This set is incredibly beautiful and we are very pleased to have dated it to the Spring 2000 Couture collection. We have included the runway photos here along with some video so that you can see just how beautifully it moves. True Haute Couture pieces by Chanel are an extraordinary find as they are so very rare to come by. It is an incredibly beautiful example and historically important piece of work that the Karl and the Chanel ateliers were doing during this time period.  In the book 'Chanel Catwalk' they said of this collection; 'Karl Lagerfeld focused on suits ..for this haute couture collection, presented as a winding catwalk in a riding centre in the Bois de Boulogne. It featured 'only' fifty-eight looks, 'but I could have had many more,' Lagerfeld told Women's Wear Daily, 'because we have many clients and they want suits, suits, suits.'The suits in question were reinvented with flowing full skirts. A shape Lagerfeld said, 'was inspired by his desire for volume with movement.' 'We cannot make now skirt for the rest of our days' he declared, but also insisted this is not the New Look, despite how much the silhouette was reminiscent of the 1950s style introduced by Christian Dior.' When looked at this set under that context, you can see that reference, but it still feels decidedly Chanel. It is absolutely gorgeous to see in person. 

On the runway, it was shown with a metal belt that was sold separately. My client chose not to purchase that belt, however, to show you how the jacket looks belted I have shot most of these  with a wide black grosgrain ribbon around the waist. That will be sent with the set and you could obviously change it to any belt that you have of your own.

Both pieces are made from a deep blue silk organza. This fabric allows it to keep the shape that he intended while still keeping both pieces extremely light in weight. The dress is dropped from the shoulder from straps that curve up and over each shoulder. The bodice is easy fitting and cut to skim over you with a shallow V at the front. It is hand pieced together in a pattern of panels set horizontally over the bodice. The waist is dropped as Karl tended to do, and then from there the skirt flows out to the floor with incredible movement. The skirt has been pleated all the way around into sharp knife pleats with each pleat the exact same width as it's neighbour. This gives the skirt incredible movement. Two layers of silk tulle are built-in underneath the skirt to add support and volume. The jacket sits over top of this and it has a soft and simple cut. The neckline is cut wide across the collar bones. The sleeves are long and each has a notch that runs up the inside seam. It has an inner hidden tightly space row of hooks and then snaps to close over that to one side at the front. Once the jacket is cinched in with a belt you really get this beautiful shape that is offset by the volume through the skirt. There are small shoulder pads in each shoulder but they are soft and light. Along the inner hem of the jacket is a signature Chanel hand set metal chain. All of the work is meticulously done by hand to Haute Couture standards. It is an incredible piece of Chanel couture. It is very beautiful and even better in person. Excellent overall condition with a note below 

The jacket is fully lined in a blue silk and closes with hidden snaps and hooks at the front. A chain sits inside the hem. The dress is lined in the same silk organza through the bodice and then the skirt has two layers of silk tulle. One layer is black and the other is a matching blue. The dress closes with a zipper and a separate set of snaps to close on each of the three layers of the skirt. An inner waist stay hooks to close. Some of the edges of of the organza have slightly faded on the jacket and bodice of the dress. Some of the pleats have softened slightly on the skirt.You can see this in the shots throughout. There is stress to a tiny area on the edge of the strap seam. Please see the shot after the label shots. Both pieces have an appropriate Haute Couture label and numbered tape.

Jacket
Sleeves: 24"
Shoulders: 15"
Bust: 18.5" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: 22" flat across from side seam to side seam
Length: 24" from neck to hem

Dress
Bust: 18" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: open
Bodice: 18" from top of shoulder to slightly dropped waist
Skirt: 42" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD4139

Reference Photos/Video: Spring 2000 Chanel Haute Couture.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

When we looked for photos of this dress we did found these incredible shots of Margo Robbie from 2019 in a dress that was attributed as being the twin of this one. The dress has that classic high quality that we expect from a Chanel mixed with the perfect eye and grace that Karl had. The exact thing that we love to see when collecting pieces from his many years at Chanel.

