• Early 1980s dress under the creative direction of Hanae Mori
• Made of a pink striped silk chiffon that has a gold thread shot through the striped pattern. The gold picks the light up to give the dress a subtle shimmer.
• V neck and buttons down the front
• Original tie belt in a matching fabric to cinch in the waist
• The skirt is full and widen out as it needs the hem
• The front of the bodice and the skirt are lined in a nude silk chiffon, and the back and sleeves are unlined.
• It closes with the fabric covered buttons down the front and snapped at the waist. Each sleeve snapped to close. Like padding in each shoulder.
• It appears to have worn very little if at all. Excellent condition.

Sleeves: 22.5" and or 13" around the upper arm
Shoulders: 15"
Bust: to 16" flat across from side seam to side seam
Waist: 12" flat across from side seam to side seam
Hips: open
Bodice: 15" from top of shoulder to waist
Total length: 56" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD5026

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Early 1980s dress under the creative direction of Hanae Mori
• Made of a pink striped silk chiffon that has a gold thread shot through the striped pattern. The gold picks the light up to give the dress a subtle shimmer.
• V neck and buttons down the front
• Original tie belt in a matching fabric to cinch in the waist
• The skirt is full and widen out as it needs the hem
• The front of the bodice and the skirt are lined in a nude silk chiffon, and the back and sleeves are unlined.
• It closes with the fabric covered buttons down the front and snapped at the waist. Each sleeve snapped to close. Like padding in each shoulder.
• It appears to have worn very little if at all. Excellent condition.

Sleeves: 22.5" and or 13" around the upper arm
Shoulders: 15"
Bust: to 16" flat across from side seam to side seam
Waist: 12" flat across from side seam to side seam
Hips: open
Bodice: 15" from top of shoulder to waist
Total length: 56" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD5026

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

Pauline Trigere launched her label in 1942. She was from Paris and moved to the US in 1937. That early French influence showed throughout her career. In 1949 she was awarded her first Coty award. She won it again in both 1951 and 1959. The 1959 win coincided with being inducted into the Coty Fashion Hall of Fame. She was a pioneer in the use of cottons and wool for evening and her work with silks is wonderful. In 1961 she made headlines for being the first major fashion house to use an African American model. This is a great and very wearable piece. 

The jumpsuit is  made out of a soft black wool jersey. The cut is very simple and easy and it is cut very generously through the waist. You could also belt it if you want to add shape and then it takes on a completely different look. I added a ribbon for a couple of the shots here so you could get an idea of that. It has a neat little collar at the front that is tacked down so that it sits perfectly at all times. It closes with a deep front zipper so you can actually open this as low as you dare. The sleeves are long and narrow down slightly as they reach the cuffs. There is light padding in the shoulders to help hold the shape. A decorative detail on each hip suggests pockets but without adding the bulk a pocket would add. The legs are cut straight and wide all the way down to their ends. I love the simplicity of it. Excellent condition with a minor note below

Fully lined in a black silk except for the sleeves. It zippers to close at the front. Light padding in each shoulder. Hand finishes throughout. I see a tiny area where the wool has a bit of thinning at the front. Please see the photo after the label shot. The ribbon at the waist in some shots is not original to the jumpsuit but will be included.

Sleeves: 24.5" and are 12" around the upper arm
Shoulders: 15.5"
Bust: to 19" flat across from side seam to side seam
Waist: to 16.5" flat across from side seam to side seam
Hips: 19-21" flat across from side seam to side seam
Length: 59" from neck to hem with 3" turned under the hem
Inseam: 30.5"
Gusset: 32" from the back of the neck to the inner seam

Modern Sizing Equivalent: SML-MED

Item# DD5007

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

The twin of this dress walked the Fall 1987 runway and I love that we found a reference photo so you can see just how fantastic this is once on. It is one of those dresses that looks amazing on the dress form but is even better on an actual person. Bill Blass launched his label in 1970 when he bought out the Maurice Rentner label and re-launched it under his own name. Blass was arguably one of the most famous of the American designers. His forte was the ability to mix simple styles with unexpected materials in way that was very flattering to the wearer. This dress is so unusual and I absolutely love it. It is truly one of the most spectacular of his dresses that I have had in the shop.

This dress is incredible. The fabric alone is a work of art. The base is a rich blue silk and then onto this is a fantastic design made of out a black velvet. The velvet is very soft to the touch with a chenille like finish that gives the design a beautiful texture and softness. The dress has the feel of an antique 18th century gown and I love this reference back to the past. The top is a fitted and strapless with a band of black silk wrapping around the breasts. The blue silk and black velvet fall from there to skim outward over the waist and hips and then narrow back down to the floor as it reaches the hem. This gives the front of the dress a more long and lean feel but with a hint that something special might happen as you turn. The back is the star of the show. Sitting over the top of the closure at the back is a large black velvet bow. This tops an added panel that has the feel of a bustle. I is made out of a tremendous sweep of the same fabric. It  expands outward and then loops back in to attach just under the hips. A second black velvet bow sits at the base of where it swoops in. The sheer volume of fabric used to create this nod to a bustle is fantastic. From every angle of the dress you get these wondrous sweeping views because of this unusual detail. There is a slit under that at the back to allow you to walk. The combination of the beautiful fabric and that extra detailing is just amazing. It is one of the most beautiful dresses I have seen from him. It appears to have been worn very little if at all.. Excellent condition

Fully lined in a black silk. It closes with a back painted metal zipper hidden under a seam and there is an inner hooked waist stay. Light boning through the bodice. Hand work throughout. 

