This exceptional dress is by Marc Bohan for Christian Dior and it is a wonderful example of his work during this time period. We have had print dresses in the shop in the past from the early to-mid 1970s and I feel that this is most likely the correct era for this dress. It is a very easy and comfortable dress to wear but it also really special with all its embellishments. His work was integral to the label's development over the decades that he headed the atelier and this is a stunning example of his vision. Beyond that it is just an extraordinarily beautiful dress.

This dress is incredible. The cut is simple and easy and those details that run over it are pure magic. The dress is light and very easy to wear. It is made out of a fine silk that has a clay and black coloured check print that covers most of the dress. Screened in between that are four wide bands that have a floral border and then a larger checked print within those borders. One of the things that makes this dress so special as you can see how they have lined up the bands on the dress with the corresponding bands on the sleeves. The neckline is set high. Under that the bodice is meant to skim over you to the seam at the waist. The waist has a slightly more generous fee and there is an attached black silk ribbon belt that ends in a bow at the front. The skirt falls out from under that to the floor or slightly above depending on your height. The sleeves are fantastic They fall softly from the shoulder and are the full and wide all the way to their ends. The printed bands run across the centre of the bodice, just under the waist, the mid-skirt, and then around the hem. Each of the bands has little pink, green and soft pale pastel beads that are set in and among the floral borders. On the check parts in between, the squares have been highlighted with gold coloured square sequins. This really helps glam up the dress and make it so unique. The fabric is light and easy to wear but packs a tremendous amount of style with the that print combined with the detailing that covers the dress. The dress has the Christian Dior New York tag hidden inside the inner lining. Excellent condition with a minor note below.

The dress is lined through the skirt in a taupe pink silk. The bodice is unlined. It closes with a back zipper. I see tarnishing on some of the gold sequins and there are a couple missing near where the sleeves rub against the side of the dress. Very minor. All of the beads and sequins were applied by hand and it is hand finished throughout.

Sleeves: 22.5" and are 13" around the upper arm
Neck: 14" around
Shoulders: 15"
Bust: to 19" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Inner hips: to 21" flat across from side seam to side seam
Bodice: 15.5" from top of shoulder to waist
Total length: 56" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD4922

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This is a superb Christian Dior dress from the Marc Bohan years. It is a wonderful example of the work being done during this time period and shows how well the label could be when it delved into a more minimal cut combined with that full out glamour. The dress has classic feel of the best of Old Hollywood. Don't let the simplicity of the cut fool you. The closer you get to it the more you see the incredible and elaborate amount of detail that has been put into this fabric. This is a dream to wear and no matter how good you think it looks in these photos to see this one in person will make your jaw drop.

The dress is made from a black silk net that has an incredible lace floral pattern. The flowers in the pattern are edged in black silk cording that is worked throughout the lace. It is made from three layers. The top beaded layer, a black silk chiffon layer under that and then a nude silk chiffon inner layer that is itself backed in a black silk. Adding that nude layer gives the dress a bit of an illusion of wearing next to nothing underneath. The dress is suspended from two beaded straps that curve over each shoulder. The front neckline dips into a slight V and the back is a simple scoop. It is cut to skim over the body from bust to hips with no seaming to break the eye or the design created by the bead work. The shape of the dress is created by vertical seaming on the inner layers and then the top layer is shaped to follow. The skirt and widens out gradually as it nears the hem. The lace netting is covered with an elaborate design made of glossy black beads in various sized and black sequins. The design is heavier around the top the bodice, lightens in coverage as it goes over the hips and then becomes dense and heavy again at the hem. Glossy black sequins curve over the underlying floral pattern. The sequins are applied so that they are stacked and layered over each other to give a slight 3D feel. Small faceted beads follow other parts of the pattern and these are the same beads that are used to cover the straps. Tiny little seed beads are thrown into the mix and then there are square pailettes and oval faceted beads on a much larger scale to really create impact. The beads are all applied by hand and catch the light from every angle. It is an incredible thing to see and even better once on the body. The label on the dress is numbered and when you see that in a Dior Boutique label it most often meant that the piece was a special order or was a custom made order for a client in the atelier but fitted at the boutique store rather then in Paris. This is a dress that you just slip on and it is perfection. Excellent condition.