Everything about this dress has that chic Chanel feel that makes many of Karl's designs forever classics. Even with its simple cut, once in hand and you see how well it is made, it feels very Chanel. It is beautiful in person and the simple lines of it make it the kind of dress that you can wear multiple times with the styling and accessories you add making it feel different each time. It is made of densely woven black knit. On the bodice there is a subtle diamond pattern woven into the knit that gives it the perfect amount of added texture. The denseness of the knit through the body give the dress a slight 'bandage' effect so that it gives you shape and support. The dress falls from one shoulder and then the neckline curves around and under to the other side. I love that this leaves one shoulder exposed and bare. It hugs the body over the bust, around the waist and it is shaped to curve over the hips. The knit extends down and past the hips and then the lower skirt is inset into it in a series of little jagged points that is reminiscent to the way that you see dresses from the 20s and 30s. The skirt under that is also a knit but the pattern changes. The knit there has cut outs and a pattern that combines a very dense weave with a looser feeling weave. The design is set horizontally and this allowed him to make the skirt extremely full and open. There is a ton of fabric in the lower skirt. It still falls in a smooth line when you are standing but when you move, you really get the sense of all that gorgeous fabric around you. It is that perfect easy minimalist dress, but very flattering and with the added impact of being a Chanel. The dress is new with its original tag still attached and its original Chanel packet that has extra yarn/thread inside. Excellent condition

The dress has no closures and slips on to wear. Tagged a Chanel 40. The easy cut and slight stretch of the dress should allow it to fit on a variety of sizes. The measurements given below are the comfortable range when the dress is laying flat. 

Bust: 14.5-18" flat across from side seam to side seam
Waist: to 13.5-18" flat across from side seam to side seam
Hips: 17.5-22" flat across from side seam to side seam
Total length: 61" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD4863

Reference Photos: Margot Robbie in Chanel by Art Streiber for Glamour Russia, August 2019.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

Well sourcing the collection for this dress we found an example in 1988 that felt close but I think it is most likely from the Fall of 1991. He showed several of these dresses with jackets over them at the end of that show and this feels more similar to those. You can also see the similarity in the one that we had that was worn by that Olivia Culpo. This feels like it's younger sassier sister. We have included reference photos from both collections here and either way, it is an absolutely fabulous little black dress. It is incredible and very sexy.

The dress is strapless with a pretty bodice that curves up at the front and down slightly at the back. It is boned and shaped to curve around the bust at the front and then hug the body to the waist. The exterior is made of a black silk and it has a little lace ribbon all around the upper edge for a little romantic touch. The skirt is made from two layers of a fine black netting that has a very smooth to the touch feel. The layers give you touch of transparency and you can see this in the 1991 show that this was deliberate. He meant it to be worn over an undergarment and tights that gives you some coverage and just have the transparency that shows your entire leg. If that does not work for you, you could easily add something underneath to lessen the transparency that the skirt has. It zips to close at the back and I love how you can see that the zipper has been hand set. The inner lining is also handset and it is just a beautiful example of how well these little dresses are made from Chanel. Especially in these early years of the Karl era. Excellent condition.

Lined in a handset silk through the bodice and closes with a back, hand set zipper. There are little loops inside the dress that suggests that it had a inner elastic stay through the bodice at one time but that is now gone. I have left them because it would be very easy to add one in if you feel that would make it more secure on you. There is a stay in place around the waist that hooks to close. Tagged a vintage Chanel 38.

Bust: 15.5-16" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: open
Bodice: 10" from top of bodice at the front to waist
Total length: 32.5" from top of bodice to hem

Modern Sizing Equivalent: XS-SML

Item# DD4837

Reference Photos/Video: (1) Spring 1988 Chanel.  /  (2-3) Fall 1991 Chanel, Look 98. Model Emma Sjoberg.  /  (4) Olivia Culpo in Fall 1991 Chanel from Shrimpton Couture.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

I have a small grouping of Chanel pieces that will be listing over the next week or so and they all come from an avid Couture and Chanel collector. Many of these pieces were extremely difficult to source when they were released and were only made in very limited quantities. They are in pristine condition and all but one have their original shop packet that has the extra fabric and style information. These are exceptional pieces for the collector and each is extremely special.

