
  
• The runway version did not have the gray underneath the chain metal so it was worn more as a tunic. When they added the grey silk band for the shops it allowed it to be worn as a mini dress
• Made from a pale pink crepe with a soft grey design printed over it that incorporates the word Prada on both the front and back
• The lower portion of the skirt is a pale grey stretch silk like fabric. A metal chain mail detailing goes around the top part of that lower skirt
• It has a high collar and the sleeves are long. Each sleeve is finished in a pale pink feather cuff.
• Pin-tuck detailing creates a very pretty and detailed finish at the front of the dress
• The fit through the body is more full and open much like a 1920s flapper dress
  
• It closes with a hidden set back zipper
• Tagged a modern Prada 40
• I see some teeny little marks on the grey silk and one tiny faint spot on the top of one shoulder. It has the slightest perfumey smell, otherwise in excellent condition.

Sleeves: 25" including the feathers and are 11" around the upper arm
Shoulders: 15.5"
Bust: 19" flat across from side seam to side seam
Waist: 18" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Total length: 34" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD5046

Reference Photos/Video: Resort 2018 Prada, Look 23.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• A shorter version walked the runway for Spring 2012 for Look 47
• Under the creative direction of Karl Lagerfeld
• The body of the dress is a pale pink knit whose design is set in little individual scallops that slightly overlap the one underneath. It is very intricate and beautiful 
• The neckline is scooped and there are flowers made out of stiffened silk organza mixed with an iridescent fabric that also is stiffened. These are curled inward to form petals. There is a cluster of five flowers around the neck and then ten run down the centre of the front. More circle around the entire hem. The iridescent petals catch the light and add a beautiful dimension to the dress.
• The sleeves are made out of a ivory silk chiffon and each closes with a little domed Chanel button with the double C logo in gold. A third button sits at the back of the neck. Despite having the Chanel button I think that these sleeves may have been added at a later date or upon request of the client. It would explain why they still have the Chanel buttons but they don't look like they were integral to the dress by the way they are set into the arm. I have left it as found but if you did not like them they could easily be removed.
• The dress is unlined and slips over the head to wear. It buttons to close at the back of the neck and on each cuff.
• Tagged a Chanel 36
• The button at the back of the neck has lost its little gold double C logo. I see a tiny little break in the silk at the top of one shoulder. It otherwise is an excellent condition.

Sleeves: 23" and are 13" around the upper arm
Bust: 15-18" flat across from side seam to side seam
Waist: 15-17" flat across from side seam to side seam
Hips: 17-19" flat across from side seam to side seam
Total length: 36" from neck to hem

Modern Sizing Equivalent:  XS-SML

Item# DD5044

Reference Photo/Video: Spring 2012 Chanel, Look 47. Model Anna Selezneva.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Its twin in pink was shown for the Pre-fall 2017 Celine collection
• Under the creative direction of Phoebe Philo
• Made from a beautiful clear toned red silk
• The sleeves are long and have a seaming detail above the cuffs
• The top blouses over you with a tie detail at the front. I have just looped it once and let the ties hang but you could also wrap them around you or make them into a bow
• The sides of the skirt have a functional pocket detail and these are done so that they sit out from the hip, adding to the avant garde feel of the dress
• Beautifully made and lined in a red silk
• It closes with a back hidden set zipper and each cuff has a hidden set zipper
• Tagged a modern Celine 36
• Excellent condition

Sleeves: 24.5"
Slightly dropped shoulders: 17"
Bust: to 18" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: 15" from neck to waist
Total length: 50" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD5043

Reference Photo: Pre-Fall 2017 Celine, Look 30.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Made under the creative direction of Oscar de la Renta
• This can be worn as a coat or a dress
• It is made out of a stunning iridescent blue silk taffeta. The fabric choice keeps it light in weight but also holds the lines and shape.
• Big balloon sleeves with cuffs detailed with pleat work
• The body of the piece is cut loose and easy.
• It closes down the front with incredible oversized frog knots that are completely beaded. Another knot sits on the back.
• There are pockets on each side and the bottom portion of the piece is incredibly full and open.
• Fully lined in the same blue silk taffeta as the exterior
• It has a wide inner elastic waist corset that wraps around the inner waist and hooks into place
• It closes down the front with the frog knots and a series of hidden hooks and hidden silk covered snaps. 
  
• Shallow pockets along each hip and light padding in each shoulder
• Excellent condition with some teeny marks and teeny breaks along the very edge of the hem and the front. These make no impact but are mentioned for accuracy.

Sleeves: 28" and the upper arm is full and open
Shoulders: 15.5
Bust: to 21" flat across from side seam to side seam
Waist: to 17" flat across from side seam to side seam
Hips: open
Total length: 60" from neck to front hem, 62" to the back

Modern Sizing Equivalent: MED-LRG

Item# DD5041

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Made under the creative direction of Bill Blass
• A beautiful deep blue silk taffeta gown with a deep plunging back to leave a bare expanse of skin
• A dramatic collar made of the same blue silk and forming a dense applique of flowers wraps around the neckline and follows the plunge of the back. The same detailing goes around each cuff.
• The sleeves are incredibly full 
  
• The waist nips in and the skirt opens up to be very full as it falls to the hem.
• Fully lined in the same silk through the bodice and a black silk organza through the skirt
• Tagged a vintage Blass 12
• Closes with a hidden set back zipper. Hand finishes
• Excellent condition

Sleeves: 22.5" and are full and open through the upper arm
Shoulders: approx 15"
Bust: to 19" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips:  open
Bodice: 15" from top of shoulder to waist
Total length: 60" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5039

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Circa late 1990s
• Under the creative direction of Gianni Versace
• A muted pastel salmon colour that is more pastel feeling in real life than how it photoed here
• The dress has a wide gathered band around the waist and a piece that is attached and loops in and behind one of the panels that form the top
• The panels are one piece of fabric that loops around the neck and the down to attach into the waist. You cross it over itself so that it goes behind the neck. You can then wear them high up on the shoulder or have it cape and fall over the upper arm.
• This leaves your entire back open and exposed
• The skirt has an inner piece that acts a partial lining. The outer skirt drapes over that and forms those interesting pocket like pieces on each hip. It then drapes inwards and down to the hem with a centre slit up both the front and back of the skirt
• It is a very interesting and an avant garde design
• The bodice is made of two layers of the same fabric and the skirt has a partial lining through the hips and the rest of the skirt is unlined.
• Tag a vintage Versace 42
• Excellent condition

Bust: each panel is 11" flat across from side to side
Waist: to 15.5" flat across from side seam to side seam
Inner hips: to 21.5" flat across from side seam to side seam
Bodice: adjust depending on how you twist to wear it
Total length: approx 62" from neck to hem
Slits: approx 25" from the longest point of the hem to the top of the slit

Modern Sizing Equivalent: MED-LRG

Item# DD5037

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Outstanding designs from this era are increasingly hard to find and this beautiful dress is a joy to see.
• Made entirely of a black silk velvet that is light and has incredible movement and softness.
• The dress is completely bias cut and drapes over the bust, comes in at the waist and then skims over your hips to fall to the floor in a beautiful expanse of silk velvet.
• The skirt widens out as it nears the floor and the back is cut slightly longer for a bit of a sweeping feel.
• The sides are set in a bit of low plunge and the back plunges right to the waist. It is simply a beautiful dress.
• Unlined and completely cut on the bias
• Slips on to wear with no closures
• It's a piece that can accommodate a lot of sizes because of the range of movement the bias cut has. I've put extra small to medium, but it might even work on a large as long as the waist works.
• Excellent condition

Bust: 16-22" flat across from side seam to side seam
Waist: 13-18" flat across from side seam to side seam
Hips: to 24" flat across from side seam to side seam
Bodice: 15" from the top of the shoulder to the waist
Total length: 62" from top of shoulder to front hem, 70" to the back hem

Modern Sizing Equivalent: SML-LRG

Item# DD5033

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• A production piece from the Spring 2008 collection
• Under the creative direction of Alexander McQueen
• Made from a red liquid silk. Both the cut and fabric are reminiscent of pieces from the thirties and forties 
  
• Wide straps curve over the shoulders and extend down to form the halter feeling bust
• It has a deep front plunge and the fabric is gathered into a centre knot at the base of the plunge.
• At the back the dress falls in one swoop down from the shoulders
• An extra panel of fabric is created from the front knot and it runs down the centre of the dress all the way to the hem. It creates that beautiful draping and also gives the skirt incredible movement. 
  
• Fully lined in a red silk and closes with a hidden set side zipper.
  