Fully lined as per the description above. It closes with a hidden set side zipper. Numbered tag. Perhaps the occasional bead missing but you would never tell because of the extent of the pattern. The slight bias cut will allow for a bit of movement in the measurements. The comfortable range is listed below

Bust: 16-18" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Length: 60" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD4909

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

John Galliano began his own label in 1984 and he was instantly a bit of a 'boy wonder' in fashion. He was British Fashion Council Designer of the Year in 1987, 1994 and 1995. In 1991 he made his Paris catwalk debut. In 1995 he was asked to head Givenchy and then went to Dior in October of 1996. His work, especially the bias cut pieces that he did, have a feeling of the decadence and abandonment of the twenties and they are beautifully cut. They marry Old Hollywood with the minimalist spirit of the nineties and early 2000s and the results are stunning. This is an amazing example of his work from the Spring 2006 season and it is gorgeous. This dress was a piece made for production for retail but it has all the things we love about his work presented in a beautifully chic and minimalist package. We believe that some of the detailing is based on / loosely inspired by the opening look of the Couture 2006 collection. We have included a photo of that dress for you and you can see similar bead work through the skirt of that dress that has similarity to the pattern of the beads on this dress.

The dress is made out of the deepest possible blue silk crepe chiffon that has a slight bit of texture to it and more opaqueness than a standard chiffon would have. It is completely cut on the bias which is one of his signatures that we all love. The dress falls from the shoulders and then drapes down and over the body to the floor. It is very beautiful. The signature bias cut that he often did allows the dress to skim and drape over you so that is shows every curve but is not overly fitted. The seaming is highly reminiscent of the work you see from the twenties and thirties which became another of John's signatures. The fabric has been pieced together with both curved and angled seams through the bodice and lower skirt especially to create the fantastic lines of the dress that you see. Wide straps extend out from the bust to curve over your shoulders. The front is set in a V and the fabric is gathered across the front of the shoulders. I love the angled cut of the front bodice where he has piece the two side of it together. These are set into a high curving seam that highlights the waist but still stays easy in cut. That seam curves around the back curving upwards there as well. The back is scooped into a low curved open expanse. The straps become smaller and run down the back to join into each side of the lowest part of that curve. An attached panel of silk drapes beautifully down the back in reference to the best of Old Hollywood. The dress glides over the body from there and flares out as it reaches the hem. The widening and length of the back hem is created with angled silk chiffon panels inset into the back skirt. It is an incredible feat of patterning. This creates a longer bit of a train at the back for a bit of a sweeping feel behind you. There is an incredible amount of fabric through the lower skirt which gives you so much movement when you walk. It is stunning. The entire dress to just past the knee is beaded with silver beads mixed with the tiniest  silver sequins. These are laid out vertically over the dress in beautiful curving lines that cover the dress. They catch the light from every angle and take the dress to another level. His signature row of tightly spaced buttons run up one side. The dress is even better in person and on the body as the static photos cannot fully convey how a bias cut dress moves. They only truly come to life when worn. It is an incredible example of his work and looks to have been worn very little if at all. Excellent condition

It has a matching silk inner slip dress that loop through a stitch so that they are attached at the top of the inner shoulders. You could easily remove this to get more room if needed. The bias cut should allow it to fit a range of sizes and we have provided the comfortable range of measurements for both it and the outer dress below. It closes at the side with a series of silk covered buttons. Tagged a FR42, GB14, IT46, US10. 