This skirt is exceptional. It's from the Pre-fall 2020 collection and it's twin walk the runway for Look 37. This is a wonderful piece of Chanel and is extremely well-made. The was a Metier d"Art collection which are always the most expensive at retail as they feature work from all the tiny maison d'art houses. It was also Virginie Viard's first Metier d'Art Pre-fall collection. She titled the show 'Paris – 31 rue Cambon' which is of course where Gabriel Chanel first set up shop as a milliner in 1910. She later expanded her fashion empire by taking over six buildings to house her Haute Couture salons one of which was Number 31. In tribute she mirrored the black, beige, crystal and gold that evokes Chanel's apartment, and the famous mirrored staircase. When asked about it backstage, she said that the show was meant to be "the things we like, a mix of Karl and Chanel – the Chanel codes."

In this skirt we see the high workmanship of the luxury suppliers of the fashion industry. At first glance, you might almost think it to be a tweed Chanel piece but then as you look at it closer you realize that every inch is covered with overlapping silver sequins. The sequins are held in place by an ivory, gold and black thread and this is what gives them the appearance of that classic Chanel tweed. The sequins catch the light from every angle. It is exceptional. Running down the front is a panel of glittering crystals that are bordered with faux pearls on either side and the pearls are all caught into a black corded cage. That same detail runs down the centre of the skirt at the back. It is fitted around the waist, but without an added band so you lose no detail of that stunning design, and then it glides over the hips and flares out to the hem. The skirt has never been worn and has its original Chanel packet. Excellent condition

Fully lined in black silk and closes with a hidden set zipper under the back centre detailing. Tagged a 34 and has its original Chanel packet. Current Chanel fantasy skirts start at $5500 and range up to $8500USD + for pieces with this level of detailing. 

Waist: 12.5" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Length: 23" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD4545

Reference Photo/Video: Pre-Fall 2020 Chanel Runway, Look 37.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

I have a small grouping of Chanel pieces that will be listing over the next week or so and they all come from an avid Couture and Chanel collector. Many of these pieces were extremely difficult to source when they were released and were only made in very limited quantities. They are in amazing condition and all but one have their original shop packet that has the extra fabric and style information. These are exceptional pieces for the collector and each is extremely special.

This is a suit pieced together from the actual Chanel sample jacket for this look and then the pants were purchased at retail by my client. It is incredibly rare to find a sample piece so that is a little extra special. The twin of the suit was worn for Look 13 for the Chanel Métiers d’Art show. The show was set in the  Hamburg concert hall and that setting held an extra special place for Karl since it was his hometown. The concert hall had just been opened and for this show Karl mixed the modernity of the new space with his memories of Hamburg as a child “I’ve never left; this is part of me,” he reflected after the show. “I like Hamburg as an idea; something in the back of my mind.” Vogue noted 'You saw what that was, the essence of his inspiration, in a flash: Sailors in peaked caps on leave, girls in thigh-high boots and leather, the people who mill around docks and nightclubs. The clothes evoked ’60s beatniks, countercultural girls in sweaterdresses, smartly dressed officers in uniform, and naval ratings in sailor pants—looks that ran up and down the register of the cool, the hip, and the immaculately classic. It was an obvious, simple idea, really, but one marinated in a mind that has the sophistication to align the results with Coco Chanel’s heritage, and with what any girl would absolutely kill to wear right now.'

The lines of this suit are crisp and sharp and the tailoring is immaculate. Both pieces are made out of a pinstriped virgin wool that allows them to retain the exact lines that Lagerfeld intended while still staying light in weight. The jacket is cut so that it is fitted across the shoulders and then falls in a more box shape to the top of the hips. The collar is neat and small and I love how there is an inset of a white waffle weave cotton for a crisp little pop. That same little pop of cotton is set within each cuff so that it feels perfectly tied together. It buttons to close up one side and the buttons themselves are incredible. I took a detail shot so you can see that they are especially done with both Paris and Hamburg noted on them. The bottom hem is banded and there is a little top set pocket on one side. Each sleeve is long and straight and they end in a notched slit held by a button rather than a traditional cuff which falls in line with the sleek minimalist feel of the rest of the suit. Beside the little pop of white at the end there is also a little 'hidden' surprise of another functional pocket that sits at the end of the one sleeve nearest the pocket on the front. I am obsessed with this little detail. The pants are sleek and simple in their cut. They are flat fronted with a slanted slip pocket on each hip under the waist band. Two more pockets are at the  back and each is still tacked shut. The legs fall wide to the ankle with just the tiniest bit of a flare at the ends. Each leg is finished with a precise wide cuff. The inside of the suit is as immaculate as the outside and it is lined in a deep grey silk embossed with the Chanel logo. A signature Chanel chain runs along the inner hem of the jacket. Every stitch is perfection. Excellent condition with a minor note below. 