• The bias cut should allow it to work on a range of sizes. I have put the comfortable range of measurements below when laying flat.
•  In its original length and appears to have never been worn or worn very little
• Tagged a McQueen 46
  
• Excellent condition 

Bust: 17-20" flat across from side seam to side seam with a B-C cup
Waist: 13-15" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Total length: 62" from top of shoulder to hem

Modern Sizing Equivalent: MED-LRG

Item# DD5030

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• From the Cruise 2011 show. You can see a dress with similar front design details on Look 26 in the show
• Under the creative direction of John Galliano
• The show was shown in Shanghai that season. The red used for this dress and the single red dress in the show were a nod to the country, but overall Galliano chose not to do very specific references to Shanghai. He said at the time that he was more trying to "capture the feeling of Paris in its heyday" which was what he said he felt happening in Shanghai at that time.
•  Made from a muted red silk crepe chiffon that has a little bit of texture to it
• Wide straps curve up and around the neck and then extend into panels that cover your front and wrap around to the back.
• The neckline has a bit of a plunge at the front and the entire upper back is left bare.
• The silk is gathered down the front of the dress and is held in place by little horizontal ruffles of the same silk chiffon. The pleat work narrows down to a point at the waist. 
• The silk of the skirt is gathered up and into the centre point of the bodice and I love the extra detail this creates. The bottom skirt is quite full and widens out as it nears the hem.
• There is a slit that runs up the top layer of the skirt and this helps to creates beautiful movement as you walk. 
• Buttons are spaced down the side in his signature tightly spaced fabric covered buttons and loops and these hide a hidden set zipper.
• Fully lined in a red silk
• Tagged a Dior FR36, GB8, IT40, US4
• Excellent condition

Bust: to 16-17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: approx 16" from neck to waist
Total length: approx 62" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# DD5032

Reference Photo: Resort 2011 Christian Dior, Look 26. Model Sigrid Agren.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this gorgeous suit walked the Fall 2008 runway as Look 37
• Under the creative direction of John Galliano
• The show celebrated the 1960s with the opening music Simon & Garfunkel's 'Mrs. Robinson'. The models were styled with a nod to the 60s but in a highly exaggerated way.
• Galliano said of the show "I am always looking for heroines who make me dream"
• The suit is a brilliant green silk /cotton mix which keeps it light in weight but has enough structure to allow it to hold its intended shape perfectly.
• The collar is wide and exaggerated and the suit closes with matching silk covered buttons and hidden set snaps down the front.
• A little bow sits at the centre of the front and little flap pockets still have their tacking in place on each hip. The hips are shaped to curve outwards.
• The end of the sleeves and the around the entire hem is heavily embellished with big round silver discs, glass or stone polished pieces, mixed with little gold sequins.
• The skirt is cut in a little bit of a flare and will sit just above the knee depending on your height.
• Both pieces are lined in a green silk
• The jacket snaps and buttons to close down the front and the skirt closes with a hidden set side zipper
• The jacket is tagged at FR42, GB14, IT46, US10. The skirt is tagged FR36, GB8, IT40, US4.
• I see a teeny darkened mark on the skirt near a seam and a teeny faint spot on the back that is very minor. There are some missing embellishments here and there. Otherwise, it is in excellent condition.

Jacket
Sleeves: approx 20" and are 12" around the upper arm
Shoulders: no true seam
Bust: 17.5" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Bottom of jacket: 20" flat across from side seam to side seam
Total length: 21.5" from neck to hem

Skirt
Waist: 13.5" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Total length: 19.5" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD5027

Reference Photos/Video: Fall 2008 Christian Dior, Look 37. Model Heidi Mount.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Early 1980s dress under the creative direction of Hanae Mori
• Made of a pink striped silk chiffon that has a gold thread shot through the striped pattern. The gold picks the light up to give the dress a subtle shimmer.
• V neck and buttons down the front
• Original tie belt in a matching fabric to cinch in the waist
• The skirt is full and widen out as it needs the hem
• The front of the bodice and the skirt are lined in a nude silk chiffon, and the back and sleeves are unlined.
• It closes with the fabric covered buttons down the front and snapped at the waist. Each sleeve snapped to close. Like padding in each shoulder.
• It appears to have worn very little if at all. Excellent condition.

Sleeves: 22.5" and or 13" around the upper arm
Shoulders: 15"
Bust: to 16" flat across from side seam to side seam
Waist: 12" flat across from side seam to side seam
Hips: open
Bodice: 15" from top of shoulder to waist
Total length: 56" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD5026

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The collection had a futuristic theme and silver was a prominent element throughout.
• The twin of the skirt walked the runway for Look 85
• Under the creative direction of Karl Lagerfeld
  
• Flat fitted waist and then it has perfectly spaced knife pleats all around the hip to give it the volume that you see
• Tiny little zip pockets on each hip that are functional but shallow
• The little Chanel logo button on the one hip is meant to represent a map of the Earth
• Slits on either side of the skirt
• Made out of a cotton and then densely applied with hundreds of thousands of silver sequins in various sizes. Little dots of silver thread are interspersed in between all of those sequins.
• It closes with a hidden set back zipper
• Tagged a modern Chanel 38
• It appears to have been worn very little if at all. Excellent condition.

Waist: 13.5" flat across from side seam to side seam
Seam at the top of the hip that is 6" down from the waist: 17" flat across from side seam to side seam 
Natural hips: open
Total length: 34" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD5022

Reference Photos/Video: Fall 2017 Chanel, Look 85.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This beautiful dress was Look 49 on the Spring 2015 runway for Ralph Lauren. At the time it was released there was a editorial that noted that the bead work alone on this dress took over 900 hours. Princess Charlene of Monaco wore one in 2016 and Sarah Jessica Parker wore one in 2023. I ove that this gives you a fantastic idea of how this looks like on the body. The Purple Label from Ralph Lauren are the high-end demi-couture pieces the label creates. Ralph Lauren launched it in 1994 and the label was meant to be the pinnacle line for the brand. The dress is beautifully made. 

The dress is made from multiple layers of silk tulle over an inner silk. The colour is a earthy deep golden colour. Onto the top netted layer is the extensive and elaborate bead and prong set glass crystals that are mentioned above that took over 900 hours to apply by hand. The design completely covers the bodice and sleeves and then runs down on panels on the skirt. The front  neckline is scooped across and rhinestones have been prong set in an elaborate and dense design just under the neck line. These taper down and change to these to very fine beaded curving lines that run down to the waist seam. The sleeves are long and they are also entirely covered with more delicately done bead work. At the back you have an open V that plunges down the back and exposes a bare expanse of skin. The skirt is magnificent. It has multiple layers of the tulle with individual panels attached around the skirt. These panels have the same elaborate hand beading as the sleeves. The entire skirt is made from multiple layers of panels set vertically and separated from each other from the hem to about 23" up, so when you sit or walk a certain way you get a bit of flash of leg from underneath. This gives you incredible volume as well. I loved the dropped waist and you can see that the dress can be worn with a belt as they showed it on the runway, or without for a more 1930s feel. It appears to have been worn very little if at all. Excellent condition.

Fully lined in a matching coloured silk and closes with a low set hidden back zipper. Each sleeve buttons to close at the wrist. The skirts are made of multiple layers of tulle with an inner silk panel. Tagged a modern RL 4

Sleeves: 24.5" and are 10" around the upper arm
Shoulders: 14"
Bust: 17" flat across from side seam to side seam
Natural waist: 13.5-15" flat across from side seam to side seam
Seam at the top of the hips: to 17" flat across from side seam to side seam
Bodice: 19" from top of shoulder to the seam at the top of the hips
Total length: 60" from top of shoulder to longest points of hem

Modern Sizing Equivalent: XS-SML

Item# DD5018

Reference Photos/Video: (1-4) Spring 2015 Ralph Lauren, Look 49. Model Bruna Tenorio.  /  (5-6) Princess Charlene at the reception for Television Festival, Jun 2016.  /  (7-8) Sarah Jessica Parker at the New York premiere of And Just Like That Season 2, June 2023.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This is a special edition dress from 2012 and that same year its twin was worn by both Katy Perry and Sonam Kapoor. I love that this gives you the chance to see just how gorgeous this dress is once on and that it is a dress with incredible modern provenance given these two moments. Dolce and Gabbana launched in 1985 by founders Domenico Dolce and Stefano Gabbana who still run the label to this day. After a shaky start in the first few years, by the 1990s, they had started to open their own boutiques and had become a force in fashion. In 1993 Madonna chose them for her 1993 Girlie Show tour and they gained world wide recognition. They are known for their dramatic designs that are heavily inspired by their Sicilian heritage. 

The dress is made out of a deep red velvet and that colour, combined with this fabric, gives it an extra depth and richness that it would not have in any other fabric choice. The top portion of the dress is treated in an almost corseted fashion. It is meant to be very fitted to the body. The bodice is peaked at the front and the velvet is placed over it to drape and wrap around the body in the most flattering way possible. Inside it is boned and shaped so that everything stays in place. The waist is cinched in and the illusion of a tiny waist is made even more so by the elaborate skirt that billows out all around you. The skirt is a work of art in itself. Layers and layers of net and tulle are built-in underneath that top velvet layer so that the volume you see in these photos is actually the volume that the dress has. You see that in the photos of Katie and Sonam as well. It is an extraordinary dress. Excellent condition with a minor note below.

Fully lined in red silk with boning and a cupped inner corset. Added layers under the skirt as described above. It closes with a back zipper and then the skirt snaps to close over that starting under the waist. The zipper pull was not present on the dress and we replaced it with twisted black rubber finished wire so you're able to zip the dress open and closed. Please see the photo after the shot of the label. Other than that one small detail, it appears to have been worn very little if at all. Tagged a vintage DG 36

Bust: 13-15"" flat across from side seam to side seam
Waist: to 12" flat across from side seam to side seam
Hips: open
Bodice: 10" from top of the peak on the bodice to waist
Total length: 38" from top of the peak on the bodice to hem

Modern Sizing Equivalent: XXS-XS

Item# DD5016

Reference Photos: (1-3) Katy Perry at the premiere of 'Part Of Me', July 2012.  /  (4) Sonam Kapoor at Cannes, 2012.

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This is a gorgeous little Spring 2001 Chanel set with a tweed boucle jacket and a silk chiffon skirt. The owner paired a Chanel cashmere shell from Fall 1999 with this suit and we are adding that in as a bonus. The show that year took place in the Carrousel de Louvre where the Chanel team constructed a multi-coloured Neon Staircase for the models to walk down. The Chanel 'Catwalk' books noted that the models sported tons of colour to go with that staircase and the collection showcased red, pink, blue, coral and purple besides the standard black and white used so often by Karl. You can see some of those colours reflected in this set. It is always nice to have a set with multiple pieces because the opportunity to mix a match with things that you already own just makes it that much more versatile.