Dress
Bust: to 22" flat across from side seam to side seam 
Waist: 15-16.5" flat across from side seam to side seam
Hips: 22.5" flat across from side seam to side seam
Total length: approx 59" from the top of the shoulder to the front hem and approx 74" to the back

Inner slip
Bust: to 18" flat across from side seam to side seam
Waist: 15-17" flat across from side seam to side seam
Inner lining at hips: 20" flat across from side seam to side seam

Modern Sizing Equivalent: SML-LRG

Item# DD4884

Reference Photo: Fall 2006 Dior Couture, Look 1.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This is just the prettiest Dior. I believe it is a production piece made for the shops perhaps from the 2010s. At some point we will find more and verify the date and update the info here, or send along to the new owner. The dress is made from a black silk net that has an intricate pattern laid over it that combines black silk ribbon, black cording and embroidery work. The bodice is strapless and has inner boning so that it hugs the body and stays in place. Ribbon and cording wrap horizontally around the top of the bodice and then under that are panels of lattice mixed with cross thatched netting and swirling bands of cording applied to it. All of the ribbon has been applied by hand and you can see all of the tiny stitches that have been done. The waist nips in and there is another silk and cord band to add definition. The skirt flares out from under that. The skirt is a little masterpiece in itself. It is very full and short and the netting gives it a touch of transparency over the inner silk chiffon lining. Long vertical bands of silk are combined the same lattice pattern from the bodice and then there is additional embroidery work over top of that.  Embroidered flowers are places all around the bottom of the skirt for the perfect extra touch. We shot it without any extra underskirts but there is enough fabric that you could probably add a light crinoline if you really wanted more fullness. There is already an extra layer of tulle over the silk chiffon inner skirt that helps hold the volume that you see. These multiple layers give the dress structure so that it holds the shape around you once on. It is beautiful and feels like it is a little piece of art. It appears to have been worn very little if at all. Excellent condition

Fully lined in a combination of black silk and silk net. It closes with a hidden back side zipper. Lightly boned through the bodice with two inner stays under the bust and another at the waist that all hook to close. Handwork. It appears to have been worn very little if at all. Tagged a modern Dior FR36, GB8, IT40, US4.

Bust: 15-16" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: open
Bodice: 8.5" from top of bodice to waist
Total length: 28" from top of bodice to hem

Modern Sizing Equivalent: XS-SML

Item# DD4835

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This was a dress produced for the shops but you can see that it was based on a combination of Looks 10 and Look 52. Done in a more versatile black, it has the one shoulder cut of Look 10 combined with the bead work and embellishments that you see on look 52. Vogue said that the collection was done "in an electric-bright palette.. and channelled Barbara Hutton's sixties—a glittery, lame, paisley, and leopard-print world of muumuus, bikinis, capri pants, trapeze dresses, cat-eye sunglasses, and scarf-wrapped hats. It bordered on camp... and Kitschy or not, there was no denying the workmanship that went into crafting the large collection." I love that the photo of the blue dress still shows you how fantastic this is on the body and I love that the added details make it feel that much more special. 

The dress is made out of a black silk chiffon that has a slight bit of texture to it. It is all cut on the bias but with seaming at the waist so that it has more structure then some of his longer bias cut pieces. The dress falls from one shoulder and then drapes down and over the bodice to the waist before the skirt swings out from under there. It is very beautiful. It is cut to skim and drape over you so that is shows every curve but is not overly fitted. The dress is suspended from  that one wide shoulder panel that curves over your shoulder and drapes across the bust to the other side. On both the front and back he has added a fabulous spray of intricate floral appliques that are detailed with black jet beads and sequins. These catch the light beautifully as you move. The waist nips in and the dress comes with its original belt, in its original pouch, that allows you to cinch the waist in as much as you like. I love the big jewel buckle on the belt that adds that much more glitz. The skirt flares out under that to the hem. There is a good amount of silk chiffon through the skirt which gives you so much movement when you walk. It's stunning. His signature row of tightly spaced buttons run up one side. It is an incredible example of his work and looks to have been worn very little if at all. Excellent condition with a small note below

Fully lined in a black silk and closes at the side with a series of silk covered buttons. I see one tiny hole near the hem. Please see the photo after the label shot. Tagged a FR42, GB14, IT46, US10.