The jacket is lined in a grey Chanel embossed silk and closes with the buttons along the front panel as seen. It has a Chanel sample label and is tagged a modern Chanel 38. A pocket on the front and on each cuff. Metal embossed buttons and the signature Chanel chain around the inner hem. There is slight yellowing and grubbiness on the inner collar of the Chanel. The pants zip to close at the front and have hidden hook & eye at the bands. Slip pockets on each hip and two tacked shut pockets at the back The pants have their original Chanel packet and are tagged a modern Chanel 40

Jacket
Sleeves: 21"
Shoulders: 15"
Bust: to 17.5" flat across from side seam to side seam
Waist: to 17" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Length: 22" from neck to head 

Pant
Waist: 14" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: 40.5" from top of bodice to waist
Inseam: 29" from inner seam to hem
Gusset: 17" from waist to inner seam

Modern Sizing Equivalent: SML-MED

Item# DD4540

Reference Photo/Video: Pre-Fall 2018 Chanel, Look 13.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

The twin of this dress in white walked the runway for Look 76 for the Spring 2004 show. During this period Mr. Valentino was still in charge and designing for his self named label. I love that I have tons of photos and the video of it so you can see just how fantastic this dress is on the body. It is a killer dress. The show was a huge success and the Vogue review for this collection stated in part; "When the fashion chat is all about the "new ladylike," it's not hard to give in to the methods of seduction Valentino has perfected. He's had "lady" down pat for years—for the genuine ones of the yacht-owning class, that is. His Spring collection covers the waterfront for that society, and those who aspire to it.... It all looked romantically pretty in the just-so mode that his clients adore." And what's not to love? The dress moves beautifully, is elegant and chic, and yet with that open side feels insanely sexy. This is the magic of original Valentino and this one is just tremendous.

We have also added to the modern provenance of this dress with Marlo Kelly wearing this dress for this year's Emmy's.

This is such a gorgeous dress. Its simplicity combined with that almost shocking open side add up to an incredible piece. The dress is made of a beautiful black silk crepe that gives it its sleek sculpted feel. The dress is very sexy and shows off some skin but still feels very elegant and refined. The fabric has just a touch of a bias cut to it through the body so its very comfortable to wear.  I love the way that it curves up and over your shoulders and scoops at the neckline. It skims over the bust and then starts to widen out and skim over the waist and hips. The skirt falls to the floor under that and it is all cut on the bias. By the time it reaches the hem it has widened out into that beautiful sweeping line that you see. A high slit up one leg gives it additional movement. The bias cut and that slit make the hem of the skirt move and float around you at your slightest movement. The open side is on the same side as the slit. The silk of the dress has been gathered up and around the cut out on the one side. The opening of the cut out is finished with a piped fabric and then more of the piping is used to created a laced webbed feel that sits inside the circle. This gives you a touch of coverage but still lets your skin show through. Extending out from that opening are long ties that trail down the side. These give the illusion of being able to tighten and adjust the lace. It is absolutely gorgeous. Excellent condition with a minor note below

Unlined and closes with a side hidden set zipper. We see a couple of teeny nicks to the fabric on one spot near the hem of the back. The fabric is bias cut so does have some movement. We have put the comfortable range of measurements below.

