This is just the prettiest Dior. I believe it is a production piece made for the shops perhaps from the 2010s. At some point we will find more and verify the date and update the info here, or send along to the new owner. The dress is made from a black silk net that has an intricate pattern laid over it that combines black silk ribbon, black cording and embroidery work. The bodice is strapless and has inner boning so that it hugs the body and stays in place. Ribbon and cording wrap horizontally around the top of the bodice and then under that are panels of lattice mixed with cross thatched netting and swirling bands of cording applied to it. All of the ribbon has been applied by hand and you can see all of the tiny stitches that have been done. The waist nips in and there is another silk and cord band to add definition. The skirt flares out from under that. The skirt is a little masterpiece in itself. It is very full and short and the netting gives it a touch of transparency over the inner silk chiffon lining. Long vertical bands of silk are combined the same lattice pattern from the bodice and then there is additional embroidery work over top of that.  Embroidered flowers are places all around the bottom of the skirt for the perfect extra touch. We shot it without any extra underskirts but there is enough fabric that you could probably add a light crinoline if you really wanted more fullness. There is already an extra layer of tulle over the silk chiffon inner skirt that helps hold the volume that you see. These multiple layers give the dress structure so that it holds the shape around you once on. It is beautiful and feels like it is a little piece of art. It appears to have been worn very little if at all. Excellent condition

Fully lined in a combination of black silk and silk net. It closes with a hidden back side zipper. Lightly boned through the bodice with two inner stays under the bust and another at the waist that all hook to close. Handwork. It appears to have been worn very little if at all. Tagged a modern Dior FR36, GB8, IT40, US4.

Bust: 15-16" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: open
Bodice: 8.5" from top of bodice to waist
Total length: 28" from top of bodice to hem

Modern Sizing Equivalent: XS-SML

Item# DD4835

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This was a dress produced for the shops but you can see that it was based on a combination of Looks 10 and Look 52. Done in a more versatile black, it has the one shoulder cut of Look 10 combined with the bead work and embellishments that you see on look 52. Vogue said that the collection was done "in an electric-bright palette.. and channelled Barbara Hutton's sixties—a glittery, lame, paisley, and leopard-print world of muumuus, bikinis, capri pants, trapeze dresses, cat-eye sunglasses, and scarf-wrapped hats. It bordered on camp... and Kitschy or not, there was no denying the workmanship that went into crafting the large collection." I love that the photo of the blue dress still shows you how fantastic this is on the body and I love that the added details make it feel that much more special. 

The dress is made out of a black silk chiffon that has a slight bit of texture to it. It is all cut on the bias but with seaming at the waist so that it has more structure then some of his longer bias cut pieces. The dress falls from one shoulder and then drapes down and over the bodice to the waist before the skirt swings out from under there. It is very beautiful. It is cut to skim and drape over you so that is shows every curve but is not overly fitted. The dress is suspended from  that one wide shoulder panel that curves over your shoulder and drapes across the bust to the other side. On both the front and back he has added a fabulous spray of intricate floral appliques that are detailed with black jet beads and sequins. These catch the light beautifully as you move. The waist nips in and the dress comes with its original belt, in its original pouch, that allows you to cinch the waist in as much as you like. I love the big jewel buckle on the belt that adds that much more glitz. The skirt flares out under that to the hem. There is a good amount of silk chiffon through the skirt which gives you so much movement when you walk. It's stunning. His signature row of tightly spaced buttons run up one side. It is an incredible example of his work and looks to have been worn very little if at all. Excellent condition with a small note below

Fully lined in a black silk and closes at the side with a series of silk covered buttons. I see one tiny hole near the hem. Please see the photo after the label shot. Tagged a FR42, GB14, IT46, US10.