Inner bust: 18.25" flat across from side seam to side seam
Waist: 14.75" flat across from side seam to side seam
Hips: open
Bodice: 18" from the top of the shoulder to the waist and meant to blouse over the waist a bit
Total length: 42" from top of shoulder to hem

Modern Sizing Equivalent: MED-LRG

Item# DD4800

Reference Photos: Cruise 2008 Christian Dior. (1) Look 10. Model Chanel Iman.  /  (2) Look 52. Model Mariya Markina.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This exceptional dress is by Marc Bohan for Christian Dior and it is a wonderful example of his work during this time period. We have had print dresses in the shop in the past from the early to-mid 1970s and I feel that this is most likely the correct era for this dress. It is a very easy and comfortable dress to wear but it also really special with all its embellishments. His work was integral to the label's development over the decades that he headed the atelier and this is a stunning example of his vision. Beyond that it is just an extraordinarily beautiful dress.

This dress is incredible. The cut is simple and easy and those details that run over it are pure magic. The dress is light and very easy to wear. It is made out of a fine silk that has a clay and black coloured check print that covers most of the dress. Screened in between that are four wide bands that have a floral border and then a larger checked print within those borders. One of the things that makes this dress so special as you can see how they have lined up the bands on the dress with the corresponding bands on the sleeves. The neckline is set high. Under that the bodice is meant to skim over you to the seam at the waist. The waist has a slightly more generous fee and there is an attached black silk ribbon belt that ends in a bow at the front. The skirt falls out from under that to the floor or slightly above depending on your height. The sleeves are fantastic They fall softly from the shoulder and are the full and wide all the way to their ends. The printed bands run across the centre of the bodice, just under the waist, the mid-skirt, and then around the hem. Each of the bands has little pink, green and soft pale pastel beads that are set in and among the floral borders. On the check parts in between, the squares have been highlighted with gold coloured square sequins. This really helps glam up the dress and make it so unique. The fabric is light and easy to wear but packs a tremendous amount of style with the that print combined with the detailing that covers the dress. The dress has the Christian Dior New York tag hidden inside the inner lining. Excellent condition with a minor note below.

The dress is lined through the skirt in a taupe pink silk. The bodice is unlined. It closes with a back zipper. I see tarnishing on some of the gold sequins and there are a couple missing near where the sleeves rub against the side of the dress. Very minor. All of the beads and sequins were applied by hand and it is hand finished throughout.

Sleeves: 22.5" and are 13" around the upper arm
Neck: 14" around
Shoulders: 15"
Bust: to 19" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Inner hips: to 21" flat across from side seam to side seam
Bodice: 15.5" from top of shoulder to waist
Total length: 56" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD4922

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This is a spectacular dress that has no label and could very well be a one off. I can't help but think that it was inspired by the stunning dress worn by Hedy Lamarr in the 1941 film Ziegfeld Girl. This would make a spectacular event dress and would absolutely be a phenomenal piece for a bride.

The upper bodice of the dress is made from a deep nude coloured netting done in a double layer. Onto this is a white netting that has gold flowers woven through it. Rhinestones are scattered over the entire bodice and run down and around the waist. The neckline is made from four flowers cut out and wrapped around the neck. It is meant to skim over the bust and waist and then the skirt falls from under that to the floor. The skirt widens out substantially as it nears the hem which gives you beautiful movement when you walk and move. The entire lower hem of the skirt is finished with more of the same rhinestones that are scattered across the bodice. It is gorgeous. The sleeves are spectacular. Each sleeve falls from the shoulder all the way to past the hem of the dress. They are cut very wide and are open to give them a cape feel. Each one is finished along the bottom hem with a row of ostrich feathers in a deep ivory. This is a clever way to add some weight to the bottom of the sleeve and also add spectacular movement. When I say they are wide by the bottom of the hem, I mean it. I measured and each one is just under 8 feet across. Each sleeve is detailed with more of the rhinestones along with more cut outs of the gold and white flowers set along the vertical lengths on each side of the sleeve. It is beautifully elaborate and over the top. This is the type of piece that you will only ever find in vintage. It is spectacular. Excellent condition

The dress is lined in an ivory silky rayon through the skirt and a the same nude netting through the bodice. It closes with a zipper at the back. The zipper has a slight sticky feel to it, but it is original and works perfectly fine so I have left it. Otherwise it appears to have been worn very little.