Bust: 15-17" flat across from side to side with no true side seams
Waist: 12-14" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Length: 59" from top of shoulder to front hem, 62" to the back hem
Slit: 28" from hem up

Modern Sizing Equivalent: XS-MED

Item# DD4886

Reference Photos/Video: (1-6) Spring 2004 Valentino, Look 76.  /  (7) Portia de Rossi in Valentino at The 61st Annual Golden Globe Awards, January 2004.  /  (8-9) Marlo Kelly in this dress for Emmys weekend, 2024.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

John Galliano began his own label in 1984 and he was instantly a bit of a 'boy wonder' in fashion. He was British Fashion Council Designer of the Year in 1987, 1994 and 1995. In 1991 he made his Paris catwalk debut. In 1995 he was asked to head Givenchy and then went to Dior in October of 1996. His work, especially the bias cut pieces that he did, have a feeling of the decadence and abandonment of the twenties and they are beautifully cut. They marry Old Hollywood with the minimalist spirit of the nineties and early 2000s and the results are stunning. This is an amazing example of his work from the Spring 2006 season and it is gorgeous. This dress was a piece made for production for retail but it has all the things we love about his work presented in a beautifully chic and minimalist package. We believe that some of the detailing is based on / loosely inspired by the opening look of the Couture 2006 collection. We have included a photo of that dress for you and you can see similar bead work through the skirt of that dress that has similarity to the pattern of the beads on this dress.

The dress is made out of the deepest possible blue silk crepe chiffon that has a slight bit of texture to it and more opaqueness than a standard chiffon would have. It is completely cut on the bias which is one of his signatures that we all love. The dress falls from the shoulders and then drapes down and over the body to the floor. It is very beautiful. The signature bias cut that he often did allows the dress to skim and drape over you so that is shows every curve but is not overly fitted. The seaming is highly reminiscent of the work you see from the twenties and thirties which became another of John's signatures. The fabric has been pieced together with both curved and angled seams through the bodice and lower skirt especially to create the fantastic lines of the dress that you see. Wide straps extend out from the bust to curve over your shoulders. The front is set in a V and the fabric is gathered across the front of the shoulders. I love the angled cut of the front bodice where he has piece the two side of it together. These are set into a high curving seam that highlights the waist but still stays easy in cut. That seam curves around the back curving upwards there as well. The back is scooped into a low curved open expanse. The straps become smaller and run down the back to join into each side of the lowest part of that curve. An attached panel of silk drapes beautifully down the back in reference to the best of Old Hollywood. The dress glides over the body from there and flares out as it reaches the hem. The widening and length of the back hem is created with angled silk chiffon panels inset into the back skirt. It is an incredible feat of patterning. This creates a longer bit of a train at the back for a bit of a sweeping feel behind you. There is an incredible amount of fabric through the lower skirt which gives you so much movement when you walk. It is stunning. The entire dress to just past the knee is beaded with silver beads mixed with the tiniest  silver sequins. These are laid out vertically over the dress in beautiful curving lines that cover the dress. They catch the light from every angle and take the dress to another level. His signature row of tightly spaced buttons run up one side. The dress is even better in person and on the body as the static photos cannot fully convey how a bias cut dress moves. They only truly come to life when worn. It is an incredible example of his work and looks to have been worn very little if at all. Excellent condition

It has a matching silk inner slip dress that loop through a stitch so that they are attached at the top of the inner shoulders. You could easily remove this to get more room if needed. The bias cut should allow it to fit a range of sizes and we have provided the comfortable range of measurements for both it and the outer dress below. It closes at the side with a series of silk covered buttons. Tagged a FR42, GB14, IT46, US10. 

Dress
Bust: to 22" flat across from side seam to side seam 
Waist: 15-16.5" flat across from side seam to side seam
Hips: 22.5" flat across from side seam to side seam
Total length: approx 59" from the top of the shoulder to the front hem and approx 74" to the back

Inner slip
Bust: to 18" flat across from side seam to side seam
Waist: 15-17" flat across from side seam to side seam
Inner lining at hips: 20" flat across from side seam to side seam