Inner bust: 18.25" flat across from side seam to side seam
Waist: 14.75" flat across from side seam to side seam
Hips: open
Bodice: 18" from the top of the shoulder to the waist and meant to blouse over the waist a bit
Total length: 42" from top of shoulder to hem

Modern Sizing Equivalent: MED-LRG

Item# DD4800

Reference Photos: Cruise 2008 Christian Dior. (1) Look 10. Model Chanel Iman.  /  (2) Look 52. Model Mariya Markina.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This is a very chic Christian Dior dress from the Marc Bohan years. The label is numbered and when you see that in a Dior Boutique label it most often meant that the piece was a special order or was a custom made order for a client in the atelier but fitted at the boutique store rather then in Paris. It is a wonderful example of the work being done during this time period and shows the restraint that the label could have when it delved into minimalism. It is a very easy and comfortable dress to wear. Don't let the simplicity of it fool you. This is a dream to wear and the simple lines are offset  by the high quality of the silk and the ease and beauty it has once on.

The dress is made from a black silk that drapes beautifully over the body. The neckline falls from a single shoulder that draped up and over to the back. There is an inner dress and then a layer of silk chiffon is draped over that dress to blouse over you to the waist. I love the way it softly angles from the shoulder down to the other side on both the front and the back. The waist has an elastic so the dress is extremely easy to wear and comfortable. The bodice blouses over the waist line. You can wear it as is or you can to add a belt underneath and cinch in the waist to create a more hourglass shape. The inner bodice is made from two layers of the same silk chiffon and it is cut to skim over your bust to the waist. The skirt falls from the waist to the floor gently widening out as it clears the hem. The elastic creates a series of small soft gathers all the way around the waist and this the skirt open up beautifully as it does. The skirt is made of three layers of the silk chiffon, each stacked perfectly over each other. A slit runs out the same side as the shoulder for a little bare flash of leg. This is a dress that you just slip on and it is perfect every single time. You can see the hand work throughout and it is beautifully made. Excellent condition.  

The layers of silk chiffon act as its lining. The dress weighs ounces. It closes with a side set zipper on the two innermost layers to the waist and then snaps on the top lay over that. Elastic through the waist. It looks to have been worn very little if at all.

Bust: to 17" flat across from side seam to side seam
Elastic waist: 13-16" flat across from side seam to side seam
Hips: to 18.5" flat across from side seam to side seam
Bodice: 16" from top of shoulder to waist
Total length: 60" from top of shoulder to hem
Slit: 23" from hem up

Modern Sizing Equivalent: XS-MED

Item# DD4789

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This is the twin of the dress that was shown on the Fall Christian Dior Fall runway show in Prague. This was a special presentation that showed looks from both Fall and Resort 2008. On the regular runway for that season this look was not shown but you did see a similar cut though the bodice and bead work for Look 26. A shorter version in black that had a slightly different bodice was worn that year by Penelope Cruz when she attended the 2008 Cruise collection show. The dress would make an amazing wedding dress for the bride looking for a non-traditional choice or as an alternative dress in a more extended wedding celebration. And of course it could also be worn to any event.

The dress is entirely cut on the bias and it falls beautifully over the body once on. As good as it looks on the form it is even better in person. The dress is made from a rich looking champagne coloured silk that has a slight silver undertone to it. The fabric and the way it is cut and draped allows it to hug the body but without being tight. It skims over you to highlight every curve but is very comfortable and easy to move in. At the front it scoops down at the front into the squared off neckline. From the base of the neckline a wide panel of the same fabric runs down to about the hip. The silk is gathered and hand draped under that front panel in big soft folds. It is then covered with little silver flat metal sequins meant to suggest tiny leaves, hand sewn tube beads and prong set glass crystal rhinestones. These catch the light beautifully as you move. Under the panel the skirt open into soft folds to expand out tot he floor. There are  yards of silk in the skirt and I love the draping around the sides of the hips.At the back the fabric is lightly gathered into the zipper area and then it opens up with a series of panels that are built in for added volume. It extends out past the hem so that you have a sweeping feel as you walk. A very beautiful dress. Excellent condition

The dress is fully lined with a fine ivory tissue silk. It closes with a hidden set zipper at the back. It appears to have never been worn or worn very little. Tagged a vintage Dior US8 

Bust: 16" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Length: 58" from top of shoulder to front hem, 64" to the longest point of the back hem 