The jacket is made from one of the classic Chanel signature fabrics that combines a fine wool with tiny sequins sewn onto some of the stripes woven through the tweed. I love the little shot of glitz this adds. The colour is done in shades of pinks that keep it very rich in feel. The jacket is a great cut. The sleeves are long and I love the addition of the silk chiffon cuffs at the end of each sleeve that ties it perfectly in with the skirt. The collar is notched and vertical panels run down the front on either side of the buttons. Another of these panels runs down the centre of the back. This add structure to the jacket and it is also what the belt of the jacket loops through, which is very clever. The jacket buttons to close down the front and the belt snaps into place. This tops a pretty silk chiffon skirt that is made out of a silk chiffon with the Chanel logo printed in little watercolour painted feeling squares. It has a simple banded waist and the upper part of the skirt is more fitted with closed pleats circling around the hips. These open up from there so the skirt has lots of movement and softness around you. The skirt is lined in deep fuchsia silk. The little bonus shell that goes under this is a perfect purple sleeveless top made of the finest Chanel cashmere. This is classic Chanel and it is exceptional. Excellent condition with a minor note below.

The jacket is fully lined in a Chanel embossed fuchsia silk and buttons to close down the front. The belt loops around the jacket and snaps to close. A classic Chanel chain is stitched along the inner hem. Light padding in each shoulder. Some of the colour has rubbed off of all the buttons. Please see the photo after the label shot. The skirt closes with a MOP button at the waist and zips to close under that. The shell is unlined and slips on to wear. The jacket is tagged a Chanel 36, the skirt has no size tag but feels generous in cut and the shell a size L.

And just a note on their fabrics.... The Chanel boucle and tweeds are created with their proprietary method of weaving that they themselves describe as "by weaving the warp and weft, using a variety of different kinds of threads which creates a unique and somewhat irregular appearance. The warp – vertically strung – is the background of the fabric, the base that will support the assembly of materials. There can be up to 12 different threads used for a single warp. The weft – woven horizontally – gives the fabric its unique character and can have an unlimited number of threads. Tight, perforated, textured, thick, with a relief, plaited, random, twill… the potential number of effects is endless". This technique gives you that classic Chanel look.

Jacket
Sleeve: 23"
Shoulders: 15"
Bust: 17" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 26" flat across from side seam to side seam
Length: 20" from neck to hem

Skirt
Waist: 15" flat across from side seam to side seam
Hips: 19.5" flat across from side seam to side seam
Length: 23" from waist to hem

Shell
Bust: to 19" flat across from side seam to side seam
Waist-hips: to 18" flat across from side seam to side seam
Total length: 21.5" from shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5015

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

The twin of this dress walked the runway for Fall 1975. Chloe was headed by Karl Lagerfeld at this time making it a historically important piece of fashion history. The evening pieces in this collection were a hit with the press. The Los Angeles Times even said they were "collectors items". On the runway, the dress was worn with a thin gold belt that matches the gold colour on the inside of the back floating panels. I love that this shows you that you can wear it either way and it looks equally fantastic.

The dress is made from a light scarf weight black silk and the back panels are made of the same and then those are completely lined in a darker gold metallic silk lame. The neckline is piped with the same silk and the fabric is gathered softly into it. The neckline is cut slightly wide across and then the dress falls from there to skim over the bust, waist and hips to the floor. It gradually widens out to be quite wide by the hem.  The back dips into a low V above hidden set snaps to close it. I love how this gives you a glimpse of bare skin behind the panels when you move a certain way. The two long panels that hide that open back are are attached along the back neckline and then fall loose to the floor. They are very wide by the time they reach their ends. Each one opens up a full 29" across the bottom. They are lined in a beautiful deep gold metallic lame that has an almost copper tone feel to it. The lame has a horizontal weave to it which gives it added texture. When this is on and moving, these billow out and float behind you. It is utterly fantastic. Excellent condition with a minor note below.

The dress is unlined and closes with a back hidden set series of hooks at the base of the V at the back. There is also a hook behind the neck. Hand finishes throughout. The easy cut should allow it to fit a range of sizes. I see one small area near the bottom of one of the panels on the black side where the fabric is just a tiny bit lighter. It is very minimal and I could not catch it on camera.

Bust: 16-18" flat across from side seam to side seam
Waist: to 15" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Total length: 56" from top of shoulder to front hem, 62" to the longest point of the back panels

Modern Sizing Equivalent: XS-MED

Item# DD5012

Reference Photo: Fall 1976 Chloe Runway.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

The twin of this gorgeous Spring 2001 Chanel set walked the runway that season. The show that year took place in the Carrousel de Louvre where the Chanel team constructed a multi-coloured Neon Staircase for the models to walk down. The Chanel 'Catwalk' books noted that the models sported tons of colour to go with that staircase and the collection showcased red, pink, blue, coral and purple besides the standard black and white used so often by Karl. Models had logos written on their faces and even their nails with a 'specially produced varnish embellished with diamante chips'. This look was heavily styled with accessories for the show and I loved when you see the pieces paired back you understand just how fantastic they really are. No one does cashmere like Chanel. The fabric of the skirt is yet another amazing example of just how high -end their fabrications for ready-to-wear are. 

This Chanel set is so good. These are the kind of pieces that you see in real life and it makes you swoon. As good as it looks in the photos it only really comes to life on the body. Both pieces are absolutely beautiful. The sweater is so pretty in its own right. There is a definite nod to the tennis sweater in its design. The cashmere has a defined ribbing through the body and sleeves, and then the cuffs, hem and neckline are done in a finer ribbing for contrast. Also like a tennis sweater, it has a classic striping around the neck line and the cuffs. It is cut to sit soft and easy on the body so that it feel simple with the perfect amount of casualness. I love the little pocket that sits on one hip and there is a little Chanel emblem under that. It has the double C logo on a grid which to me is a little nod to the tennis net. The skirt is equally as amazing. Here we have wide ribbed cashmere detailing around the waist and then we have a beautiful Chanel tweed boucle done in soft coral and peaches on a ivory backdrop. Big oversized belt loops sit along the the waist line and they have little snaps in behind at their centres in case you want to wear a different size belt, or have a belt sit higher or lower. They are held in place at their bottoms by a dome pearl button that has Chanel embossed on it. There are little pockets set along the inset front seams. The skirt is cut in a sharp little A-line. I love how the sequins done in a mix of pastel peach, coral and white, are used to highlight the grid pattern of the tweed. This is a superb Chanel set that is just exceptional. Excellent condition.

The sweater is unlined and the skirt is lined in a Chanel embossed ivory silk. The sweater slips on to wear and the skirt closes with a hidden set back zipper. Both pieces appear to have been worn very little if at all. The colour and textures are even better in person. Both pieces are tagged a Chanel 38. The sweater has some stretch and the comfortable range of measurements while laying flat are below.

Sweater
Sleeves: 24" and are 11-14" around the upper arm
Shoulders: 15"
Bust: 19-22" flat across from side seam to side seam
Bottom of sweater: 13.5-18" flat across from side seam to side seam
Total length: 22" from neck to hem

Skirt
Waist: 12.5-17" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Total length: 23" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD5009

Reference Photos/Video: (1-3) Spring 2001 Chanel.  /  (4-5) From the book "Chanel Catwalk: The Complete Collections".

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

The twin of this dress walk the runway for the Fall 2001 Chanel show. The show title was "Coco Pop" and part of the show had references to pop artist Roy Lichtenstein. Stripes were an important part of the collection and I love how that is picked up with the sequins that adorn the front of this jacket. You also have that grid pattern on the rest of the dress that is made from combining little closed rectangles of stripes placed against each other resulting in that pretty design. I love having the reference photos for you so you can see how gorgeous this is once on the body.

The dress is a simple shift with little cap sleeves and a scooped collar. In person it is a bit more of a pastel pink tone and even prettier than how it photoed here. All of the seams through the body of the dress are set vertically. As they move over the body they gently create the curve of the dress so that it skims over you and is very flattering. I love the combination of wool and sequins. It is unexpected and lets the dress work for both day and evening. Only the front of the dress is a done in sequins. Karl kept that front-only detail even on the cap sleeves who have sequins only on their fronts. The sequins run horizontally on a panel set down the centre of the dress. Across the waist there is a strap adorned with two Chanel buttons. If you look closely at the buttons, he incorporated that same pattern in the wool part as the background of each button. I love that detail. The fabric is light in weight but is still has structure so that Karl was able to sculpt the shape he desired. It is so pretty and easy to wear. Excellent condition.

Fully lined in a peach silk chiffon and closes with a hidden set back zipper. This one has its original Chanel placket with extra fabric and an extra button inside. There is a very minor, slight change in colour near the edge of the inner lining under the arms. Please see the photo after the label shot. Tagged a Chanel 36.

Sleeves: 11" around the opening
Shoulders: 14.5"
Bust: to 17" flat across from side seam to side seam
Waist: 14.5" flat across from side seam to side seam
Hips: to 17" flat across from side seam to side seam
Total length: 36" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD5011

Reference Photos/Video: Fall 2001 Chanel Runway.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

After much research I believe this to be from the Spring 1979 collection for Chloe by Karl Lagerfeld. In this collection he moved away from 1940s as his inspiration into the sex appeal of the 1950s, said the book 'Chloe Catwalk'. The silhouettes were based on the hourglass. In that same book there was a very similar floral pattern shown that is on this piece. Gathers emphasized hips, which this has, and the waist was emphasized. Feathers and the rooster were a part of both the prints and the accessories. Lagerfeld said of the collection to the press "Frivolity is important. I want shape and sensualness."

