Well sourcing the collection for this dress we found an example in 1988 that felt close but I think it is most likely from the Fall of 1991. He showed several of these dresses with jackets over them at the end of that show and this feels more similar to those. You can also see the similarity in the one that we had that was worn by that Olivia Culpo. This feels like it's younger sassier sister. We have included reference photos from both collections here and either way, it is an absolutely fabulous little black dress. It is incredible and very sexy.

The dress is strapless with a pretty bodice that curves up at the front and down slightly at the back. It is boned and shaped to curve around the bust at the front and then hug the body to the waist. The exterior is made of a black silk and it has a little lace ribbon all around the upper edge for a little romantic touch. The skirt is made from two layers of a fine black netting that has a very smooth to the touch feel. The layers give you touch of transparency and you can see this in the 1991 show that this was deliberate. He meant it to be worn over an undergarment and tights that gives you some coverage and just have the transparency that shows your entire leg. If that does not work for you, you could easily add something underneath to lessen the transparency that the skirt has. It zips to close at the back and I love how you can see that the zipper has been hand set. The inner lining is also handset and it is just a beautiful example of how well these little dresses are made from Chanel. Especially in these early years of the Karl era. Excellent condition.

Lined in a handset silk through the bodice and closes with a back, hand set zipper. There are little loops inside the dress that suggests that it had a inner elastic stay through the bodice at one time but that is now gone. I have left them because it would be very easy to add one in if you feel that would make it more secure on you. There is a stay in place around the waist that hooks to close. Tagged a vintage Chanel 38.

Bust: 15.5-16" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: open
Bodice: 10" from top of bodice at the front to waist
Total length: 32.5" from top of bodice to hem

Modern Sizing Equivalent: XS-SML

Item# DD4837

Reference Photos/Video: (1) Spring 1988 Chanel.  /  (2-3) Fall 1991 Chanel, Look 98. Model Emma Sjoberg.  /  (4) Olivia Culpo in Fall 1991 Chanel from Shrimpton Couture.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This dress and cardigan set has come to me direct from one of my avid Couture and Chanel collectors. It is an exceptional piece for the collector and is extremely special.  These pieces were sold separately in the Chanel boutiques and it was difficult for clients to be able to purchase both pieces because they were not sent to all boutiques. My client did manage to get the two pieces and it is lovely to have them together. Two versions of this look were shown on the runway and then this dress was produced as well and it falls between those two in length. This one has the extra added provenance that a version was also shot on Kate Moss that season. I love it as a set and I love that you can wear the dress or the cardigan on its own which extends their life as pieces in your wardrobe even more.

The dress is a work of art and the silk chiffon used to make it is some of the finest, lightest chiffon I have seen. The fabric is notoriously difficult to work with and with all the intricate detailing putting this together with the lace would have taken a ton of man hours especially at this level of workmanship. It is just spectacular. The silk has a slight texture to it which adds to the interest of the dress. It is covered in various renditions of the Chanel logo and most have an almost graffiti like feel to them. I love the pops of pink and blue that this adds. The tiny cap sleeves have a layer of lace over them and sit on the top of your shoulder. The neckline scoops down at the front and the silk is gathered up into a knot at the base of the scoop. A wide panel of lace wraps around the waist and at the back the lace extends from the sleeves all the way down to the back seam where the zipper starts. There is a open slit from the top of the neck to where the zipper begins. The skirt falls from under that band of lace at the waist and falls in a swoop of feather light silk chiffon to a raw hem. Another wide band of lace circles around the skirt just above the hem. This beautifully ties the whole dress together. The movement this dress has once on is incredible. The sweater is equally incredible. It is made out of 100% cashmere and is a beautiful striped design in a deep dusky pink an ivory and a blue. It has no collar and it buttons down the front with two pockets on each hip. I love the ribbing at the end of each cuff and around the bottom of the sweater. Pink enamel and silver double C embossed dome buttons run down the front and sit on each pocket. It is the perfect contrasting complement to the print of the dress. This is a phenomenal Chanel set. Excellent condition with a minor note below.