Modern Sizing Equivalent: XS-SML

Item# DD3875

Reference Photos: (1-2) Dior Runway Show in Prague showcasing Fall 2007 RTW/Resort 2008 pieces. Dress shown worn by Miss World 2006 Tatana Kucharova.  /  (3) Fall 2007 Christian Dior Runway, Look 26. Model: Patricia Schmid.  /  (4-6) Penelope Cruz at the 2008 Dior Cruise Collection Presentation.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This spectacular piece is one of the best dresses from the Spring 2008 collection. Its twin walk the runway for Look 53. The Spring 2008 collection has some extra importance in the labels history because it marked Dior's 60th anniversary and it was John Galliano's 10th year with the label. He celebrated with a show that was a nod to Old Hollywood glamour. The result was a collection that was filled with beautiful things that were wait-listed for worldwide. This dress was also produced in a black for the shops and both versions were produced in very limited quantities. I am very pleased to have such an exceptional example of his work for you. You just need to see the runway reference photos here and the video of it on and walking to see how amazing this one is. 

The dress is made out of red silk that has a touch more weight to it. John often chose this weight of silk because of the control it gave him with his signature draping and the angled and curved seam work that he loved to do. All of the pieces that make up the dress have been completely cut on the bias. The dress is strapless with an inner boned and cupped corset that holds the dress in place. Silk panels have been draped over the inner corset, gathered and hand stitched into place to create the dramatic sweeping detailing you see at the front. At the back he gathered all of the fabric down and into the centre line to meet in a little peak at the centre of the waist. From there his signature bias cut allows the dress to skim and drape over you so that is shows every curve but is not overly fitted. As in many of his pieces the seaming has the feel  of the work you see from the twenties and thirties. The fabric has been pieced together with low dropped angled panels to create the widening of the lower skirt. It flares out at the bottom and at the back it is cut longer so that you get a touch of a sweeping feel behind you as you walk. It is an incredible feat of patterning. A row of signature tightly spaced buttons & loops in the same silk run up one side. The dress is even better in person and on the body. John's pieces only truly come to life when worn. It is an incredible example of his work and looks to have been worn very little if at all. Excellent condition

Fully lined in a red silk and closes at the side with a series of silk covered buttons. The inner corset hooks to close with two rows of hooks to choose from. It is boned and cupped. It is made out of lingerie netting and does have some stretch. The hips also have range because the silk is biased cut so I have given the comfortable ranges below when the dresses lay flat. I see a teeny tiny darkened spot near the hem. Hand finishes.

Inner bust: 16-20" flat across from side seam to side seam
Inner waist: 13-15" flat across from side seam to side seam
Hips: 18-22" flat across from side seam to side seam
Total length: 55" from top of the bodice to front hem, 60" to the back hem

Modern Sizing Equivalent: MED-LRG

Item# DD4772

Reference Photos/Video: (1-4) Spring 2008 Christian Dior, Look 53. Model Morgane Dubled.  /  (5) Aishwarya at the IIFA 2008.  /  (6) Lucy at the People's Choice Awards, 2024.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This is a gorgeous little knit dress from the Fall 1997 Galliano collection that I believe was made for the shops. It is a dress that really showcases his quirkiness in design and how he loved to use different elements to create something new.

The dress is made out of a fine knit in a deep burgundy red. Through the body of the dress it has a pleated detail that runs vertically. The knit then has a ribbed detail that runs horizontally and the two together create a bit of a thatched effect through the main body of the dress. The top of the dress is made of two attached pieces that are done in a slightly smoother knit and this is where you can see his creativity. Inside the bodice there is a little halter top with ties that run behind the neck to tie in the place. Then attached along the seam underneath that is a knit panel that extends out into long ties. I have shown it tied a couple of different ways here and I think that if you use your imagination you can come up with even more. The back is scooped low so no matter how are you tied the panel you end up with an expanse of skin showing there. This is a great dress that you can layer underneath other things for that perfect little pop of Galliano in your wardrobe. Depending on your height this will be a full length or around the mid-calf. Excellent condition.