The dress is made from one of his signature feather light silks of this time period for Chloe that feel like magic on. It is screened with a custom print that mixes an ivory, pastel coral and a pale lavender purple. The entire dress is unlined and this is what helps to keep the dress so light in weight. An interesting detail is that the labels are on the side of the dress that I think is the front. The side that has the deep plunge is longer in length at the hem so I believe that should be the back. I have seen other dresses with this label placement from around this time period and when the back is plunged like this, so it is not unusual to see. I have photoed it both ways for you, with the plunge at the back and the front. You could potentially wear the plunge at the front if you don't mind the longer hem at the front. Much like that Lacroix dress from me that was worn to the Met Gala a couple years ago when they turned it around backwards. The sleeves are long and it skims over the bust to the waist. The back plunges into a low V to just above the waist. As mentioned above, it is possible that you could wear it either way around. It is incredibly sexy worn either way. The waist is seamed and the dress comes with it original striped screened silk belt that hooks into place around you. The stripes on the belt pick up the stripes that are on the end of each sleeve and circle around the hem. The skirt curves over the hips and there is a gathering of the silk there for added shape. It falls to the floor from there with the back cut longer then the front for a slight trained effect. You get the most fantastic movement as you walk. The dress is in its original uncut length. Excellent overall condition with a note below.

Unlined and closes with a back zipper. Hand finishes throughout. There is light fading to the fabric here and there at the top of the shoulders and edges of the hems where there is the purple in particular. This all looks to be hand dyed and or screened and it presents perfectly once on. The belt hooks to close. It is amazing.

Sleeves: 22.5" and are 11" around the upper arm
Shoulders: 14"
Bust: to 17" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: to 18.5" flat across from side seam to side seam
Bodice: 16.5" from neck to waist
Total length: 60" from neck to front hem, 68" to the back hem with about 2" turned under the hem

Belt: 2.5" wide x 27" long where the hooks currently sit. 

Modern Sizing Equivalent: XS-SML

Item# DD5008

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This gorgeous little dress was a dress was based on a combination of Looks 10 and Look 52. This version has been done in all black, it has the one shoulder cut of Look 10 combined with the bead work and embellishments that you see on look 52. Vogue said that the collection was done "in an electric-bright palette.. and channelled Barbara Hutton's sixties—a glittery, lame, paisley, and leopard-print world of muumuus, bikinis, capri pants, trapeze dresses, cat-eye sunglasses, and scarf-wrapped hats. It bordered on camp... and Kitschy or not, there was no denying the workmanship that went into crafting the large collection." I love that the photo of the blue dress still shows you how fantastic this is on the body.

The dress is made out of a black silk chiffon that has a slight bit of texture to it. It is cut on the bias with seaming at the waist for a bit of structure. The wide shoulder panel curves over to the back and at the front it drapes across the bust. On both sides of the bodice there is a spray of intricate floral appliques detailed with black jet beads and sequins. These catch the light beautifully as you move. The waist nips in and the dress comes with its original belt that lets you cinch the waist in as much as you like. I love the big jewel buckle of the belt. The skirt flares out under that to the hem. There is a good amount of silk chiffon through the skirt which gives you gorgeous movement when you move. It is stunning. A signature row of tightly spaced buttons run up one side. A very pretty and wearable example of his work. Excellent condition with a small note below

Fully lined in a black silk and closes at the side with a series of silk covered buttons. The belt comes in its original Dior pouch. I see one tiny hole near the hem. Please see the photo after the label shot. Tagged a FR42, GB14, IT46, US10.

Inner bust: 18.25" flat across from side seam to side seam
Waist: 14.75" flat across from side seam to side seam
Hips: open
Bodice: 18" from the top of the shoulder to the waist and meant to blouse over the waist a bit
Total length: 42" from top of shoulder to hem

Modern Sizing Equivalent: MED-LRG

Item# DD4800

Reference Photos: Cruise 2008 Christian Dior. (1) Look 10. Model Chanel Iman.  /  (2) Look 52. Model Mariya Markina.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This is the twin of Look 27 from the runway and it is an exceptional piece of Gucci history. It was featured in Vogue that season on Natalia Vodianova and I love that these show you how great this is on the body. The Vogue review said 'The Gucci girl’s got legs—long, tan, flawless ones striding along on silver peep-toe sling-back pumps. Follow them all the way up, and around two weeks later, they eventually meet the hem of the minutest piece of clothing that was ever called a skirt or dress. For spring, in a word, Tom Ford says short. Using lustrous fabrics in subtle makeup colors from blush to tawny brown, pearly gray and silver, Ford draped and wrapped his gorgeous girls in clothes that navigated that dangerous Gucci line between innovation and vulgarity. The tousled hair, the jackets and tops poised to fall off shoulders—the whole presentation stirred sensations that fashion hasn’t felt since the last days of the great supermodels. Still, don’t think tacky. Ford’s obsession now is integrating fine workmanship into abbreviated silhouettes." The feather dresses were mentioned specifically; "He brought couture finesse to racer-back feathered dresses with the merest flip of a skirt....it was a confident statement in the power of glamour. And fashion needs that.' To this day this is one of the most recognizable of his pieces. 

This dress is thought of as one of the top ten Gucci pieces that Tom Ford designed. The dress is meant to be worn very short and daring. It shows off miles of legs. The top plunges low at the front and the back curves in to create a racer-back leaving your back bare on either side. It skims over the waist and hips and then flares out at the skirt. The skirt has two tiers of feather detailed ruffles and this extra little flounce gives it movement when you move. It is made from two layers of weightless silk with a silk grosgrain ribbon edging. The feathers are a mix of a dyed soft pale yellow mixed with some soft light taupe natural feathers for depth and interest. I took a photo of the back of the silk of the skirt and you can see that each feather was hand placed onto the silk  Vogue referenced couture in the review I added above. It snaps to close under the ribbon at the side so there is no break anywhere with a zipper. It just looks like it somehow magically formed it on you. It is an incredible piece of Tom's history with the brand. Excellent condition. 

Fully lined in a pale taupe nude silk chiffon and has hidden set snaps at the  side to close. Tagged a YSL 42. Some of the ends of the feathers have separated a bit on the natural spots it curves but this is just part of aging for a piece like this. I don't consider this a flaw but its mentioned for accuracy.

Bust: approx 16" flat across from side seam to side seam with open sides. each halter is 6" wide at its widest point
Under-bust to waist: 13.5" flat across from side seam to side seam
Seam at top of hips: 16.5" flat across from side seam to side seam
Length: 30" from neck to hem but can be pulled up as short as you want

Modern Sizing Equivalent: XXS-XS

Item# DD4001

Reference Photos/Video: (1-8) Spring 2003 Gucci Runway Collection, Look 27. Model: Louise Pedersen.  /  (9) Natalia Vodianova, wearing Gucci, Vogue, February 2003. Photo by Steven Klein.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

Guy Laroche began working for Jean Desses in 1949 and eventually launched his own Haute Couture label in 1957 as a full member of the Chambre Syndicale de la Mode Parisienne.  He became known for his colour sense along with the young and sexy look of his clothing comparison to the older more established couturiers. In 1985 he won the Haute Couture Golden Thimble award and two years later he was awarded the insignia of Chevalier de L’Ordre de la Legion d’Honneur. His second Golden Thimble was given posthumously after his death in 1989. Michel Klein took over the couture division where he remained until 1996. This dress is from Klein's tenure and it is a beautiful example of the work he was doing during there. Laroche once was quoted as saying “It is my intention to try and adapt haute couture to modern requirements: to make dresses that are simple and chic.” and I feel that this dress tries to live up to that thought while still maintaining the feel that couture had during the mid-nineties.

This is the type of piece that is so bold and edgy that you will only ever find it in a Couture piece. It has some subtle differences from the runway version which is normal for couture since each piece is fitted to the client. The bodice is scooped wider across and the back skirt feels longer. A long panel has been added that falls down the back and matches the colour and fabric of the skirt. The pale taupe inner dress is a mini in length with a panel of silk attached at the side and back. The long skirt that is attached over that is done on a soft olive green silk. This part falls to the floor in a long smooth drape of fabric. A wide deep blue/black silk band wraps around the waist for shape. This narrows down at one end and hooks into place under a long swooping gold brooch which I believe is gold plated. A long panel is attached at the back and while I have left it extending down  you could probably be clever and tie it to create a bow if you wished to emulate the runway photo more. The sleeves are spectacular. They are the same deep blue-black colour but in a silk chiffon and are cut extra long. They are very wide and full and this lets the hem to fall at an angle when your arms are down. The softness and transparency the sleeves have are the perfect contrast to the rich silk the rest of the dress is made from. It is a very unusual and uniquely gorgeous dress. Excellent condition with a minor note below. 

Fully lined in hand set silk that matches the colours of the various exterior silks. The sleeves are unlined. The dress closes with a hand set hidden back zipper and then there is another zipper that closes the inner mini skirt. The sash at the waist wraps and hooks into place. The brooch is detachable and shows a sight patina. Proper couture label present. The dress is entirely made by hand to Haute Couture standards. The inner silk of the long skirt is scuffed near the hem and I see slight grubbiness along the hem on parts. Please see the shot after the label photo. 