Sleeves: 60" plus the feathers go past the hem a few inches
Shoulders: 16"
Bust: to 19.5" flat across from side seam to side seam
Waist: to 15.5" flat across from side seam to side seam
Hips: open
Bodice: approx 15.5" from neck to waist
Total length: 59" from neck to hem

Modern Sizing Equivalent: MED-LRG

Item# DD4918

Reference photos: Cherie, Owner of Shrimpton Couture, by Erin Leydon.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

I am always thrilled to find a really great Emilio Pucci piece. The truly great ones are getting very hard to find and this one is exceptional. By the 1960s, the time period that this dress is from, Pucci was a world-wide phenomenon. Hollywood stars like Marilyn Monroe, Sophia Loren and even Jackie Kennedy were huge fans. For all of the many attempts since to catapult the label back to the height of its glory, the days when Emilio himself oversaw the label and designed the prints will always be the most special to me. It is very rare to find documentation on these early pieces and to have that for this one makes it extra special.

This is one of the prettiest Pucci pieces I have ever had in the shop. It is a gorgeous combination of a pinks, ivory and soft pastels. These colors are combined in a beautiful curving and graphic design that sweeps over the entire jumpsuit. The cut is very flattering. The neckline curves in a slightly upward slope across the front and then the back curves down. There is a full inner bodice built into this one that is lightly boned and made out of a heavy almost grosgrain feeling fabric that sucks you in and holds the jumpsuit in place all around you. The waist is seamed and I have added a pretty pale, pastel dusty pink ribbon that will be sent with the jumpsuit. From there the pants flare out to the floor. Each leg opens up to have tremendous volume. They are fully through the upper leg and then the  lower leg is finished with the bottom ruffle that is over 5 feet around the hem. The movement and drama that this creates when it's on is absolutely wonderful. I cannot gush enough about how fantastic the legs are on this jumpsuit. As is typical in a Pucci piece, he has used bands of a different printed silk to define the neckline and bottom hem on each pant leg. On this one, the borders are pretty little stripes made up of the main colours in the print. That combined with the way that he has pleated them to give it a bit of a ruffle feel is the perfect finishing flourish on the jumpsuit.  It is very feminine but sexy at the same time. I absolutely love it. You will probably never see another one like this. It is exceptional. Excellent condition

Unlined through the body of the jumpsuit, and there is a built-in boned corset as described above through the bodice. It closes with two zippers, one that is on the inter corset and one that is on the exterior silk. An inner waist stay hooks to close.

Bust: 16-16.5" flat across from side seam to side seam
Inner waist: 13.5" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Bodice: 10" from top seam to waist + 2" for the top ruffle
Pants: 40" from the waist to the bottom of the ruffles at the ham, 42" to the back
Inseam: 28" and the gusset is 12.25" from back of waist to inner leg seam

Modern Sizing Equivalent: XS-SML

Item# DD4907

Reference Photo: Emilio Pucci S/S 1969 "Capri", "Arcate" print. Photo Sandro Morriconi.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

The twin of this dress appears in the book on Thea Porter's work that accompanied the exhibit on her work. The photo appears on page 73. The caption in the book notes that "Claudia Bruce wearing a peasant style dress in a Persian paisley print combined with Damascus fabric and a leather and feather headdress. Greeks Street, London, 1969.". It is so rare to find runway photos of her shows and to have all this extra information is fantastic. 1969 is also an interesting year to note because it is the year that she started to sell her designs at Giorgio Beverly Hills. It was said that when word got out that Thea had new things in the Girorgio boutique, women ran to be able to get a piece for themselves, they sold out that fast. This is the only one I have ever seen like this outside of that book photo. Given her extremely limited run on certain pieces it may in fact be the only other one that was made and exists. It is truly a very special piece.