Unlined and slips on to wear with no closures. The halter ties behind the neck and the attached panel also ties in place. Tagged a vintage Galliano medium. The fabric does have some stretch so I put the comfortable range when laying flat.

Bust: each triangle covers approximately 7" flat across from side to side
Seam under the bust: 12-17" flat across from side seam to side seam
Hips: 14-20" flat across from side seam to side seam
Bodice: approx 9-10" from neck to the seam under the bust
Total length: approx 54" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# DD4845

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This spectacular dress is the twin of the dress that was worn by Linda Evangelista for the Fall 1994 Karl Lagerfeld runway show. It also has the added provenance of being photoed for British Vogue that November. The dress is from Karl Lagerfeld's own label. He launched his self-named label in 1984 and this dress is from 1991 making it a fairly early example of the work he was doing for his own label. Pieces from his personal label were far edgier then the work he did for Chanel. It was a label where he explored a more avant garde feel with his designs and pushed the envelope more. I just had this dress in the shop recently in a larger size, and I was pleased to have another one in a smaller size come in so quickly. This is a fantastic example of his work for that label. 

This is a dress that is easy to wear and very sexy. On the runway Linda was styled with it falling completely off the shoulder and you can wear it like that or have that side sit up more on the actual shoulder. The edge of the neckline is cut on a angle that goes across and down to expose a bare expanse of skin. The shoulders are soft and the sleeves are cut to be a little extra long. At the ends of each sleeve  they are finished off at angle that comes down and over the hand. The fabric is a cut velvet set in little rows over a bias cut chiffon base. The colour is a deep burgundy red that is flattering on most skin tones. It skims over the bust, waist and hips and I love how the rows are set on an angle to create the illusion of extra length. The hem follows the dip of the neckline with the skirt falling all the way to the floor on the one side and then coming up to about the knee area depending on your height on the other. It is fantastic and I love the tie in to Linda. Excellent condition

Fully lined in a silk mix chiffon and slips on the wear. It appears to have been worn very little if at all. Tagged a vintage KL 38

Sleeves: 29" and 12" around the upper arm
Slightly dropped shoulders: 16"
Bust: 15-19" flat across from side seam to side seam
Waist: 12-16" flat across from side seam to side seam
Hips: 16-20" flat across from side seam to side seam
Total length: 63" from top of shoulder to longest point of hem

Modern Sizing Equivalent: XS-MED

Item# DD4844

Reference Photos/Video: (1-3)  Fall 1994 Karl Lagerfeld Runway. Model Linda Evangelista.  /  (4) Vogue UK, November 1994.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

Yves loved a good leopard print but he did it in his own way and for the Fall 1992 presentation he did it in an amazing gold toned version. This is a stunning example of just how edgy he could be for this time period. This set is from the Rive Gauche collection and these were pieces that were sold separately. My client told me that she hunted to put the pieces together as they were sold out everywhere at the time. Several variations and pieces were shown on the runway in this print and we have included some of those examples here for you. 

This two piece set combines a beautifully cut jacket with pants that have an extremely wide leg so that they look like you are wearing a full length skirt. Yves did variations of his iconic suits every season for both his Couture and Rive Gauche presentations with skirts and pants of varying lengths and cuts. They were shaped and tweaked by Yves to be immensely flattering on the female body. I love this pair of pants and how they give the feeling of a more formal full length skirt. It is also fabulous that you can mix and match the pieces with pieces you already own. The incredible gold fabric and leopard print make the suit feel so luxe and yet still elegant and refined in feel. The jacket is tailored with a sleek cut that follows the curves of the body. It has a notched collar and the sleeves are set into the jacket so that they are wide at the top and narrow to big flipped over cuffs. Large domed gold toned metal buttons are set on a slight angle to close the jacket. It comes in at the waist and then flares over the hips. The gold on the fabric feels like it was painted directly onto the fabric and it catches the light as you move. The pants are cut in the same amazing leopard print as the jacket. They fall to the floor and are incredibly wide by the time they reach their hem. Each leg is a full 62" around by the hem. This makes them look like a fuller skirt when you are standing still but gives you the ease of wearing pants when you move. And they have pockets. His suits changed the way we approach womanswear and this one is especially fabulous. It is a wonderful example of how strong his tailoring was and it is an important piece of fashion history. Excellent condition