Sleeves: 34" to the longest point
Inset shoulders: 12"
Bust: 16" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: 16" flat across from side seam to side seam
Mini dress length: 31" from top of shoulder to hem
Full Length: 60" from shoulder to longest point of the hem
Waist sash: 26.5" in length to where the hooks presently sit with an extension past that that wraps and hooks into place

Modern Sizing Equivalent: XS-SML

Item# DD4012

Reference Photo: Fall 1994 Guy Laroche Haute Couture Runway Collection on Kirsty Hume.

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The program notes told the audience of the Spring 2009 runway show that Mcqueen had been thinking of Charles Darwin's theory of the survival of the fittest and 'the deleterious results of industrialization on the natural world'. The show was title 'Natural Dis-tinctions, Un-Natural Selection' and the McQueen book notes that 'the cat walk was filled with antique taxidermy, including an elephant giraffe tagger zebra and polar bear, in an art space that was formally of Paris morgue.' The twin of the dress was a part of the second portion of the show that was meant to 'continue to draw inspiration from natural forms, flowers, crystals and minerals, but here they were engineer with a hard as an enhanced to convey the synthetic qualities associated with modernity and human touch. Prints were angular and invoked crushed crystal, metallic structures such as the Eiffel tower and a granite mountain that was borrowed from a Dan Holdsworth triptych.' This collection was noted as being one of his most commercial to date during this time period and these print pieces especially had instant appeal.

This is a very recognizable piece that can instantly  identify as being a McQueen. The colours are amazing. The fabric is almost like a neoprene in the way it looks and feels and yet it is not a true neoprene. It is lighter and thinner with just enough weight to it to hold the shape but without it feeling restrictive on the body. The shape is built into the dress beginning at the shoulders. Each is lightly padded so that they sit up on top of the shoulders. It skims over the bust, nips in at the waist and then curves out at the hips. Even when laying flat you can see the shape built into the dress. At the neckline there is a keyhole that has a nude netting in behind it. I love the way that the seams at the hip curve in and over the waist to just under the bust. This precise seaming and cut are all done to give that exact shape that he wished the piece to have. When styled on the runway with the plastered hair around the face it had an almost alien feel to it that was fantastic. The dress looks to have never been worn and is in mint condition. It is an extraordinary piece of Alexander McQueen history and having a runaway pieces from him in the shop are always an exceptional thing. Excellent condition

Fully lined in a ivory tissue silk and it closes at the back with a hidden set zipper. Tagged a McQueen 38. It appears to have been worn very little if at all. 

Bust: 15.5" flat across from side seam to side seam with room for an A-small B cut at the front
Waist: 12" flat across from side seam to side seam
Hips: 17" flat across from side seam to side seam
Length: 32" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD4360

Reference Photos/Video: (1-2) Spring 2009 Alexander McQueen Runway, Look 24. Model Alex Sandor.  /  (3) Page from the book 'Alexander McQueen' edited by Claire Wilcox.

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The twin of this dress walked the Fall 1987 runway and I love that we found a reference photo so you can see just how fantastic this is once on. It is one of those dresses that looks amazing on the dress form but is even better on an actual person. Bill Blass launched his label in 1970 when he bought out the Maurice Rentner label and re-launched it under his own name. Blass was arguably one of the most famous of the American designers. His forte was the ability to mix simple styles with unexpected materials in way that was very flattering to the wearer. This dress is so unusual and I absolutely love it. It is truly one of the most spectacular of his dresses that I have had in the shop.

This dress is incredible. The fabric alone is a work of art. The base is a rich blue silk and then onto this is a fantastic design made of out a black velvet. The velvet is very soft to the touch with a chenille like finish that gives the design a beautiful texture and softness. The dress has the feel of an antique 18th century gown and I love this reference back to the past. The top is a fitted and strapless with a band of black silk wrapping around the breasts. The blue silk and black velvet fall from there to skim outward over the waist and hips and then narrow back down to the floor as it reaches the hem. This gives the front of the dress a more long and lean feel but with a hint that something special might happen as you turn. The back is the star of the show. Sitting over the top of the closure at the back is a large black velvet bow. This tops an added panel that has the feel of a bustle. I is made out of a tremendous sweep of the same fabric. It  expands outward and then loops back in to attach just under the hips. A second black velvet bow sits at the base of where it swoops in. The sheer volume of fabric used to create this nod to a bustle is fantastic. From every angle of the dress you get these wondrous sweeping views because of this unusual detail. There is a slit under that at the back to allow you to walk. The combination of the beautiful fabric and that extra detailing is just amazing. It is one of the most beautiful dresses I have seen from him. It appears to have been worn very little if at all.. Excellent condition

Fully lined in a black silk. It closes with a back painted metal zipper hidden under a seam and there is an inner hooked waist stay. Light boning through the bodice. Hand work throughout. 

Bust: to 17" flat across from side seam to side seam
Inner waist: 14" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Total length: 56" from top of bodice to hem

Modern Sizing Equivalent: SML-MED

Item# DD4995

Reference Photos: (1) Fall 1987 Bill Blass Runway.  /  (2-5) Mikey Madison wearing this dress to the Oscars Nominees DInner, February 2025.

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The Nina Ricci brand was founded in 1932 at 20 Rue de Capucines in Paris and quickly became one of the top couture ateliers in the world. In 1964 Gérard Pipart succeeded Jules-François Crahay, Nina Ricci's former designer assistant, as head of the brand. Pipart, who had previously worked for Balmain, Fath, and Patou, brought a wide range of experience in all aspects of fashion to the brand. Over the following three decades, Pipart's couture vision 'celebrated a flamboyant woman and his ready-to-wear found a loyal following among the most stylish women of the day.' He headed the Couture division until 1998 which makes this a dress from one of his final few seasons. This is an incredible and very beautiful piece of Haute Couture. It is truly magical once on.

The dress is made out of layers of a deep blue bias cut silk chiffon. The bodice is strapless and it has an inner shaped corset that is lightly boned and shaped for light support. The top of the bodice is slightly rounded above each breast and then dips down and into the centre. The silk chiffon has been gathered and softly draped by hand over the body from the bust to the top of the hips. The draping goes all the way around you and adds to the hourglass feel the dress has. The waist cinches in and the dress comes with its original matching silk sash that you can tie and style around your shoulders or neck. The skirt flows out from under there and it is made up of yards and yards of feather light silk chiffon all cut on the bias. The layers of chiffon are feather light and the movement they create as they float over each other as you move is just incredible. It is incredible to see in person. I love that added bit of glamour from the beautiful band of glass crystals, silver tube beads and silver sequins that run from the centre of the bust to curve down and over one hip. It is like an added bit of jewellery to the dress and just beautiful. It is truly one of the best dresses of his that I have seen. Excellent condition with a minor note below.

The bodice of the dress is fully lined in a  hand set blue silk. The skirt has an inner layer of silk under the top layers of bias cut silk chiffon. The bodice is shaped and lightly boned inside with softly shaped cups. It closes with a hand set back zipper. The dress is entirely made by hand with its proper Haute Couture tag present. There are a couple of tiny repairs and tiny areas of thinning/pinholes here and there in the skirt. There is so much fabric you do not see them but this is mentioned for accuracy. Please see the photos after the label shot.

Bust: 14.5" flat across from side seam to side seam
Waist: to 12" flat across from side seam to side seam
Seam at the top of the hips: 17.5" flat across from side seam to side seam
Bodice: 17" from top of bodice to the seam at the top of the hips
Total length: 44" from top of bodice to shortest point of the front hem and 56" to the back hem
Scarf: approx 20" x 80"

Modern Sizing Equivalent: XXS-XS

Item# DD4993

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The twin of this dress was Look 24 for the Resort 2020 presentation. The Luisa Beccaria label is made in Italy and run by the mother-daughter team of Luisa and Lucilla Beccaria. They are known for their incredibly feminine pieces that have an almost story book feel to them. The cost of their pieces run into the thousands and their clothing is very well made. The label's pieces always have a sense of romance to them. Vogue said of the collection that; 'Beccaria’s style is at its most resplendent when she’s designing for elegant soirées and receptions with a sense of occasion. Resort offered plenty of choices in embroidered lace, layered tulle, macramé, and wispy organza.'

This is a gorgeous dress. It has the prettiest floral design screened onto a feather light silk chiffon. Think the finest silk scarf you could have in terms of weight and feel. The print is done in pale shades of blue on an ivory backdrop. The collar wraps around the neck with long attached ties that you can let trail down the back as they did in the collection photos or wrap and tie it into a beautiful soft bow at the front like I did. The silk is gathered into the collar for added detail on the bodice. From there it skims to the waist where you can cinch it in with its matching tie belt in the same fabric. The belt has an added flower that matches the print of the dress. The skirt falls to the floor under that and the silk is all bias cut with yards of fabric in the skirt. All of that fabric means that with your slightest move the skirt floats around you. The skirt is in its original uncut length. The sleeves are fantastic. Each is a very full balloon sleeve made out of a single layer of the silk chiffon. They puff out dramatically above the cuff with each cuff ending in a split ruffle. This is a dress that you slip on and feel completely comfortable when wearing and yet it has as much drama and impact as you could ask for. It is a stunning and very romantic example of their work and beautifully made. It comes with its original hang tags and was never worn. Excellent condition

The outer dress is unlined and it comes with a matching ivory bias cut silk chiffon slip to wear underneath. It closes with hook and eye at the back of the neck and a hidden set side zipper. Elastic through the waist and at the end of each cuff. The original tie belt is included. The loose and easy cut should allow it to fit a variety of sizes. It will just drape more on a smaller frame and be more fitted on a larger frame. In its original uncut length, and appears to have never been worn. Tagged a modern 46 and has its original hang tags.