Modern Sizing Equivalent: SML-LRG

Item# DD4884

Reference Photo: Fall 2006 Dior Couture, Look 1.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This set is incredibly beautiful and we are very pleased to have dated it to the Spring 2000 Couture collection. We have included the runway photos here along with some video so that you can see just how beautifully it moves. True Haute Couture pieces by Chanel are an extraordinary find as they are so very rare to come by. It is an incredibly beautiful example and historically important piece of work that the Karl and the Chanel ateliers were doing during this time period.  In the book 'Chanel Catwalk' they said of this collection; 'Karl Lagerfeld focused on suits ..for this haute couture collection, presented as a winding catwalk in a riding centre in the Bois de Boulogne. It featured 'only' fifty-eight looks, 'but I could have had many more,' Lagerfeld told Women's Wear Daily, 'because we have many clients and they want suits, suits, suits.'The suits in question were reinvented with flowing full skirts. A shape Lagerfeld said, 'was inspired by his desire for volume with movement.' 'We cannot make now skirt for the rest of our days' he declared, but also insisted this is not the New Look, despite how much the silhouette was reminiscent of the 1950s style introduced by Christian Dior.' When looked at this set under that context, you can see that reference, but it still feels decidedly Chanel. It is absolutely gorgeous to see in person. 

On the runway, it was shown with a metal belt that was sold separately. My client chose not to purchase that belt, however, to show you how the jacket looks belted I have shot most of these  with a wide black grosgrain ribbon around the waist. That will be sent with the set and you could obviously change it to any belt that you have of your own.

Both pieces are made from a deep blue silk organza. This fabric allows it to keep the shape that he intended while still keeping both pieces extremely light in weight. The dress is dropped from the shoulder from straps that curve up and over each shoulder. The bodice is easy fitting and cut to skim over you with a shallow V at the front. It is hand pieced together in a pattern of panels set horizontally over the bodice. The waist is dropped as Karl tended to do, and then from there the skirt flows out to the floor with incredible movement. The skirt has been pleated all the way around into sharp knife pleats with each pleat the exact same width as it's neighbour. This gives the skirt incredible movement. Two layers of silk tulle are built-in underneath the skirt to add support and volume. The jacket sits over top of this and it has a soft and simple cut. The neckline is cut wide across the collar bones. The sleeves are long and each has a notch that runs up the inside seam. It has an inner hidden tightly space row of hooks and then snaps to close over that to one side at the front. Once the jacket is cinched in with a belt you really get this beautiful shape that is offset by the volume through the skirt. There are small shoulder pads in each shoulder but they are soft and light. Along the inner hem of the jacket is a signature Chanel hand set metal chain. All of the work is meticulously done by hand to Haute Couture standards. It is an incredible piece of Chanel couture. It is very beautiful and even better in person. Excellent overall condition with a note below 

The jacket is fully lined in a blue silk and closes with hidden snaps and hooks at the front. A chain sits inside the hem. The dress is lined in the same silk organza through the bodice and then the skirt has two layers of silk tulle. One layer is black and the other is a matching blue. The dress closes with a zipper and a separate set of snaps to close on each of the three layers of the skirt. An inner waist stay hooks to close. Some of the edges of of the organza have slightly faded on the jacket and bodice of the dress. Some of the pleats have softened slightly on the skirt.You can see this in the shots throughout. There is stress to a tiny area on the edge of the strap seam. Please see the shot after the label shots. Both pieces have an appropriate Haute Couture label and numbered tape.

Jacket
Sleeves: 24"
Shoulders: 15"
Bust: 18.5" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: 22" flat across from side seam to side seam
Length: 24" from neck to hem

Dress
Bust: 18" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: open
Bodice: 18" from top of shoulder to slightly dropped waist
Skirt: 42" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD4139

Reference Photos/Video: Spring 2000 Chanel Haute Couture.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

The twin of this dress was featured prominently in the 2016 exhibit at the Museum of FIT. This dress is often referred to as the fairy castle, or skeleton castle dress, because of the print that runs over the front of the dress. It is an interesting dress in that it is instantly recognizable as a McQueen piece, and yet it was not one that was featured on the runway. Despite being a museum exhibition piece, and one that is very well known, it was a piece produced for limited production in stores. He also produced an all black version of this dress, that you will see more often, but this printed version is far more rare. We have had that all black version as well and it was worn by Alix Earl to the Grammys before it was purchased. Besides the exhibition photo of the twin of this dress, we have included some photos of Alix in the all black version for you so that you can see how amazing this will be on the body. It is truly one of the more iconic McQueen pieces.