The jacket is lined in a brown silk and buttons to close at the front. The pants are unlined and close with a side zipper and button at the waist. Pockets on each hip. Padding in each shoulder of the jacket. I see a little bit of fading to the fabric under the arms of the jackets' lining. The jacket is tagged a 40 and the pants have no size tag present.

Jacket
Sleeves: 25"
Shoulders: 15"
Bust: to 19.5" flat across from side seam to side seam
Waist: to 15.5" flat across from side seam to side seam
Bottom seam: to 23.5" flat across from side seam to side seam
Length: 26" from neck to hem at the longest point at the front, 22" at the back

Pants
Waist: 14.5" flat across from side seam to side seam
Hips: to 22" flat across from side seam to side seam
Length: 44.5" from waist to hem with just under 2" turned under the hem
Inseam: 30.5" and the gusset is 21" from back of waist to inner leg seam

Modern Sizing Equivalent: SML-MED

Item# DD4833

Reference Photos: Fall 1992 Yves Saint Laurent.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This incredible dress is the Rive Gauche shorter version of the Fall 1994 famous Couture side bow dress. It is incredibly sexy and it feels very French. This one has the added modern provenance of being the actual dress worn Adria Arjona for the 2018 Gold Globes season. We have included a shot of her in the dress so you can see how it looks on the body along with the Couture dress that was the inspiration for this dress.

The dress is gorgeous and the fabric itself is part of what makes it so fabulous. The top layer of fabric is a black lace that has a silk cord applied on top of it to follow the pattern of the lace underneath. This sits over an inner lace that has metallic gold metal thread woven over its surface. The effect of the gold peeking out from underneath is gorgeous and I love the depth and interest that this creates. The dress is strapless and meant to hug and fit over the body. Inside there is a built in corset with boning that holds the dress in place around you. It hugs the bust and is shaped so that it curves in at the waist. There is no waist seaming, it just curves in for shape and then it skims over the hips and has a more pencil shape that will sit above the knee. How short it sits depends on your height. The dress has three pretty bows down one side. The top lace and cord layer is attached and it closes over the inner gold layer to the third bow. From the third bow to the hem that top layer is open so that when you walk and move you get a stronger feel of the gold underneath. It is absolutely fantastic and an instantly recognizable piece of YSL. Excellent condition

Fully lined in a black silk and closes with a hidden set side set zipper and the top layer of lace hooks in place over the zipper. The inner bust is boned. Tagged a vintage YSL 38

Bust: 16" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: to 17" flat across from side seam to side seam
Total length: 29" from top of bodice to hem

Modern Sizing Equivalent: XS-SML

Item# DD4827

Reference Photos: (1-2) Adria Arjona, wearing this dress, at the Vanity Fair x Instagram Golden Globes Party, January 2018.  /  (3) Fall 1994 Yves Saint Laurent Couture.  /  (4) Fall 1994 Yves Saint Laurent Haute Couture n° 67976 from Gros & Delettrez.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This is a very rare and important full set from the Spring 1988 "In a Boudoir Mood" Christian Dior by John Galliano collection. It was Galliano's second ready-to-wear collection for the house. John Galliano said of this collection "I feel that we are entering a period of our own Belle Epoque as we approach the end of the millennium with a return to romanticism and elegance". The stage of the show was done to re-create the look of a turn of the century mansion with piano and pool tables with separate 'salons' through which the models walked and posed. For the suits like this one, the jackets were cut long and done in a basket weave wool. They were meant to be a nod to the famous Bar suit but shown with a floor length biased cut skirts rather than the fuller poufed look of the original version. The collection was all about fantasy and romance and had very few true day pieces. Besides the runway reference photos, I have also added one from the Dior catwalk book. On the runway, the jacket was shown in an ivory and then in the stores you had the option to get it in this pale blue, of which there were limited numbers available. 