Outer Dress
Sleeves: approx 29" but meant to come up once on and 18" around the upper arm
Shoulders: no true defined seam
Bust: to 20" flat across from side seam to side seam
Waist: 14-16.5" flat across from side seam to side seam
Hips: open
Bodice: 15" from neck to waist 
Total length: 67" from top of shoulder to hem

Inner Separate Slip
Bust: 17-20" flat across from side seam to side seam
Waist: 16-20" flat across from side seam to side seam
Hips: 20-24" flat across from side seam to side seam
Length: 67" from waist to hem

Modern Sizing Equivalent: MED-LRG

Item# DD4590

Reference Photo: Resort 2020 Luisa Beccaria, Look 24.

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This is the runway piece from 2005 and the bead work on it was entirely done by hand by one of the same European ateliers who did beading for many of the Couture houses for this time period. It's modern Providence includes being worn by supermodel Daria Strokous to the 30th amfAR Gala, which also lets you see how gorgeous this is once on the body. In 1972 John won the Coty Award and then he won it again in 1976. Striking evening wear like this became his signature. His work is very expensive and beaded pieces like this sold for over $20,000 and more during this time period. This comes directly from his archives and is a dress that you will never see again since it is the only one that exists.

This dress is absolutely stunning. The fabric is completely covered in thousand of tiny deep silver seed beads and iridescent aqua coloured sequins. This gives the dress some weight - we weighed it and it is just over 6 pounds - but it is so beautifully made that it balances and glides over the body perfectly once on. The front plunges right to the waist with two long triangles curving up towards the neck and hooking at the back. A ruffle from the same fabric follows the plunging neckline all the way to the waist to soften the feel of that plunge. The back is left completely open for a bare expanse of skin to show when you turn around. I love the the way the sides curved down to the back. The waist is brought in and then it curls back out over the hips. From there the skirt falls to the floor widening out as it near the hem. This give it beautiful movement when you walk and move. The colour is this magical deep aqua and silver mix and the way the beads and sequins are set give it a stunning pattern over you. No matter what angle you see the dress from it catches the light fantastically. Excellent condition.

Unlined and closes with a low set side zipper at the back and hooks to close behind the neck. Hand finished throughout with hand, applied beads and sequins. Silk chiffon panel finished hem and edges. Made to Couture standards.

Bust: no true side seams
Waist: 12-12.5" flat across from side seam to side seam
Hips: 17-21" flat across from side seam to side seam
Bodice: approx 15-16" from neck to waist
Total length: approx 63" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD4399

Reference Photos: Daria Strokous at the 30th amfAR Gala, Cannes, May 2024.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

John Anthony's business was all done on a made-to-order basis. That means that each piece is the only one that exists or in the very occasional circumstance that there are similar pieces only a very limited amount of pieces were made. And to make things even a little more special.... the pieces I have in the shop come directly from John's archive. He is one of the great American couturiers and he was known for his sharp tailoring and striking evening wear. He launched his atelier in 1971 and he quickly rose to fame, winning a Coty award in 1972 and then again in 1976. This jacket is from his Fall 2004 collection and is the original sample from his archives. 

The first thing you notice about this jacket is the extensive embroidery. It is incredible. The base is a brown velvet and onto that is an extensive pattern made from hand applied black silk cording, little metal mesh pieces formed into leaves and thousands of different size gold beads and sequins that are hand applied over that. It has a beautiful tailored cut with light padding in the shoulders and long sleeves. The waist is brought in with meticulous shaping and seaming so it has a beautiful curve. There is a hidden hook and eye to keep it closed. The hips flare out from there for beautiful shape. It is meticulously tailored. John told me that creating jackets was one of his favourites things to do. They are infinitely challenging to have them sit perfectly on the body and his are tailored to a master level. The collar is a rich chocolate coloured silk and it is a neat rounded shape that plunges down the front in a sleek V. The beads, silk cording, sequins and other appliques are all applied by hand and are set into a dense pattern that covers the entire jacket. To think of the man hours put into this jacket is incredible. The personal attention to each piece is clearly seen in the workmanship of his designs. His work is very expensive and beaded jackets like this retailed for up to $10,000 and more during this time period which would be around $25k in modern dollars to recreate at this level. This is the original sample jacket. Excellent condition

Fully lined in a black silk with a hook and eye closure at the front. Padding in each shoulder. Made by hand. A one of a kind.

Sleeves: 25" long and 12" around the upper arm
Shoulders: 14.5"
Bust: 17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Lower seam: 18.5" flat across from side seam to side seam
Length: 24" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD4578

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

John Anthony's business was all done on a made-to-order basis. That means that each piece is the only one that exists, or in the very occasional circumstance that there are similar pieces, only a very limited amount of pieces were made. And to make things even a little more special.... the pieces I have in the shop come directly from John's archive. He is one of the great American couturiers and he was known for his sharp tailoring and striking evening wear. He launched his atelier in 1971 and he quickly rose to fame, winning a Coty award in 1972 and then again in 1976. This jacket is from his Fall 1980 collection and is the original sample from his archives.

This jacket is stunning to see in real life. It has a beautiful sleek cut and it is meant to be more fitted through the body. I love that it completely closes as this allows you to wear it on its own or layer it over other pieces. The shoulders have light padding for shape and the sleeves are long. The waist is brought in just a touch. It is meticulously tailored and John told me that creating jackets were one of his favourites things to do. They are infinitely challenging to have them sit perfectly on the body and his are tailored to a master level. It has no collar and the neckline is a sleek V.  It closes down the front with a series of hidden silk covered snaps and then there are three glass rhinestone buckles that close over the front. They are spectacular. The entire jacket is covered in glossy black sequins. These have all been set by hand and completely cover the silk that the jacket is made from. Each sequin is laid out so that it slightly overlaps its neighbour. To think of the man hours out into this jacket is incredible. The final finishing touch on this one are the bold motifs beaded onto the sequins on each side at the front. These have a 3D effect and sit up and off of the sequins below. The personal attention to each piece is clearly seen in the workmanship of his designs. His work is very expensive and beaded jackets like this retailed for up to $6,500 in the 80s and 90s which would be around $25k in modern dollars to recreate at this level. It appears to have been worn very little if at all. Excellent condition

Filly lined in a black silk and closes at the front with hidden set silk covered snaps. The rhinestone clasps close over that. Padding in each shoulder. Made by hand. A one of a kind.. 

Sleeves: 22" long and 13" around the upper arm
Shoulders: 16.5"
Bust: 17" flat across from side seam to side seam
Waist: 15.5" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Length: 24" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD4551

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This dress is from John Galliano's own label and is an incredible example of his work from this time period. This is a production piece that was not shown on the runway but would have been made in limited quantities for the shops. For this season he had emphasized a glamorous hourglass shape mixed with nods to pinup girl lingerie style dressing. These bias cut dresses always harken back to his love of the 1930s and 1940s and you can see that influence in them. This dress with its cut out detailing and that fantastic draping of fabric across the shoulders is absolutely beautiful. This is classic Galliano and is extremely flattering once on the body.

The dress is made out of a deep purple silk that has a slight bit of texture to it. It is completely cut on the bias in that signature cut he does so well and that we all love. The dress falls from a delicate strap that curves up and behind the neck and then it drapes down and over the body to the floor. The bias cut of it allows the dress to skim and drape over you so that it shows every curve but is not overly fitted. The fabric has been pieced together with dropped and angled panels throughout to create the beautiful shape that you see. The dress is suspended from tiny straps that curve up and around the neck. At the back, the strap meet behind the neck and then drop down the centre of the back and panels of silk are suspended from it. These curving panels can be worn either down and under the arms or you can drape your arms through them to create a beautiful curving 'sleeve' effect over the arm. I think that on a real body you might even be able to get clever and do some other styling tricks with them as well. The dress glides over the body past the bust, waist and hips and then flares out as it reaches the hem. It buttons to close down the side with a row of his signature buttons covered in the same silk and then on the other side the fabric is gathered in and up into a wired circle. The circle is open in the centre and the panels that gather into the circle have been cut out and opened so that it forms the shape of a flower trailing over one hip. The dress is lined in a crepe silk but you could choose to remove that lining and have that side be completely bare so that your skin showed through if you wished. I have seen this dress in another colour where someone did that and it looked great. It is an incredible feat of patterning. The dress is even better in person and on the body as the photos cannot fully convey how a bias cut dress moves. It will only truly come to life when worn. Excellent condition with a minor note below.

Fully lined in a slightly deeper purple silk crepe and closes at the side with a series of silk covered buttons. I see perhaps a tiny pull in the fabric here and there which happens with this fabric and a bit of shininess here and there from pressing near seams. All minor and mentioned for accuracy. Tagged a FR42, GB14, US8. The bias cut should allow it to fit a range of sizes with it just draping more in a smaller frame

Bust: 16-19" flat across from side seam to side seam
Waist: 13-16" flat across from side seam to side seam
Hips: 18-21" flat across from side seam to side seam
Length: 63" from top of shoulder to hem

Modern Sizing Equivalent: SML-LRG

Item# DD4599

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

The twin of this dress in a different colour walked the Fall 1990 runway and we have included the reference photos of that so that you can see just how fabulous this one is on the body. This dress is extra special as it  includes the incredible brooches on both the front and back of the dress just like the runway piece. It is unlabeled but came to me directly from the original couture client from whom many of the other Haute Couture pieces I have had in the shop. She was fitted by Christian himself for the dress which makes it that much more special. It is a stunning example of his Couture work during this time period. 