The dress is lined with the same fabric through the bodice and a black silk chiffon for the skirt. It closes at the back with hidden set zipper and a hook and eye at the top of the neck. The cardigan buttons to close down the front. I see the tiniest bit of stress to the fabric and a tiny repair at the edge of the arms. Please see the photo after the label shot. The dress is tagged a modern Chanel 40 and the cardigan is tagged a Chanel 42. The cardigan does have some stretch and the measurements below are of it flat and not stretched.

Dress
Bust: to 17" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Inner hips: to 19" flat across from side seam to side seam
Bodice: 15" from top of shoulder to waist
Total length: 45.5" from top of shoulder to hem

Cardigan
Sleeves: 24" and 12" around the upper arm
Shoulders: 14.5"
Bust: 18" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: 14" flat across from side seam to side seam
Total length: 23" from shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD4680

Reference Photos/Videos: (1-4) Cruise 2007 Chanel, Look 26 & 30.  /  (5-6) Kate Moss by Bruce Weber for Vogue, November 2006.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This dress is from the Cruise 2006 collection and it is extraordinary. For this show Karl Lagerfeld invited his guess to the Place de la Concorde. He had a fleet of green vintage buses adorned with Chanel logos and these transported his guests on a ride through Paris. Models paraded down the aisle among the passengers and at scheduled stops they would switch buses so that everyone saw the entire collection. Karl said at the time that he 'used to love riding the bus in Paris as a school boy' and that was the inspiration behind the idea of the show. Lagerfeld wanted the collection to be lighthearted and easy and to be a tribute to Paris. I love it.

The dress is feather light which almost feels like a surprise when you pick it up given the sheer amount of detailing on it. It is covered in hundreds of large iridescent disc sequins that appear to be the thinnest possible slices that have been painted to have that unusual finish. They are also feather light and the dress feels like you are wearing a cloud of silk once it is on the body. The silk tulle netting base is so light and so fine that it feels like magic. The tulle is a deep blue colour that is almost a black. The dress is made out of two layers of the tulle with an inner silk chiffon layer under those. It falls from the shoulders with straps that curve up and over the shoulders. It is scooped at the front and at the back. At the waist a panel of the sequins are placed horizontally and stacked so that they overlap all around your waist. That same denser sequin application runs around the neckline, the straps and also around each arm. It skims over the bust, past the waist and then skims over the hips. from there, it falls to the floor, widening out as it reaches the hem. In the lower part of the skirt there are built in long triangle shaped insets of the tulle that are set all the way around the skirt. I love this nod to the old Hollywood dresses of the 1930s. The insets also give the lower part of the dress tremendous movement and volume when you move. The muted sequins that cover the dress are striking. The colours of them range from pastel gold to soft pinks. They cover the entire upper part of the dress bodice and trail down onto the skirt between the added panels. The dress came with a matching shawl made of the same silk tulle. Its huge size lets you wear it almost like a cape over your shoulders. It is so light in weight and fine that you could also wrap it around your neck, use it as a head scarf, or as a turban. This is a phenomenal piece of Chanel. It is even more incredible in person. Excellent condition

Fully lined in a blue silk chiffon and it closes with a back hidden set zipper. It appears to have been worn very little if at all.  The bias cut should allow it to fit a bit of range in sizes. Current Chanel silk chiffon dresses with this level of added embellishments and detailing are retailing for $15000USD and over. Tagged a Chanel 40

Bust: 16-18" flat across from side seam to side seam
Waist: to 16" flat across from side seam to side seam
Hips: to 23" flat across from side seam to side seam
Length: 60" from top of shoulder to hem
Scarf: 68" x 74"

Modern Sizing Equivalent: SML-MED

Item# DD4385

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

I have a small grouping of Chanel pieces that will be listing over the next week or so and they all come from an avid Couture and Chanel collector. Many of these pieces were extremely difficult to source when they were released and were only made in very limited quantities. They are in pristine condition and all but one have their original shop packet that has the extra fabric and style information. These are exceptional pieces for the collector and each is extremely special.