The collections notes for this show read "the collection was imagined for a woman who rediscovered her naturally liked and graceful body in a subtle, looking silhouette and loves living in the softest lingerie she has decided to show off even for the day". The Times said that it was Galiano "most wearable yet". This is from the original client who bought all three pieces together and it is an extraordinary and rare opportunity to have a piece from this early and important collection.

All three pieces of this set are exceptional. This is the kind of once upon a time piece that brings great joy to see in person and to have in the shop.  The jacket is a staggeringly beautiful example of the work John Galliano was doing during this time. The body the jacket is made of a basket weave wool in a pale dusty blue. The front is dropped into a low V and there is a single button at the waist to hold it in place. The button deserves its own mention as it is a beautiful little antique feeling cameo whose backdrop perfectly matches the blue of the wool. The cut of the jacket is done so that it highlights the curve of the the body. It curves in at the waist and over the hips. At the front the hem curves up towards the button and then the back curves down and around to the top of the thighs. This creates this magnificent hourglass silhouette. Pockets sit on each hip and they are long curved flaps cut to to match the shape of the jacket. It is a masterpiece of tailoring and cut. The sleeves are long and each ends with a metallic ribbon detail that picks up on the silver of the skirt. Lace has been applied to the very edge of the cuffs for a bit of flounce and then you see another bit of applied lace that circles the inside of the collar. The inside of the jacket is lined in a beautiful floral embossed ivory silk. The lace of the collar is then picked up by the lace on the bodice of the camisole that goes underneath the jacket. The inner top is its own little work of art. It is made out of an ivory silk cut on the bias. There are little silver metallic medallion so and scattered over it. The top is suspended from two little straps the curve around your shoulder and the bodice is finished with more of that gorgeous lace. This piece is meant to be more loose and easy on the body. Last we have the skirt which is phenomenal in its own right. It is made out of a silver metallic fabric that has actual metal woven through to create the floral design that you see. It is completely cut on the bias and it is meant to sit a little low on the waist. The skirt flows down to the floor, curving over the hips and then flaring out as it reaches the hem. The flaring shape is achieved by the bias cut of the fabric rather then extensive seaming. This gives you some pretty movement around the lower skirt when you walk or move. It also adds to the hourglass shape the set has. It is all done so that it sits in a certain way on your hips and then that in turn affects how the skirt sits on your body. Once all the pieces are put together, the bits of metallic on the camisole and on the cuffs of the jacket all tie in so perfectly with the skirt. This is a once in a lifetime, very special opportunity, to get such a rare and amazing complete set. Excellent condition with a small note below.

The jacket is fully lined in an ivory silk and closes with the single button at the front. Light rounded padding in each shoulder. I see some marks under the arms on the lining of the jacket that do not go through. The jacket is tagged FR40, GB12, US8. The camisole slips over the head to wear. I see a very faint spot on the front. It is tagged a FR42, GB14, US10. Please see the photos after the label shot for both of those. The skirt is fully lined in a black silk and closes with a hidden set side zipper and it is tagged a FR38, GB10, US6

Jacket
Sleeves: approx 23" and are 12" around the upper arm
Shoulders: no true defined seam 5019
Bust: 17.5" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: 19.5" flat across from side seam to side seam
Total length: 26" from neck to longest point of the back hem

Camisole
Bust: 16-17.5" flat across from side seam to side seam
Waist: to 15" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Total length: 22.5" from top of shoulder to hem

Skirt
Waist: 13" flat across from side seam to side seam
Hips: 17.5-20" flat across from side seam to side seam
Total length: 50.5" from waist to hem with approx 1.5" turned under the hem

Modern Sizing Equivalent: SML-MED

Item# DD4815

Reference Photos/Video: Spring 1998 Christian Dior. Model: Esther de Jong.  /  Last photo from the book "Dior: Catwalk" by Thames & Hudson.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.