The dress is made out of an iridescent silk taffeta. I love how the colour changes depending on how the light hits it. It can go from a deep bronze to a more iridescent blue / purple tone. The  sleeves are long and there is a row of five silk covered buttons at each wrist. It is gathered at one side at the front with the first of two incredible jewelled brooches the dress came with. The brooch is hand made from a gold toned metal with large golden topaz glass crystals mixed with brilliant blue crystals. The neckline angles down and across your shoulder to leave one shoulder bare and exposed. At the back, the neckline dips dramatically down into a deep open V that leaves your skin bare and exposed. The second huge jewelled brooch sits at the base of that. A panel of silk flares out to one side to create a half bow, half bustle feel. The interior of that panel has extra structure so that it stays perfectly in place. The skirt falls below that and depending in your height will sit at about the knee or just above. It is fabulous. Excellent condition with a minor note below.

Fully lined in a black silk organza and closes with an elaborate mix of a zipper, snaps and hooks at the back with one panel looping through the other over the inner closures. There is a fused strip of rubber ribbon along the inner neckline to help hold it in place and this has degraded a touch here and there. One stone is missing at the bottom of the front brooch. The brooches are tacked into place at present but are removable. You can see little marks on the fabric under them where the pin has been pushed through in different places. There are a couple teeny pinhead snags on the fabric where the brooches have caught on the silk near the brooches. These are all very minor and mentioned for accuracy. Sourced from the original couture client and Christian Lacroix told me through instagram that he remembers fitting her. 

Sleeves: 19.5"
Bust: to 18" flat across from side seam to side seam
Waist: to 13.5" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Length: 36" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD3602

Reference Photos: Fall/Winter 1990 Christian Lacroix Haute Couture Runway.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

The Fall 2001 show title was "Coco Pop" and part of the show had references to pop artist Roy Lichtenstein. The Chanel logo and house signatures were incorporated into the garments and you can see that on this dress with the famous Chanel Camellia flower worked into the sequin design that runs down the front. The twin of this dress walk the runway and I love that this lets you see how fantastic it is on the body. It is a beautiful dress..

The dress is strapless with a built-in inner net and silk foundation with light boning to hold it in place around you. The waist inside of the dress structured but on the exterior the fabric is simply shaped to nip it in at the waist. The base fabric is a flat, almost chenille feeling, flat pile black velvet that is light in weight. On the bodice there is a curved bib made out of a black lace backed with a nude silk chiffon. This has been finished with sequins ranging from silver to gold to black. A second curving panel covers the entire front of the skirt. Here it curves down in the opposite way of the one at the bodice and expands outwards as it needs the floor. I love how the floral sequin pattern is denser toward the top of the dress and then starts to almost degrade and become just a suggestion of the pattern, or perhaps is meant to be falling petals. The back of the dress is cut slightly longer that the front so that you get a beautiful line there. The back is solid black all the way down so very flattering. A little Chanel rectangle button with the logo and a mother-of-pearl inset sits on one hip. It is beautifully made and a gorgeous statement dress. Excellent condition.

Fully lined in a black silk and closes with a hidden set back zipper. A built-in inner corset is made of silk chiffon and netting and is lightly boned. The dress appears to have been worn very little if at all. Tagged a vintage Chanel 40. The fabric has a touch of stretch and I have given the comfortable range of measurements below while lying flat.

Bust: 16-18" flat across from side seam to side seam
Waist: 14-16" flat across from side seam to side seam
Hips: 18-20.5" flat across from side seam to side seam
Total length: 52" from top of bodice to front hem, 55" to the back hem

Modern Sizing Equivalent: SML-MED

Item# DD4986

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

During John Galliano's career he has arguably produced some of the most glamorous dresses in the fashion's history. His work often has a feeling of the decadence and abandonment of the twenties and thirties with their beautiful cuts. They mix Old Hollywood with the minimalist spirit of the nineties and early 2000s. This is an amazing example of his work that I am dating to 2006 based on similar work he was doing that season for both Dior and his own self named label. It is gorgeous. This is a production dress made for the shops in limited quantities. It is a really beautiful dress.

This sleek little number is cut so very beautifully. It is suspended from the shoulders by straps that curve over and down the back. The dress is cut to follow the curves of your body but without being super tight. The neckline dips in a scoop at the front and I love the elaborate sequin detailing that you see set across the bust area. The upper front bust is a single layer of silk organza and then below that heavy sequin work wraps around you to the back. I love the lace panel that peeks out above the scoop. The sequins and beads on the bodice have been heavily applied and sit up and off the dress slightly. The waist is a double layered band of the silk organza and then the area around the upper hips is a single layer that sits over an inner slip edged in a wide band of lace. He has created the shape around the hips with a series of vertical darts that go all the way around you. The long triangle shaped strips of fabric that make the darts become a design detail in themselves. The lace edged built in slip underneath is made from nude silk chiffon. This is what you see under the skirt in these photos. It is very sexy. It skims over the hips and then falls to the floor flaring out as it falls. The lower part of the skirt widens out as it reaches the hem and extra fabric has been worked all the way around so you get a sweeping feel. This one is so well made we think you. could wear it either way around and the those two full length shots grouped on their own are of it the other way around. It is so good. Excellent condition with minor notes below.

Fully lined to just past the hip with a built in inner nude silk and lace slip. It closes at the side with a hidden set zipper. There is some light snagging that goes across the waist and light stress on some seams. I see some very faint whitish coloured marks here and there around the hem and near some seams where the silk organza has faded slightly and some marks on the inner lining of the bodice that do not go through. Please see the photos after the label shot as I took a close ups of the waist area all the way around. 

Bust: 16-17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Bodice: 16" from top of bodice to waist
Total length: 65" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD4980

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

Hubert de Givenchy moved to Paris in 1942 where he worked for Jacques Fath, then Elsa Schiaparelli, and eventually Cristobal Balenciaga. Givenchy often attributed much of his later success to the years with to Mr Balenciaga and what he learned while there. In 1952, Givenchy founded his namesake house in Paris and quickly rose to fame as one of the great couturiers of our time. I am always pleased to find any of his Haute Couture work as it is so rare. This particular dress is exceptional with every detail on it finished to Haute Couture standards.

This is an amazing true Haute Couture Givenchy dress that is a very rare and special find. Two things of immediate note for this dress. First is the absolutely beautiful fabric combination. The bodice and sleeves are an inky black silk velvet and then the ruffles on the neckline, end of each sleeve, and the entire top layer of the skirt is a starched cotton and silk mix netting that has beautiful little gold metal thread flowers hand embroidered over the netting. I took closeups of both the front of these flowers and also their backs so that you can see the beautiful workmanship put into each individual flower. I also included close ups of the hand finished seams on the interior of the dress. The time and technique to complete this dress would have been astounding and I cannot even imagine how many hours this would have taken. The second thing of note is that stunning cut through the neckline. It is tremendously flattering to have that bare expanse of skin across the top of the shoulder like that. It feels a little bit sexy with the way the top sits off the shoulder to leave that expanse of bare skin. You could also wear it on the shoulder but I chose to show it off. I love that you have the versatility of the two different ways to wear it. A ruffle goes all the way around the neckline and around the end of each sleeve. It is shaped to come in at the waist and then curves out over the hips. The skirt is set into a seam that sits at the top of the hips and the netting is softly gathered into that seam so you get a touch of fullness. As the skirt flows down to the hem it expands outwards to give you pretty movement as you walk. There is a full black silk organza inner skirt under the top layer of the skirt so that it is opaque enough to wear. It is spectacular. This is a very beautiful example of Givenchy from this time period and an amazing example of the technical skills that can be achieved in Haute Couture. It is easy to see why his work is the subject of so many books and retrospective shows at museums worldwide. Excellent condition

The dress is fully lined in a matching hand set black silk. It zips to close and an inner waist stay hooks to close. Completely made by hand throughout to Haute Couture standards. It appears to have been worn very little if at all. Proper couture tag and numbered tape present. 

Sleeves: 26" and are 11.5" around the upper arm
The opening across the neckline is 18" flat across from side to side
Bust: 16" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Seam at top of hip: 16.5" flat across from side to side
Hips: open
Bodice: 19" from top of natural shoulder to seam at the top of the hip
Total length: 61.5" from top of natural shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD4975

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This beautiful dress was Look 42 on the Spring 2014 runway for Ralph Lauren. It was part of a grouping of all white pieces and I think it is the stand out from that grouping and from the show. The purple label from Ralph Lauren signifies the runway pieces that are the high-end pieces the label produces. Ralph Lauren launched it in 1994 and the label was meant to be the pinnacle line for the brand. The dress is beautifully made. It is a dress that could be worn to any event, but would make a fantastic piece for a bride looking to go the non-traditional route.

This dress is absolutely gorgeous. It is meant to skim over the body and it has a beautiful movement that you can see in the runway video. It is made out of a stark white cotton with an inner lining of another crisp layer of cotton. Little white flowers have been individually cut out and hand sewn onto the dress with a spray of tiny sequins and beads to create their centres. The flowers change slightly in size and are set so they closely cluster up against each other. From the top of the bodice down, the entire dress is covered with a heavy layer of these flowers. This creates this fantastic and whimsical layer of texture over the entire dress. It is like you are wearing an entire floral bouquet and it is magical. Wide straps curve over the shoulder. The front has a slightly squared off feel and I love how the back dips down into a V so you get a bit of bare skin showing. There is no waist seam on this one. It is shaped to come in slightly at the waist and skims over your bust, waist, and hips. The skirt flares out starting at about the knee and is very wide by the time it reaches the hem. At the back, there is extra fabric built-in so that you get a bit of a sweeping feel behind you as you walk. The dress is made out of cotton which gives a bit of weight to it but the applique of all those flowers gives it this sense of lightness and airiness that is wonderful. All of the little hand sewn beads and sequins that attach each individual cluster of flowers to the dress catch the light in a very pretty way no matter what angle you see the dress from. When this is on and you are walking, it is absolutely gorgeous. This is Ralph at his best and it is a tremendously beautiful dress. Excellent condition with a minor note below

Fully lined in a white cotton and closes with a hidden set zipper at the back. There are some very tiny brown dots here and there on some flowers near the hem. It is extremely minor and it otherwise appears to have been worn very little if at all. The flowers have been hand applied and you can see the hand stitching at the back of the fabric. Tagged a modern Ralph Lauren 0.