This skirt is exceptional. It's from the Pre-fall 2020 collection and it's twin walk the runway for Look 37. This is a wonderful piece of Chanel and is extremely well-made. The was a Metier d"Art collection which are always the most expensive at retail as they feature work from all the tiny maison d'art houses. It was also Virginie Viard's first Metier d'Art Pre-fall collection. She titled the show 'Paris – 31 rue Cambon' which is of course where Gabriel Chanel first set up shop as a milliner in 1910. She later expanded her fashion empire by taking over six buildings to house her Haute Couture salons one of which was Number 31. In tribute she mirrored the black, beige, crystal and gold that evokes Chanel's apartment, and the famous mirrored staircase. When asked about it backstage, she said that the show was meant to be "the things we like, a mix of Karl and Chanel – the Chanel codes."

In this skirt we see the high workmanship of the luxury suppliers of the fashion industry. At first glance, you might almost think it to be a tweed Chanel piece but then as you look at it closer you realize that every inch is covered with overlapping silver sequins. The sequins are held in place by an ivory, gold and black thread and this is what gives them the appearance of that classic Chanel tweed. The sequins catch the light from every angle. It is exceptional. Running down the front is a panel of glittering crystals that are bordered with faux pearls on either side and the pearls are all caught into a black corded cage. That same detail runs down the centre of the skirt at the back. It is fitted around the waist, but without an added band so you lose no detail of that stunning design, and then it glides over the hips and flares out to the hem. The skirt has never been worn and has its original Chanel packet. Excellent condition

Fully lined in black silk and closes with a hidden set zipper under the back centre detailing. Tagged a 34 and has its original Chanel packet. Current Chanel fantasy skirts start at $5500 and range up to $8500USD + for pieces with this level of detailing. 

Waist: 12.5" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Length: 23" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD4545

Reference Photo/Video: Pre-Fall 2020 Chanel Runway, Look 37.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

I have a small grouping of Chanel pieces that will be listing over the next week or so and they all come from an avid Couture and Chanel collector. Many of these pieces were extremely difficult to source when they were released and were only made in very limited quantities. They are in amazing condition and all but one have their original shop packet that has the extra fabric and style information. These are exceptional pieces for the collector and each is extremely special.

This is a suit pieced together from the actual Chanel sample jacket for this look and then the pants were purchased at retail by my client. It is incredibly rare to find a sample piece so that is a little extra special. The twin of the suit was worn for Look 13 for the Chanel Métiers d’Art show. The show was set in the  Hamburg concert hall and that setting held an extra special place for Karl since it was his hometown. The concert hall had just been opened and for this show Karl mixed the modernity of the new space with his memories of Hamburg as a child “I’ve never left; this is part of me,” he reflected after the show. “I like Hamburg as an idea; something in the back of my mind.” Vogue noted 'You saw what that was, the essence of his inspiration, in a flash: Sailors in peaked caps on leave, girls in thigh-high boots and leather, the people who mill around docks and nightclubs. The clothes evoked ’60s beatniks, countercultural girls in sweaterdresses, smartly dressed officers in uniform, and naval ratings in sailor pants—looks that ran up and down the register of the cool, the hip, and the immaculately classic. It was an obvious, simple idea, really, but one marinated in a mind that has the sophistication to align the results with Coco Chanel’s heritage, and with what any girl would absolutely kill to wear right now.'

The lines of this suit are crisp and sharp and the tailoring is immaculate. Both pieces are made out of a pinstriped virgin wool that allows them to retain the exact lines that Lagerfeld intended while still staying light in weight. The jacket is cut so that it is fitted across the shoulders and then falls in a more box shape to the top of the hips. The collar is neat and small and I love how there is an inset of a white waffle weave cotton for a crisp little pop. That same little pop of cotton is set within each cuff so that it feels perfectly tied together. It buttons to close up one side and the buttons themselves are incredible. I took a detail shot so you can see that they are especially done with both Paris and Hamburg noted on them. The bottom hem is banded and there is a little top set pocket on one side. Each sleeve is long and straight and they end in a notched slit held by a button rather than a traditional cuff which falls in line with the sleek minimalist feel of the rest of the suit. Beside the little pop of white at the end there is also a little 'hidden' surprise of another functional pocket that sits at the end of the one sleeve nearest the pocket on the front. I am obsessed with this little detail. The pants are sleek and simple in their cut. They are flat fronted with a slanted slip pocket on each hip under the waist band. Two more pockets are at the  back and each is still tacked shut. The legs fall wide to the ankle with just the tiniest bit of a flare at the ends. Each leg is finished with a precise wide cuff. The inside of the suit is as immaculate as the outside and it is lined in a deep grey silk embossed with the Chanel logo. A signature Chanel chain runs along the inner hem of the jacket. Every stitch is perfection. Excellent condition with a minor note below. 