The dress is a fantastic combination of fabrics and this was something that Thea excelled at. She had the ability to source these fantastic antique fabrics and then mix and match them to put them together in a way that you had never seen done before. The front panel combines a floral and paisley print with beautiful detailing between. It runs down the front in a long rectangle shape and then she curved it over the shoulders and ran another panel of it down the back. The rest of the dress is made out of a clay coloured silk organza that has a beautiful pattern hand embroidered over its surface. A little chain of white embroidery runs through that pattern for a little bit of a pop. At the end of each sleeve there is an insert of the cotton fabric. This is set in a wide band all around the cuffs with these little points running up into the sleeve. The shape of the dress is easy and comfortable to wear. It skims over the body and flares out slightly as it reaches the hem. Slits run up each side so you get a flash of leg when you walk. Each sleeve is fantastic. Each is a full and voluminous balloon type sleeve that puffs up extravagantly around each wrist. The collar on the dress is perhaps the best part. A tie loops through the front part only and for most of the shots I have tied it enough so that it scoops like it does in the runway shot. However, you can loosen the front up and that allows you to push the dress down the shoulders to expose a full expanse of bare skin across the top of the shoulders. It is phenomenal. This is a very rare example of her work and most likely you will never see one again. Excellent condition.

Unlined and slips over the head to wear. The front collar can be adjusted with the tie as described above. Each cuff has a snap to close. It appears to have been worn very little if at all. There are little bits of blue dye on the front and back panel that looks like it has run a touch but I believe this is inherent to this fabric and this may have been like that since the day it was made. I do not think it is a flaw, but rather a result of the fact that the fabric was hand screened. Tagged a vintage Thea Porter UK 10. The easy cut should allow it to fit a range of sizes.

Sleeves: approx 15" and will come up a touch when the cuff is closed. Each upper arm is 13.75" around
Shoulders: no true defined scene
Bust: to 19" flat across from side seam to side seam
Waist: to 18" flat across from side seam to side seam
Hips: to 22" flat across from side seam to side seam
Total length: 54.5" from top of shoulder to hem with 2" turned under the hem

Modern Sizing Equivalent: XS-SML

Item# DD4899

Reference Photos: Claudia Bruce for Thea Porter. Greek Street, London, 1969. (2) From the book Thea Porter: Bohemian Chic.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

I have had this tucked away in my archives for quite some time and it is spectacular. This is a gorgeous little skirt and halter top set that is a fabulous example of how unique her work could be. Of all of Thea's pieces are so special. Many were one-offs or were made in very limited quantities. She often thrifted and sourced odd bits of fabric and seemed to design with things that caught her fancy rather than have a solid theme season to season. Everyone who was anyone wore her work back in the day, including Elizabeth Taylor who was a huge fan and collector. This set is just spectacular and it is a very special piece.

These skirt and cropped top sets really showcase what the seventies flower power / hippie movement was all about. This set is especially fascinating with its screened wildlife covering both pieces and then the corresponding text that feels like it is from an encyclopedia explaining the different animals shown. The top is a simple halter type top that hooks into place behind the neck and then the bottom wraps and ties around you. When off the body you see that it is one elongated triangle with a strap that goes around the neck and then on each side the fabric extends out into long ties. I shot it with the ties at the back so you could get the full impact of the print on both pieces but you could also choose to wrap the ties to the front. The ties also lets you control how short or long it sits on the torso. You can wrap and roll the fabric so it sits higher or you can leave it where you see it in these photos. The skirt is equally as easy to wear. It has no band at the waist so that the text and photos printed on it are not broken up in anyway. It widens out dramatically to the hem from there. I took a photo of it laying out flat so you can see how wide the bottom hem ends up being. The fabric is a cotton that is a decent weight so that the shape is held. The combination of text and what looks like hand painted animals, but are actually screened into the fabric, is fantastic. It is gorgeous and I love that because it is two pieces you can mix and match it with other things in your existing wardrobe. This was almost certainly a one off and very rare. Excellent condition

Both the top and skirt are unlined. The top is as described above. The skirt zips to close. Both pieces appear to have been worn very little if at all.

Top
It is flexible in size since it wraps and ties and has coverage across the front. The front halter is 17" from side to side with no true side seams and is 13.25" long from neck to bottom.
Neck: 14" from end to end

Skirt
Waist: 12.5" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Length: 41.5" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD4898

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.