Bust: 16" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Total length: 62" from top of the shoulder to front hem, 66" to the back hem

Modern Sizing Equivalent: XS-SML

Item# DD4942

Reference Photos/Video: (1-5) Spring 2014 Ralph Lauren, Look 42. Model Katya Riabinkina.  /  (6) Jun Hasegawa in Ralph Lauren. credit unknown.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

The twin of this spectacular dress walked the runway for the Spring 2019 show and was Look 86 in the show. It was the second to last look on the runway and one of the bext dresses shown. Ironically I think it may have been inspired by a dress that I have had in the shop - this Spring 1977 Jean Patou. When they show originally debuted I had shared this in my stories and now I have this modern Dior version for you. A true full circle moment. I think it was one of the most beautiful pieces in the entire show and it is absolute magical in person.

The dress is beautiful to see in real life. It is made out of a light in weight printed silk that is covered in a gold metallic thread. The gold has been applied onto the silk in its own pattern that suggest leaves trailing over the entire dress. The pattern allows the fabric to catch the light from any angle and gives it this wonderful added extra texture. I also love how the gold part softens and disappears as it near the hem so you get this anchoring feel of the silk without the gold all the way around the lower portion of the skirt. It is a very pretty effect. The dress had been softly pleated and the pleating adds yet another layer of texture to the dress. It is suspended from the shoulders by straps that are made out of the same fabric and have been twisted. These curve over the shoulder and cross over each other at the back. The front plunges into a V and the back is left bare underneath the crossed straps. I love the curving angle of the sides and how the twisted straps let them sit up and off of your back a touch as you can see in the side shot of the dress. The waist nips in and then the skirt falls to the floor under that in a sweep of silk and gold thread. There is an incredible amount of fabric in the skirt. The fabric is feather light and so fine that when you stand still it falls in a column but moves around you with your slightest movement. No matter how great the photos look it is that much better in person. The fabric is stunning and every line of the dress is perfection. Excellent condition 

Fully lined in a nude silk chiffon and closes with a hidden set back zipper. It appears to have been worn very little if at all. Original uncut length. Tagged an FR36, GB8, IT40, US4.

Bust: the front will cover approx 14-18" flat across from side to side
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: approx 14" from top of natural shoulders to waist
Total length: 62" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD4974

Reference Photos/Video: (1-3) Spring 2019 Christian Dior, Look 86. Model Fran Summers.  /  (4-5) Spring 2019 Dior Ad Campaign photographed by Harley Weir.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This is without a doubt, one of my favourite dresses from the Spring 2008 collection. Its twin walk the runway for Look 53. This collection marked Dior's 60th anniversary and it was also Johns 10th year with the label. He celebrated those milestones with a show that was a nod to both the archives and Old Hollywood glamour. Pieces were wait-listed worldwide. This dress was also produced in a black for the shops and both versions were produced in very limited quantities. It has also being a favourite on the red carpet and we have included both runway and carpet photos here. It is a spectacular piece for the collector.

The dress is made out of a luxurious red silk. John often chose this weight of silk because of the control it gave him to be able to drape and apply the level of seam work that he loved to do. It is all cut on the bias. The bodice is strapless with an inner boned and cupped corset that holds the dress in place. Silk panels have been draped, gathered and hand stitched into place to create the dramatic sweeping detailing you see at the front. At the back he gathered all of the fabric down and into the centre line to meet in a little peak at the centre of the waist. From there his signature bias cut allows the dress to skim and drape over you so that is shows every curve but is not overly fitted. As in many of his pieces the seaming has the feel  of the work you see from the twenties and thirties. The fabric has been pieced together with low dropped angled panels to create the widening of the lower skirt. It flares out at the bottom and at the back it is cut longer so that you get a touch of a sweeping feel behind you as you walk. It is an incredible feat of patterning. A row of signature tightly spaced buttons & loops in the same silk run up one side. John's pieces only truly come to life when worn and as good as this looks on the dress form, it is better once on the body. It is an incredible example of his work and looks to have been worn very little if at all. Excellent condition

Fully lined in a red silk and closes at the side with a series of silk covered buttons. The inner boned and cupped corset hooks to close with two rows of lingerie hooks to choose from. The bias cut gives it some give in the measurements and I've given the comfortable range when the dress is laying flat below. I see a teeny tiny darkened spot near the hem. Hand finishes.

Inner bust: 17-20" flat across from side seam to side seam
Inner waist: 13-15" flat across from side seam to side seam
Hips: 18-22" flat across from side seam to side seam
Total length: 55" from top of the bodice to front hem, 60" to the back hem

Modern Sizing Equivalent: MED-LRG

Item# DD4772

Reference Photos/Video: (1-4) Spring 2008 Christian Dior, Look 53. Model Morgane Dubled.  /  (5) Aishwarya at the IIFA 2008.  /  (6) Lucy at the People's Choice Awards, 2024.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

The twin of this overlay skirt walked the runway for the Fall 2019 season for Look 36. This was the show where Maria took a look to the past for her inspiration for the collection. Vogue's Sally Singer noted that; "Chiuri sought inspiration for this collection from Britain’s postwar Teddy Girls, those working-class, rock ’n’ roll–loving beehived vixens who hit the clubs in a mix of men’s Edwardian jackets, full skirts, blue jeans, leather, velvet, and eyeliner galore. She was struck by the similarity in silhouette and the optimistic excess that characterized Christian Dior’s designs of the same period. She was also moved by Yves Saint Laurent’s addition to the Dior pantheon of a men’s black leather jacket for women in the late 1950s. So, heritage, hipsters, and herstory" This skirt is one of the ones that felt most like a heritage piece from that show while still having a modern flare. It is just absolutely lovely.

The skirt is made out of a beautiful black silk net and the fabric choice is what allows it to hold the shape that you see. It is also the perfect fabric to have been able to add the extensive bead and sequin work that have been applied to it. At the waist there is a thin band that cinches it in. The skirt is full under that and will fall to about mid-calf to the ankle depending on your height. There are two layers of the net that make up the skirt and it is fully split and open at the front. It wraps over itself just a touch at the front and there is a little flat bow for added detail. I love that this gives you a piece that you can layer over existing pieces in your wardrobe. You can take a simplest little dress that you have, pop this over it and all of a sudden you have an amazing and elaborate look. The entire skirt has been appliqued with little floral sprigs that are made of hand set metal coils, tiny seed beads, sequins and what look to be mother of pearl finished paillettes. All of the work is done by hand and it is extraordinary. It looks to have never been worn or worn very little. It is a very little special piece that has a huge array of styling options. Excellent condition.

It is made out of two layers of the black netting and meant to have a slight transparency since you layer it over other pieces. It closes with snap and hook an eye at the waist and is fully open down the front.

Waist: 12" flat across from side seam to side seam
Hips: open
Total length: 36" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD4963

Reference Photos/Video: Fall 2019 Look 36. Model Hyun Ji Shin.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

There is very little information on the Roger Freres label out there but from what I can gather, he was an independent dressmaker that made clothes from the early 1960s to the 1970s. His work was well made and hard to find. This little dress by him is phenomenal. It is made from a lightweight silk organza that has a touch of the most subtle shimmer to it. The top layer sits over an inner nude chiffon lining through the bodice and an inner, more straight cut skirt that is backed in the same nude silk and then topped with the same black silk organza as the outer skirt. This softens the black and gives the entire dress this touch of transparency and airiness as you see the inner layers of the dress through the outer layer. From a distance it adds the illusion that you are perhaps more bare underneath than you really are. The inner bodice has a beautiful curving wide band of prong set rhinestones in various shapes and sizes. They have all been hand applied. I love the effect this creates as you see them through the outer layer of silk. The top layer is kept simple with a scooped neckline and easy and full cut over the inner bust. Each sleeve is tremendously full and billows out above a wide cuff. On each cuff, you have another highly detailed and intricate pattern made from those same prong set rhinestones in various shapes and sizes. The skirt is equally as gorgeous and is wide and full above the inner skirt, widening out quite a bit as it nears the hem. It is incredible and when you move it catches the air and moves beautifully. Excellent condition with a minor note below.

Fully lined in a nude silk lingerie netting through the bodice. The inner skirt is lined in a nude silk and then covered on its exterior in the same silk organza as the top layer of the dress. Ribbon finished inner hem. It closes with a back zipper and then the black organza snaps to close over that. Light boning through the bodice. The attached belt hooks to close at the back. Each cuff snaps to close with hidden set snaps. Perhaps the occasional rhinestone missing on the cuffs but I am being pretty picky.

Sleeves: 24.5" and our 13" around the upper arms
Shoulders: 15"
Inner bust: to 18" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Inner hips: to 22" flat across from side seam to side seam
Bodice: 15" from neck to waist
Total length: 56" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD4957

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.