The jacket is lined in a grey Chanel embossed silk and closes with the buttons along the front panel as seen. It has a Chanel sample label and is tagged a modern Chanel 38. A pocket on the front and on each cuff. Metal embossed buttons and the signature Chanel chain around the inner hem. There is slight yellowing and grubbiness on the inner collar of the Chanel. The pants zip to close at the front and have hidden hook & eye at the bands. Slip pockets on each hip and two tacked shut pockets at the back The pants have their original Chanel packet and are tagged a modern Chanel 40

Jacket
Sleeves: 21"
Shoulders: 15"
Bust: to 17.5" flat across from side seam to side seam
Waist: to 17" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Length: 22" from neck to head 

Pant
Waist: 14" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: 40.5" from top of bodice to waist
Inseam: 29" from inner seam to hem
Gusset: 17" from waist to inner seam

Modern Sizing Equivalent: SML-MED

Item# DD4540

Reference Photo/Video: Pre-Fall 2018 Chanel, Look 13.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

Well sourcing the collection for this dress we found an example in 1988 that felt close but I think it is most likely from the Fall of 1991. He showed several of these dresses with jackets over them at the end of that show and this feels more similar to those. You can also see the similarity in the one that we had that was worn by that Olivia Culpo. This feels like it's younger sassier sister. We have included reference photos from both collections here and either way, it is an absolutely fabulous little black dress. It is incredible and very sexy.

The dress is strapless with a pretty bodice that curves up at the front and down slightly at the back. It is boned and shaped to curve around the bust at the front and then hug the body to the waist. The exterior is made of a black silk and it has a little lace ribbon all around the upper edge for a little romantic touch. The skirt is made from two layers of a fine black netting that has a very smooth to the touch feel. The layers give you touch of transparency and you can see this in the 1991 show that this was deliberate. He meant it to be worn over an undergarment and tights that gives you some coverage and just have the transparency that shows your entire leg. If that does not work for you, you could easily add something underneath to lessen the transparency that the skirt has. It zips to close at the back and I love how you can see that the zipper has been hand set. The inner lining is also handset and it is just a beautiful example of how well these little dresses are made from Chanel. Especially in these early years of the Karl era. Excellent condition.

Lined in a handset silk through the bodice and closes with a back, hand set zipper. There are little loops inside the dress that suggests that it had a inner elastic stay through the bodice at one time but that is now gone. I have left them because it would be very easy to add one in if you feel that would make it more secure on you. There is a stay in place around the waist that hooks to close. Tagged a vintage Chanel 38.

Bust: 15.5-16" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: open
Bodice: 10" from top of bodice at the front to waist
Total length: 32.5" from top of bodice to hem

Modern Sizing Equivalent: XS-SML

Item# DD4837

Reference Photos/Video: (1) Spring 1988 Chanel.  /  (2-3) Fall 1991 Chanel, Look 98. Model Emma Sjoberg.  /  (4) Olivia Culpo in Fall 1991 Chanel from Shrimpton Couture.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This incredible dress is not only a dress that we found runway documentation for, but its twin on the runway was worn by none other than the great Linda Evangelista. There is even a photo of her standing just behind Oscar on the runway that we especially love. This was one of the stand-out pieces from that collection and I am very pleased to have this for you in the shop today. It is gorgeous.