Bust: to 17" flat across from side seam to side seam
Inner waist: 14" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Total length: 56" from top of bodice to hem

Modern Sizing Equivalent: SML-MED

Item# DD4995

Reference Photo: Fall 1987 Bill Blass Runway.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

John Anthony's business was all done on a made-to-order basis. That means that each piece is the only one that exists, or in the very occasional circumstance that there are similar pieces, only a very limited amount of pieces were made. And to make things even a little more special.... the pieces I have in the shop come directly from John's archive. He is one of the great American couturiers and he was known for his sharp tailoring and striking evening wear. He launched his atelier in 1971 and he quickly rose to fame, winning a Coty award in 1972 and then again in 1976. This jacket is from his Fall 1980 collection and is the original sample from his archives.

This jacket is stunning to see in real life. It has a beautiful sleek cut and it is meant to be more fitted through the body. I love that it completely closes as this allows you to wear it on its own or layer it over other pieces. The shoulders have light padding for shape and the sleeves are long. The waist is brought in just a touch. It is meticulously tailored and John told me that creating jackets were one of his favourites things to do. They are infinitely challenging to have them sit perfectly on the body and his are tailored to a master level. It has no collar and the neckline is a sleek V.  It closes down the front with a series of hidden silk covered snaps and then there are three glass rhinestone buckles that close over the front. They are spectacular. The entire jacket is covered in glossy black sequins. These have all been set by hand and completely cover the silk that the jacket is made from. Each sequin is laid out so that it slightly overlaps its neighbour. To think of the man hours out into this jacket is incredible. The final finishing touch on this one are the bold motifs beaded onto the sequins on each side at the front. These have a 3D effect and sit up and off of the sequins below. The personal attention to each piece is clearly seen in the workmanship of his designs. His work is very expensive and beaded jackets like this retailed for up to $6,500 in the 80s and 90s which would be around $25k in modern dollars to recreate at this level. It appears to have been worn very little if at all. Excellent condition

Filly lined in a black silk and closes at the front with hidden set silk covered snaps. The rhinestone clasps close over that. Padding in each shoulder. Made by hand. A one of a kind.. 

Sleeves: 22" long and 13" around the upper arm
Shoulders: 16.5"
Bust: 17" flat across from side seam to side seam
Waist: 15.5" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Length: 24" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD4551

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This is a fantastic and surprisingly avant garde Haute Couture dress by Pierre Cardin. It is from the Spring 1985 collection and we have included some reference photos of the twin of the dress on the runway so that you can see how it sits on the body. They really give you an idea of how fantastic and unusual this is once it is on the body. It is a beautiful and elegant piece that may not be as mod in feel as some of Cardin's earlier pieces but it is one that shows the breadth of his talent. From a historical perspective it's also an interesting insight on the volume and play on proportion done in the 1980s. 

Throughout his career Cardin often played with volume and for the 1985 collection he put huge voluminous caped bodices over narrow skirts, a silhouette we first saw him begin to do in the late 1970s. This dress is made from a fine silk that is covered in a dynamic and bold floral print. You can see that fantastic play on volume in the cut. The dress was completely made by hand and the fine workmanship is wonderful to see. That avant garde cut is all created by clever seaming and traditional couture methods and this mix is fascinating. There is an inner more sheath-like dress and then a caped piece attaches over that. The neckline is set higher across the front with a pleated over piece that falls from the shoulders. At the front it is set into a black silk ribbon that wraps around the hip area. Your arms slip underneath it at the sides and then the cape extends downwards into a long point at the back. The top layer has been softly pleated and this gives it more volume and movement as you move. It is also what gives it that incredible and unusual silhouette that you see. The skirt falls from under the wide black silk ribbon that is attached around the hip area and it is done in a sleek and simple cut to the floor. It is very chic and unusual. Excellent condition with minor notes below

Fully lined in a hand set white silk and closes with a back hidden set zipper on the inner dress. At some point the hem was let down and I have left it for the extra length. You can see a faint line where it was folded. There are light shoulder pads whose inner stuffing has degraded. I see some minor yellowing to the inner lining around the top of the zipper area and very light grubbiness  to the very edge of the inner arm that you don't see because it is covered by the cape.

Inner bust: to 19" flat across from side seam to side seam
Inner waist: 17.5" flat across from side seam to side seam
Hips: to 20.5" flat across from side seam to side seam
Bodice: 15" from top of bodice to waist
Total length: 59" from waist to hem

Modern Sizing Equivalent: MED-LRG

Item# DD4981

Reference Photos: Spring 1985 Pierre Cardin Haute Couture.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.