No matter how good you think that this dress looks like in photos or in its all black version on Alix, it is even better in person and moving. The dress is made out of a black bias cut silk that has a stunning grey scale scene printed over its entire front. I love that you literally feel like you are wearing a piece of art when you wear this dress. The dress is cut completely on the bias so it just glides over the body. It skims over the bust with a draped front that falls in a soft fold. The back is incredible and it is scooped down into a low draping that leaves a good portion of your back bare. From there  it skims past the waist and hips to the floor. The silk follows your curves and highlights the body underneath without it being too tight and fitted. Once past the hips the dress flares out as it nears the bottom so that it has beautiful movement when you move. The back is cut slightly longer than the front so you get a beautiful sweeping feel behind you. The dress is in its original uncut supermodel length. The design on the front features a castle that has winged skeleton fairies and leaf bare trees sweeping up and over it. The design is all printed into the silk to add the perfect amount of detail to the otherwise perfectly simple dress. It is just amazing. Excellent condition with a very minor note below

Fully lined in a black silk and closes with a hidden set side zipper. The measurements given below are the comfortable range when the dress is laying flat. Being bias cut the length may come up a bit once on the body and it should fit a range of sizes. There is a tiny area of thinning near the back hem on the outer fabric and I do see some scuffing and a couple tiny holes on the inner lining. Please see the photo after the label shot. Tagged a vintage McQueen 42

Bust: 17-21" flat across from side seam to side seam
Waist: 13-17" flat across from side seam to side seam
Hips: 17-22" flat across from side seam to side seam
Total length: 64" from top of shoulder to front hem, 67" to the back

Modern Sizing Equivalent: SML-LRG

Item# DD4862

Reference Photos/Video: (1) 2007 Alexander McQueen Gown on display at the Fairy Tale Fashion Exhibit at The Museum at FIT January, 2016.  /  (2-4) Alix Earle in Alexander McQueen from Shrimpton Couture, at the Grammys, 2024.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This gorgeous dress is from Mr. Valentino's final show before he retired. Its twin in a pale green walked the runway for Look 75 and we were very happy to find both runway shots and video for you to  see just how great the dress is on. Vogue said this last collection was; 'Crisply puncturing the potential for a predictable end-of-era wallow in sentiment, Valentino played it as an upbeat, fast-paced whirl of breezy, pretty, drop-dead gorgeousness that blew any lingering sense of ladylike stuffiness to the winds. If there's a problem, it's only being spoiled for choice. What to pick from the head-spinning plethora of dresses on offer?' This was one of my favourites of the show and I think it is even better in the more versatile black.

I love the contrast between the two types of silk used for the dress. It adds that little extra flash of interest when you see it. The dress falls from one shoulder and then drapes down and over the body to the floor. The shape is created by vertical seaming that run from shoulder to hem. The softer silk parts are bias cut and allow the dress to skim and drape over you so that is shows every curve but is not overly fitted. The seaming is intricate and beautifully done. A single shoulder panel curves over your shoulder and runs across the bust to the other side. There is a large bow set at the front of that shoulder and then a second bow sits just below the hip on that same side. The bodice curves down into the side panel on the bow side, draping down and along the curved panel that cuts across the body and extends down into the skirt. The waist is shaped by the vertical seaming. The skirt flares out and is quite wide by the time it reaches the hem. It sweeps around you as you walk and even more movement is created by the slit that runs from the hem to that pretty little bow. The dress is even better in person. It is an gorgeous example of his work and looks to have been worn very little if at all. Excellent condition

The bodice is lined and then the rest of the dress is unlined. It closes at the side with hidden set zipper. In its original uncut length and looks too have been worn very little if at all. Tagged a vintage Valentino 8

Bust: 16-17" flat across from side seam to side seam
Waist: 13-15" flat across from side seam to side seam
Hips: 18-19" flat across from side seam to side seam
Length: 62" from top of shoulder to front hem
Slit: 25" from hem up

Modern Sizing Equivalent: SML-MED

Item# DD4493

Reference Photos/Video: Spring 2008 Valentino, Look 75. Model Laura Blokhina.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.