This is a stunning dress. I love how he combined two distinct fabrics to make it. The bodice and matching shawl feel to me to be a cashmere and it is as soft as soft can be. The skirt is made from a rich deep jewel toned silk. The bodice is strapless and is cut to be fitted to the body and hug you right down to the waist. I love the way the fabric has been hand draped into tiny soft pleats that curve all the way around you and cross over itself at the front. This helps to add shape and interest to the bodice and shows the remarkable amount of workmanship that went into dresses from this time period. Under the waist the skirt cascades down and out to the floor. There are yards and yards of silk that have gone into the construction of that skirt. It is gathered in and around the waist in a series of tiny soft gathers and then these open out to create that billowing skirt that you see. The outer skirt is lined in a black silk organza and then inside there is a built-in silk taffeta underskirt. The underskirt is finished with a wide band of the same coloured silk as the exterior layer so when you move that is still the only colour that you see. There is a band of stiffened netting hidden inside the hem of the underskirt to help hold the shape. Another hidden band of netting wraps around the inner hip area to help hold the.volume there as well. The way that it has been cut, combined with the inner support that it has, creates this stunning billowing effect when you move and walk. The dress comes with its original matching shawl that you can see Linda wear on the runway. It is meant to drape over your shoulders with phenomenal 12" fringed tassels gathering the fabric up at each end. It is that perfect mix of elegance, femininity, romance and fantasy that Oscar excelled at. Excellent condition with a minor note below.

The bodice is fully lined in a burgundy silk. There is built in boning and shaping through the bodice. There is a hooked waist stay inside and then the outer dress zips to close over that. Part of the wrapped cording is missing on one tassel and I see a couple of tiny repairs on the shawl. The dress looks to have been worn very little if at all. 

Bust:to 17-18" flat across from side seam to side seam with a B-small C cup
Waist: to 14" flat across from side seam to side seam
Hips: open
Bodice: 9" from top of bodice to waist seam
Total length: 53.5" from top of bodice to hem with about 2" turned under
Shawl: 120" end to end 

Modern Sizing Equivalent: SML-MED

Item# DD4830

Reference Photos: Linda Evangelista for Fall 1989 Oscar de la Renta.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This dress dates from the mid-later 1980s based on the styles and similarities to other dresses I have previously had in the shop from that period. It is definitely Karl's work and it is a gorgeous example of his ability to cut the perfect LBD. It is a very easy to wear dress and it is just a spectacular dress to own.

This is one of those dresses that in person you do bit of a gasp when you see it because it is the perfect little dress. The dress is made out of a black cotton that has just enough weight for it to hold the shape that he intended. There is a slight ribbed texture to the fabric. It is so simple in its cut but is so chic and elegant once it is on the body. It feels very much that perfect French original little black dress. Two wide straps curve over the shoulders to meet behind the neck and the front neckline is done in a V. At the back it scoops down for an expanse of bare skin to show. The front is shaped in a bit of a triangle feeling halter and there is a little two top set pocket on each breast. Each pocket has a gold Camellia flower button on it. The front crosses over itself and is held in place with another pretty gold flower button. The waist nips in and there is a pretty little bow at the centre with the final gold button. The skirt is set into the waist with a series of perfect little pleats that open up to for a fuller skirt. The skirt falls to the knee depending on your height. Under the bow at the front the fabric overlaps over itself a bit and this helps it to achieve the volume you see. At the back there is an inverted pleat down the centre that also helps achieve the volume of the skirt. A shallow little pocket sits on each hip for the perfect finish of this gorgeous little dress. Once on this fits and hugs your curves in the best possible way. It is a beauty. Excellent condition

Unlined and closes at the front with the buttons you see. Tagged a vintage Chanel 44. 

Bust: each front triangle is approximately 10" across across from side to side 
Waist: to 13.5" flat across from side seam to side seam
Hips: open
Bodice: 15" from neck to waist
Total length: 39" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD4828

Reference Photo/Video: Fall 1991 Chanel. 

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

Bill Blass launched his label in 1970 when he bought out the Maurice Rentner label and then re-launched it under his own name. Blass was arguably one of the most famous of  the American designers. His forte was the ability to mix simple styles with luxurious materials and his evening wear in particular seemed to have a way of flattering the wearer. He knew how to walk that line perfectly. This is a very chic and sexy example of his work from this time period and it is even better in person. 

The dress is made out of a feather light silk chiffon that is bias cut and backed in a second layer of silk that has the same pretty print over its surface. This layering of the print creates a really pretty depth and added dimension to the dress. Both layers are cut on the bias and the layers float over each other perfectly to drape over the body. It is incredible. The dress is as light as a feather and feels like heaven once on the body. The dress curves over the shoulders and the neckline plunges down between the breasts with a pretty ruffle following the neckline. The back has the same V and ruffle treatment. It cleverly closes at the base of the V and you could probably wear this either way around. It skims over the bust and then from there the dress falls in an extravagant swoosh to the floor with an easy cut over the waist and hips. The bias cut lets it drape over the body underneath but at the same time it feels insanely comfortable on because the fabric weighs ounces. I have added a taupe grosgrain ribbon at the waist to cinch it in more but also shot it without so you could see that as well. It works either way. The skirt widens out as it nears the floor and there are extra long draping panels that extend past the hemline for the perfect and prettiest finish. Excellent condition. 

Made from a layer of silk chiffon topping an inner silk layer as described above. It closes with a hidden set zipper. The ribbon at the waist is not original to the dress but will be included. The bias cut has some give and the comfortable range of measurements are listed below. The dress appears to have been worn very little if at all.

Bust: 18-20" flat across from side seam to side seam
Waist: to 15" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Total length: 62" from the top of the shoulder to actual hem and then the panels extend up to 12" beyond that

Modern Sizing Equivalent: MED-LRG

Item# DD4823

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

SixThis is an incredible and very rare set by Rifat Ozbek. The original Ozbek label was only produced from 1984 to 1991 and pieces are very hard to find, never mind finding a full three piece set like this. Versions of this set were seen on the runway and for US Vogue that season. It is incredible. 

The suit is three pieces; a cropped jacket, a skirt and a bra top. The jacket is a burgundy and cropped to above the natural waist. It has no closures and a neat collar. The shoulders have a tiny bit of shape but are cut to slope down to the sleeve. The sleeves are kept simple. The skirt is very high-waisted so that it comes up to meet the jacket. It curves out and over the hips and then flares out at the hem. The front of the skirt is cut several inches shorter than the back so that you get this gorgeous little kick when you walk. Yellow embroidery runs down either side of the hip on both the front and the back. The final piece is that phenomenal bra top. Its base is the same burgundy as the other two pieces and then the cups of the bra have been covered in a thick gold cording. Two tones of gold cording have been used. One is a more black based gold and the other is brighter. The darker cord covers the majority of each cup and then the brighter is set at the upper edge of each cup and in a row across them. The straps are a leopard print and then gold toned coins on a little chains are set all along the bottom of the bra. These gold coins became one of his signatures. It is just a phenomenal and rare piece of vintage. Excellent condition with a minor note below.

All three pieces are lined in a burgundy lining. The jacket has no closures and just slips on to wear. I see a small amount of very minor changing colour / grubbiness on the top of the shoulders. The skirt closes with a side zipper and the bra closes with a hook clasp at the back. It has under-wiring and slight padding on the cups. The jacket and bra are tagged an IT40, FR36, GB8, US6 and the skirt is tagged in IT42,FR38, GB10, US8.

Jacket
Sleeves: 20.5" and 13" around the upper arm
Dropped shoulders: 17.5"
Bust: approx to 17.5" flat across from side seam to side seam
Waist: approx to 15" flat across from side seam to side seam
Total length: 15.5" from waist to hem

Skirt
Waist: 12" flat across from side seam to side seam
Hips: 17.5" flat across from side seam to side seam
Total length: 28" from waist to front hem, 36.5" to the longest point of the back hem

Bra Top
Bust: 26-29" from end to end with some stretch near the closure
Cups: Appox A-B
Height: approx 11.5" from top of the strap to bottom edge

Modern Sizing Equivalent: XS-SML

Item# DD4822

Reference Photos: (1-2) Fall 1989 Rifat Ozbek Runway.  /  (3) Kara Young in Rifat Ozbek. Photographed by Patrick Demarchelier for USVogue, October 1989.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.